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2025

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The End

2024

Drama / Fantasy / Musical / Sci-Fi

The End (2024) download

The End

2024

Drama / Fantasy / Musical / Sci-Fi

Available in: 720p.BluRay 1080p.BluRay 720p.WEB 1080p.WEB 1080p.WEB.x265 2160p.WEB.x265

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19

57% TOMATOMETER · 120 reviews

28% AUDIENCE · 100 ratings

5.3/10 · 3.5K

720p.BluRay 1080p.BluRay 720p.WEB 1080p.WEB 1080p.WEB.x265 2160p.WEB.x265

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bunker post-apocalyptic future musical post apocalypse

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The End (2024) download

The End (2024) download

The End (2024) download

Plot summary

Twenty-five years after environmental collapse left the Earth uninhabitable, Mother, Father and Son are confined to their palatial bunker, where they struggle to maintain hope and a sense of normalcy by clinging to the rituals of daily life—until the arrival of a stranger, Girl, upends their happy routine. As tensions rise, their seemingly idyllic existence starts to crumble.

Director

Joshua Oppenheimer

Top cast

Tilda Swinton as Mother

Michael Shannon as Father

George MacKay as Son

Lennie James as Doctor

Tech specs

720p.BLU 1080p.BLU 720p.WEB 1080p.WEB 1080p.WEB.x265 2160p.WEB.x265

1.34 GB

1280*536

English 2.0

R

Subtitles

23.976 fps

2 hr 28 min

Seeds 5

2.74 GB

1920*804

English 5.1

R

Subtitles

23.976 fps

2 hr 28 min

Seeds 5

1.33 GB

1280*536

English 2.0

R

Subtitles

23.976 fps

2 hr 28 min

Seeds 3

2.74 GB

1918*802

English 5.1

R

Subtitles

23.976 fps

2 hr 28 min

Seeds 8

2.48 GB

1918*802

English 5.1

R

Subtitles

23.976 fps

2 hr 28 min

Seeds 8

6.64 GB

3840*1600

English 5.1

R

Subtitles

23.976 fps

2 hr 28 min

Seeds 4

Comments 16

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azra3l 259 days ago

Decadency. Movie looks almost like Rothschilds Surrealist Ball of 1972. Cultural InvaZION, hope they all will hide in bunkers and lava will cover the entrance and air vents, all elons and bezos and other zios.

atheistsodomite 507 days ago

A musical about the end times? What's next? A musical of The Phantom of the Opera? A musical of Sweeney Todd?

atheistsodomite 507 days ago

One gets the sense AlvinMG hasn't seen a musical written in the last 50 years.

natt0 531 days ago

@AlvinMG you have terrible taste

karlpopper 532 days ago

@herbg - here's my contribution to the "what ifs" - how about Hostel, the musical, or Saw, the musical?

Starlit_Freak 532 days ago

Someone missed the message about the day the music died.

AlvinMG 532 days ago

A musical about the end times? That is like the band playing while the Titanic sinks. Makes zero sense. End times are supposed to be serious, dramatic, desperate, sombre and gritty. Musicals are silly, frivolous, light hearted and uplifting. Err I guess when you take too many drugs you can get you genres mixed up. Hollywood ... go figure. Rather let Bollywood do musicals. They are better at it. Much better.

fucque1776 532 days ago

Bitches ruin EVERYTHING

moviefreaknik 562 days ago

Glad that the orangeman has emboldened the bigots to come out and admit that "woke" refers to anything related to black people. Scared little bigots.

sidsuperstar 655 days ago

'Much appreciated Mr. Freeman'

mucmxv6eq 656 days ago

I wouldn't mind the singing but the amount of autotune is just ridiculous

helicaon 656 days ago

"I hate musicals..etc.." well don't watch it - pass by, we really don't need to know that...

AirfunAbd 657 days ago

I detest musicals

castolan 657 days ago

@herbg, actually, that sounds pretty good!

kd_techniques 657 days ago

Why do these movies give me the impression that the film industry is about to collapse or something?

herbg 657 days ago

It's a musical. What's next, Friday the 13th, the musical? How about 2001, the musical?

