The Entertainer (1960) YTS - Download Yify Movie

Reviewed by CinemaSerf 7 / 10

Certainly, Laurence Olivier is superb in this drama

Certainly, Laurence Olivier is superb in this drama, but he is surrounded by a superior supporting cast that lend huge poignancy to this story. He is "Archie Rice", a seaside entertainer who has long since passed his use-by date. His quick witted, slightly risqué and smutty humour no longer amuses the theatre audiences who now require much greater sophistication. He can't adapt though - it's in his blood. As he desperately tries to stay one step ahead of the bailiffs and the taxman, he puts his nearest and dearest through a maelstrom of emotions and trauma. It doesn't help his wife "Phoebe" (Brenda de Banzie) that he is also a bit of a womaniser - usually with younger girls, too. His long suffering kids "Jean" (Joan Plowright) and "Frank" (Alan Bates) try to keep things running as they struggle to make ends meet and stay cohesive as a family. Add to these four, a sparing but super contribution from Roger Livesey as his father - another man who made his living treading the boards back in the day, and what we have here is a telling look at a man who just no longer belongs. Olivier, the actor, turns his hand to stand-up, tap dancing, singing - all standard skills that anyone making a living this way would have needed; and he does it really well. None of the theatrical, method style he is so often famed (and criticised) for. Indeed, I think this is the most natural I have ever seen him on film. He seems to be rejoicing in the role - and that's contagious to watch. It's not a bundle of laughs, we are given plenty of opportunity to dislike this rather selfish, narcissist - especially when he is with the excellent Plowright and de Banzie. Although there is an inevitability to the conclusion, I still felt for this family reaching a crossroads, ill-equipped to fit into a society they didn't recognise nor really want to embrace.

Reviewed by blanche-2 8 / 10

Nuns, clergymen, and dogs

Laurence Olivier is "The Entertainer," in a 1960 film based on the John Osborne play in which Olivier played one of his greatest roles, Archie Rice. He's surrounded by Joan Plowright as Archie's daughter Jean, and Brenda de Banzie as his emotionally fragile second wife, Phoebe.Olivier, Plowwright and de Banzie all repeat their stage roles, and it was while in the play that Olivier and Plowright met, fell in love, married, and stayed together until his death.Albert Finney is Mick and Alan Bates is Frank, Archie's sons, and Roger Livesey is Billy Rice, Archie's father and a beloved, well remembered music hall performer. Daniel Massey plays the role of Graham. It's an auspicious cast of veterans and newcomers.Archie has followed in his father's footsteps with a lot less success. He's a second-rate entertainer - and that's being kind - in a seaside resort - and his show is in trouble. Archie's in trouble, too, as he's an undischarged bankruptcy and everything is in his wife's name.He's a fairly overt womanizer, which makes his wife a wreck. She's afraid of dying alone and wants the family to move to Canada and join a successful relative in the hotel business.However, Archie won't give up following every dream in spite of some harsh realities. He takes up with a 20-year-old second prize beauty contestant - her father's rich and can back his new show.As I read through the reviews on IMDb, I have to wonder where some people's hearts are. That's not a comment on the people, believe me, rather on the world we live in.I can tell you this - if you think what Olivier does isn't special and can't understand why he was nominated for an Oscar, if you can't see that he is Everyman, if you can't see the comment on Britain in general - you just haven't lived enough yet. You'll see this film again one day and it'll hurt, believe me.There can't be anyone my age, especially with ambition and a creative mind, who can't understand what Archie Rice is going through. Though he's in no way a sympathetic character, one can empathize with his life and begrudgingly admire the fact that he refuses to take the easy way out.Jean, since she doesn't live full time with this bad road company version of "Long Day's Journey Into Night" - i.e., her family - is sympathetic to both Phoebe's hysteria and her father's delusions.The scene over the cake - one of the reviewers on the board found it disturbingly realistic - there's someone who knows dysfunction when he sees it. A brilliant scene, but nothing beats Archie's monologue to his daughter when he asks her to look at his eyes. "I'm dead," he says.Olivier has said this is his favorite character as it contains so much of him. It's obvious from interviews with Olivier that it does.Like many highly successful people, he began to see himself as Archie, a kind of fake who, as Archie says, can be warm and smiling and feel nothing. "It's all tricks," Olivier told writer Jack Kroll once. It's not an uncommon feeling.It wasn't all tricks, of course, and as we see in Archie's final version of the song that ran through the film, "Why Should I Care?" he had finally reached the part of himself that makes a truly great artist, like the woman he heard sing the spiritual. Olivier, of course, hit those heights many times.England is pronounced as a "dying country" in the beginning of the film, which sets up the metaphor of Archie as a symbol of the country. I'm not British - it's for those who lived during that time period in 1960 to comment on it, and they have. There are some brilliant reviews on the board covering that subject."Why Should I Care?" Archie sings. I don't have an answer. But if anyone could make me care, it was always Lord Laurence Olivier, be he the ruined man in "Carrie," the beautiful Heathcliff in "Wuthering Heights," James Tyrone on stage in "Long Day's Journey," or Max de Winter in "Rebecca." An amazing legacy, one in a million - don't miss him as Archie Rice in "The Entertainer."

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The Entertainer

1960

Action / Drama

The Entertainer

1960

Action / Drama

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Certainly, Laurence Olivier is superb in this drama

Nuns, clergymen, and dogs

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