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The Exorcist III

1990

Action / Drama / Fantasy / Horror / Mystery / Thriller

The Exorcist III

1990

Action / Drama / Fantasy / Horror / Mystery / Thriller

Available in: 720p.BluRay 1080p.BluRay

Download Subtitles

60% TOMATOMETER · 47 reviews

58% AUDIENCE · 25K ratings

6.5/10 · 42.9K

720p.BluRay 1080p.BluRay

Download Subtitles

death penalty based on novel or book religion and supernatural suspicion of murder investigation exorcism

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Plot summary

On the fifteenth anniversary of the exorcism that claimed Father Damien Karras' life, Police Lieutenant Kinderman's world is once again shattered when a boy is found decapitated and savagely crucified.

Director

William Peter Blatty

Top cast

Mary Jackson as Mrs. Clelia

Kevin Corrigan as Altar Boy

Samuel L. Jackson as Dream Blind Man

Brad Dourif as The Gemini Killer

Tech specs

720p.BLU 1080p.BLU

815.62 MB

1280*720

English 2.0

TV-14

Subtitles

23.976 fps

1 hr 50 min

Seeds 9

1.65 GB

1920*1080

English 2.0

TV-14

Subtitles

23.976 fps

1 hr 50 min

Seeds 100+

Comments 9

HorrorFan69420 26 days ago

This is NOT the director's cut. THIS IS NOT!

hypertension 435 days ago

4k version please! Thank you.

qb8young 519 days ago

At 1 hr and 50 mins this appears to be the Theatrical Cut. The Directors Cut from 2016 based on his novel "Legion" is actually shorter at 1 hr and 45 mins.

AsadSardar 759 days ago

No 4k ?? what a joke! May the power of Christ Compels you

JWD1 913 days ago

2160P please???

Mephostopholes 1178 days ago

4k version please

juggernaut85 1311 days ago

jeffery dahmer's fave or no

diablospt 2038 days ago

is this the directors cut?

deepmatharu1106 3349 days ago

Awesome Movie

Showing 9 of 9 threads

IMDb reviews

From IMDb

8 / 10

Very good sequel retains the high standard Blatty's

talisencrw

Very good sequel retains the high standard Blatty's original screenplay set! In going through the original 'Exorcist' trilogy (I have the DVD 6-pack, with the…

5 / 10

This was the best sequel to The Exorcist

GenerationofSwine

This was the best sequel to The Exorcist they made, and that isn't really saying much. The second one was horrible and the ones that followed were horrible. In…

6 / 10

What's good in this film we can attribute

tmdb28039023

What's good in this film we can attribute to William Peter Blatty's script and direction and to the casting, especially Brad Dourif and George C. Scott; what's…

What's good in this film we can attribute to William Peter Blatty's script and direction and to the casting, especially Brad Dourif and George C. Scott; what's bad, to Executive Meddling – in particular the last minute exorcism performed by a last minute priest; it says a lot that Burton's Father Lamont from Exorcist II: The Heretic is more memorable than Nicol Williamson's Father Morning. Unlike The Heretic, III looks and feels – except for a bizarre dream sequence featuring cameos by Fabio and Patrick Ewing as angels – like it belongs in the same world as The Exorcist; that is to say, it knows the words and the music. There are haunting visuals that stay with you long after the film is over (the crucifix opening its eyes, the old woman crawling on the ceiling, Scott's daughter's near decapitation). At the same time, the film has a sense of humor that I would call shakespearean; Father Joseph Dyer (Ed Flanders), whose dialogue includes a reference to Mel Brooks's Spaceballs, is akin to the gravedigger in Hamlet or the porter in Macbeth. What bothers me about III is the same that troubles me about The Heretic – though to a much lesser degree –, and it's the 'how.' Specifically, how Patient X, alias Father Damien Karras (Jason Miller), ends up in a cell in a hospital's psychiatric ward for the past 15 years. It's a good thing that Blatty decided to have X played by both Miller and Dourif – more so the latter than the former –, because Dourif, as James 'The Gemini Killer' Venamun, has a long, expository, loose-end-tying monologue which proves that sometimes you can indeed polish a turd; it doesn't, even after allowing for supernatural intervention, make a lick of sense (the corpse of a beloved local priest bursts out of his "cheap little coffin" and goes missing, and no one is the wiser? Yeah, right), but it's all in the delivery. Dourif turns in a blood-curdling, bone-chilling campfire tale (at one point he even briefly reflects "is this true?", as if he finds it hard to swallow himself). Now, I'm not saying Miller couldn't have done this, but in retrospect I don't see how he or anyone else could have; I only know Dourif did it because I watched him do it in a movie-stealing performance that doubled the considerable respect I already had for him and his craft.

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