UXPXYTT911, Trying (and failing) to hide your blatant racism behind a few big words and an overlong excuse of a post is just screaming for attention. Go pray to your orange imbecile racist God someplace else

I'm black and love movies but this one sucked and its awful.

@reg83ny The "out of Africa" theory has been debunked for the past 5 years, you idiot. The rest of the non-black world breeded with Neadrathals, who are now known to be intelligent and developed. While blacks remained in Africa and breeded with the missing link aka the Australopithecus sediba. That is why your brains, especially the Prefrontal Cortex and a big chunk of the gray matter in the cortex is missing. Which explains why your kind barely existed in the Chalcolithic age, while the rest of the World was already highly advanced. Your pathetic people never invented, discovered, created, wrote or engineered anything. It hasn't changed now, as you people are still over-dependent on handouts and political correct bs to coexist with significantly more advanced human beings. If that wasn't enough, you all happen to be ugly, arrogant, entitled and most of all, violent to boot.

Very bad movie.

it's quite beautiful story .

Haters and racists -- must watch

A repeat of the Fatal Attraction theme, didn't grab me and when she started screaming for no reason, I stopped watching.

@hatorihatori the movie is not about an actual Dutchman so there isn't one here either, genius. Although the actor's last name is literally Holland

@hatorihatori The whole world was black at one point. How do you think you got here to become white.

@DimsRfascist ...you think Kate Mara is trans? you're really that slow, huh?

Update: The execution of this modern take on a 1964 play about identity and racial tensions felt by a black man in America isn't perfect, but pretty effective as a gripping psychological thriller. I liked it. The Rotten Tomatoes reviews are pretty spot on when averaged together.

This is a modern film adaptation of an award winning 1964 play that addresses issues of identity and race. I'm only 20 minutes in, but I'll say this: 1964 was a year when it made a lot of sense to write a play about race. Whether a modern interpretation adds to it remains to be seen, but so far it's interesting.

Thanks for Kate Mara! This looks great.