Showing 16 of 16 threads

IMDb reviews

From IMDb

7 / 10

With some sort of global apocalypse having occurred

CinemaSerf

With some sort of global apocalypse having occurred up top, a family have taken refuge deep inside a salt mine where dad’s previous profession in the energy…

With some sort of global apocalypse having occurred up top, a family have taken refuge deep inside a salt mine where dad’s previous profession in the energy sector has ensured that they live a civilised and well appointed life. With Reubens and Rembrandt augmenting their oak-clad walls, Michael Shannon and Tilda Swinton have brought up their son, George MacKay, with the help of her best friend Bronagh Gallagher, a doctor (Lennie James) and their gay butler (Tim McInnerny). They spend their days rehearsing for disaster scenarios and rearranging their home, whilst the son writes a memoir for his father that marries an (environmental) history of the world with a curiously slanted homage to the efforts made by his father to provide unlimited cheap energy to the masses! Then one day, this Elysian dream becomes compromised by the arrival of a young girl (Moses Ingram) and that puts them into a quandary. Do they let her stay or do they evict her back from whence she came? If she stays, how might she upset the dynamic amongst a family who have clearly only a wafer thin sheen over a multitude of issues from their respective pasts that have largely been forgotten for then twenty-odd years they have lived their subterranean existences? There is singing, and a lot of singing - and with the possible exception of Ingram, none of them are very good at it. That doesn’t matter, though, as the score from Marius de Vries and Josh Schmidt combines just about everything from Rachmaninov and Gershwin to Lloyd-Webber, Rice, Pasek & Pau. Once your ears get used to the sometimes grimace-inducing falsetto of an enthusiastic MacKay and an on-form but fairly tuneless Swinton then this actually works quite entertainingly. Gallagher can always be relied upon to add a little vitality to a story and McInnerny also knows how to ham things up (just as he did in “Gladiator II”) to good effect, too. The timelines jump now and again, but never by much and it has quite a quirky effect on the delivery as characters appear to, well, disappear, at the end of the scene. MacKay steals this for me, delivering a role that reminded me a little of Luke Treadaway’s Olivier award winning stage effort as “Christopher” from “The Curious Incident of the Dog in the Night Time”. His journey to adulthood being tempered by a very slightly autistic characterisation; a dependant relationship with his mother and his own clearly awakening hormonal desires, too. It’s long, and at times can be a bit hit or miss - but generally it does flow along well, in a very theatrically staged fashion and if you are looking to see something that takes just about everyone from their comfort zone, then this might be for you.

5 / 10

Interesting concept that doesn't work at all

ejonconrad

Post apocalyptic movies are probably my favorite genre, and I love Michael Shannon and Tilda Swinton, so I was really looking forward to this movie. I also…

5 / 10

Great Premise. Poorly Executed.

BoomerFan

Following a vaguely explained apocalypse, a married couple, their adult son and a tiny handful of servants have established a luxurious home in a salt mine…

Following a vaguely explained apocalypse, a married couple, their adult son and a tiny handful of servants have established a luxurious home in a salt mine, deliberately oblivious to whatever is happening in the world above. Under the controlling leadership of the patriarch (Michael Shannon) and his fearful wife (Tilda Swinton), they lead a comfortable existence. However, there are a multitude of relationship strains, past sins and guilt bubbling just below the surface. These all explode out into the open when a young woman somehow manages to find her way down into the mine. Her presence upsets the uneasy status quo that has sustained the sheltered "family" who have known no one but each other for at least two decades.Much of the overlong film consists of monologues and the aftermaths as each character's house of lies is rawly exposed. While the stories and interpersonal tensions could be interesting, it's much too talky (maybe a better word is too verbal, since some of the monologues and conversations are sung, as if in a musical theater). Not much else happens, nor is the origin and sustainability of this outpost ever really explained - where does all the food and power come from? How did they acquire some of the world's great artwork to display on the walls of their elaborately furnished drawing rooms.And why, oh why, did they bother with the musical numbers? If nothing else, they added to the film's excessive length. Tilda Swinton is a great actress, but she can't sing. Michael Shannon isn't much better at it. And neither makes any real effort to lip sync; though George MacCay as the son and Moses Ingram as the young woman do a decent job with the music.In the end, it never really comes together well enough to fully explain who these people are and why they are the way they are. The film is visually stunning and expertly produced, but it's cold and unfulfilling - just as its characters are.Ps. The streaming series Silo covers some of the same post-apocalypse territory, but does a far better job of portraying its underground isolation as a complete environment and society.

More reviews on IMDb

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