The Curse of the Werewolf (1961) YTS

Reviewed by Wuchak 7 / 10

***Conceived by rape and born on Christmas results

***Conceived by rape and born on Christmas results in…*** In mid-1700’s Spain a mute servant lass (Yvonne Romain) is raped by a mad beggar and her child is born on Christmas day, which is considered blasphemy by the local religious folk. As an adult, Leon (Oliver Reed) leaves his adoptive parents to work at a nearby winery and develops a relationship with the owner’s highborn daughter (Catherine Feller). Unfortunately, an animal spirit seeks to dominate his soul as he struggles to suppress the beast within. The only werewolf flick made by Hammer, “The Curse of the Werewolf” (1961) was based on the novel “The Werewolf of Paris” by Guy Endore, but the location of the story was switched from France to Spain because there was a Spanish set available after a film about the Spanish Inquisition was scrapped due to opposition from the Catholic League of Decency. It’s interesting that Oliver Reed doesn’t even appear until the movie is past half over with only 45 minutes remaining (not counting his eyes in the opening credits). Reed had that gripping Brando-like brooding magnetism and his mounting anguish is displayed well. We realize Leon’s innocent, but in the grip of some kind of curse unjustly thrust upon him. The movie is unassuming and has the confidence to take its time with the entire first half being a set-up, which some modern viewers find boring and extraneous. But watch closely and there are several gems to be gleaned. For instance, Leon’s name is the reverse of Noel and it is love that keeps the fiend within at bay, whether paternal love or romantic love. The pure affection of Cristina is the only answer to soothe the savage beast, but she’s kept from him. The fools. The setting of 18th century Spain makes for a nice change of pace in a Hammer flick; and the look of the iconic creature itself was unique at the time and very effective, partially due to Reed’s brawny appearance and heavy charm. The film runs 1 hour, 33 minutes and was shot in England (Berkshire, Buckinghamshire & Surrey). GRADE: B

Reviewed by JPV852 7 / 10

Some respectable prosthetic effects and fine work by

Some respectable prosthetic effects and fine work by Oliver Reed and Catherine Feller, but kind of plods along at times. but ultimately found it to be entertaining, especially the finale. **3.5/5**

Reviewed by ma-cortes 7 / 10

Over-the-top horror film directed by the master of Hammer Production , Terence Fisher

Extremely Gothic terror intent in the Universal vein and walks a fine line between romance , camp , Wolfman's classic and horror . It displays excellent set design , ambitious screenplay with too many eerie scenes and adequate interpretation for all casting . Terror picture that is renowned for ferocious departure from the stereotypical portrait of the beast . It is set in Europa , dealing with a 19 Century European werewolf , as it happens in Spain , Leon is born on Christmas day to a mute servant girl (Yvonne Romain) who was imprisoned by a nobleman (Anthony Dawson) and raped by a beggar (Richard Wordsworth stated that in the original screenplay his beggar character was a werewolf) . His mother dies giving birth and he is looked after by Don Alfredo (Clifford Evans) and his maid . As a child Leon turned into a werewolf after having been taken hunting . Leon (Oliver Reed in his first horror movie), transformed by the full moon, heads for the forest and a fateful meeting with the villagers . He is developing an extraordinary force and aware himself has a horrible curse who cannot to control . As a young man he works in a wine cellar and falls in love with the owner's daughter named Cristina (Catherine Feller). The curse will be passed on to him at the next full moon and he again turns into a werewolf and terrifies the town. This exciting motion picture displays drama , suspense, terror with mysterious touches and is quite entertaining ; being the only werewolf movie made by Hammer Studios . It's a crossover with a little of the classic version ¨Lon Chaney's Werewolf¨, the novel ¨Wolfman in Paris¨ by Guy Endore and wrapped in a Hammer style . Atmospheric, slick terror film , creaky at times but it's still impressive . The notorious screenwriter John Elder or Anthony Hinds provides a well-knit plot with mystery and horror, giving full rein to Terence Fisher natural talent for the terror genre . However , being censorshipped , as over five minutes were cut by the censor for the British release and even more for the American version ; the censor had problems with the notion of a werewolf/rapist, so out it went . It's some different but with clear reference to previous vintage film . Good performances from Oliver Reed as a creepy wolfman and Clifford Evans as his mentor . The transformation of man into werewolf is complex and is made by expert make-up artist Roy Ashton who based his makeup for this film on Jack P. Pierce's makeup for The Wolfman by George Waggner (1941) that starred Lon Chaney Jr and Bela Lugosi . Frighteing and thrilling musical score by Benjamin Frankel . Colorful and shining cinematography by Arthur Gant , Hammer's ordinary , being filmed in Bray Studios. The motion picture was masterfully directed by Terence Fisher who filmed classic horror films as ¨Dracula¨, ¨Dracula , prince of darkness¨ , ¨The brides of Dracula¨ , ¨The mummy¨ , ¨Phantom of opera¨, ¨The Gorgon¨ , ¨The devil rides out¨ and many others . Rating : Top-drawer terror film , upscale horror spectacle with a suitable climax at a church . Essential and indispensable watching for Hammer lovers . It's an above average terror and sometimes graphically exciting and turns out to be a good attempt to cash in the werewolf sub-genre . Rating : 6,5 Good .

The Curse of the Werewolf

1961

Action / Drama / Fantasy / Horror / Romance / Thriller

The Curse of the Werewolf

1961

Action / Drama / Fantasy / Horror / Romance / Thriller

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***Conceived by rape and born on Christmas results

Some respectable prosthetic effects and fine work by

Over-the-top horror film directed by the master of Hammer Production , Terence Fisher

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