★ 10 / 10
What's the matter with people? The Black Panther
John Chard
What's the matter with people? The Black Panther is directed by Ian Merrick and written by Michael Armstrong. It stars Donald Sumpter, Debbie Farrington…
What's the matter with people?
The Black Panther is directed by Ian Merrick and written by Michael Armstrong. It stars Donald Sumpter, Debbie Farrington, Marjorie Yates, Sylvia O'Donnell, Andrew Burt, Alison Key, Ruth Dunning and David Swift. Music is by David Hewson and cinematography by Joe Mangine.
Between 1971 and 1975 an armed robber turned murderer known as The Black Panther was hunted by police as the public in the North and Midlands areas of England waited anxiously. When 17 year old Leslie Whittle became an heiress to a fortune, she was kidnapped and held to ransom by The Black Panther. It was to end in tragedy. This is the story of Donald Neilson, ex-soldier of Her Majesty's Forces, also known as The Black Panther.
The Neilson trial ended in 1976. This movie went in to production shortly afterwards, which for many would surely be too soon? Sure enough when the press and media got wind of it a storm broke, a savage campaign ensued, headlines such as "sick exploitation" were used, BBC's Sue Lawley chastised it as sick rubbish even though she hadn't seen the film, in fact at this point nobody had seen the film! It was all guess work. The film was pulled from imminent distribution in the hope that the furore would die down. A few months later it had a limited release and went down well with critics who appraised it as not being exploitive but intelligent, tactful and meticulous in its reconstructions. But the press wasn't having it, and storm two broke and councils began to ban the film in their cities, eventually the picture was withdrawn and apart from a limited, but successful, VHS release in the early 80s, the film was out of circulation and buried. That is until now, where the BFI have put together a release of The Black Panther to DVD and Blu-ray that finally lets Merrick and Armstrong's brilliant movie get the exposure it deserves.
There is no getting away from it, the subject matter is troubling and will always be skirting the boundaries of bad taste. Often bigger budgeted films than this have shamefully milked real life horror in search of the big dollar. The Black Panther is not one such case, it's a sharp picture that asks some searching questions whilst not being afraid to implicate police inadequacies and press interference into the Whittle killing. There is no sensationalising of Neilson here, in fact he is portrayed as a bumbling fool once he begins to enact his crimes. His planning is meticulous, his army training giving him mental fortitude, but as we see, and remember this is all taken from real accounts and testimonies et al, he was a hapless fool in over his head. His home life shows him as a bully who can't let his regimental bent go, his poor wife and daughter meekly giving in to his tyrannical ways, but they had no idea they were living with The Black Panther. I mean would you know if you lived with a monster who fantasized about being a master criminal? Someone capable of murder? Would you?
With the lawyers of the day having gone through the screenplay with a fine tooth comb, you can rest assured that what you see is facts. The only points of the movie left to supposition are those played out with just Neilson and young Lesley, we only have Neilson's word on these events but again nothing is glorified and Merrick uses admirable restraint to really drive the sadness home. The film also plays out to a grim mid 70s British backdrop, the futility of Neilson's crimes dovetailing with the glumness bathing a United Kingdom of strikes, unemployment, racism and Northern Irish troubles. As a snap shot of the times it also has high interest value. Dialogue is sparse, often forcing us the viewers to be uneasily in the company of Neilson, watching him work and plot, smiling to his reflection in the mirror, to observe rare moments when he lets his emotional guard down. The makers ask us to ask the pertinent questions, just what made Donald Neilson what he was? Who was he? And should culpability be shared?
Backed by an astonishing and riveting performance by Sumpter, The Black Panther rounds out as an utterly gripping account of a terrible crime spree and the man who perpetrated those crimes. Too long this film has been forgotten, that in itself is as big a crime as that committed by the hypocritical press who fought to keep it from our eyes back in the dead part of the 70s. 10/10
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★ 8 / 10
Thorough Journalistic Filmmaking
daniel-mannouch
The victim of a hysterical proto-sadist video press campaign which killed its initial theatrical run, The Black Panther is actually anything but the…
The victim of a hysterical proto-sadist video press campaign which killed its initial theatrical run, The Black Panther is actually anything but the insensitive exploitation piece is was labelled as which damned it so long to distribution limbo.
Charting the bizarre killing spree of wannabe criminal mastermind Donald Neilson, this insightful, intelligent thriller feels chillingly authentic in the way it is constructed. No avant- garde pretensions or sensationalist hyper reality to be found here unlike its accused grindhouse brethren. Director Ian Merrick is to the point with his direction and only benefits the film with his "lack of adventure" should i say, but major credit goes to Michael Armstrong who's minute detail script does what the journalists at the time couldn't be bothered with and lays out fully the whole grim affair to the best the evidence available could suggest. Donald Sumpter is fearless as Panther. A little theatrical for some maybe, but you have to consider that this was no ordinary serial killer. A house thief that turned to armed robbery, then kidnap for ransom, this was no clueless man-child or crusading zealot, he really thought himself as a criminal genius and so would be full of himself, yes? Sumpter understood this and his portrayal of Neilson as the tragic fool gives great clarity to the events on top of the well researched script.
Overall a horrific, challenging and truthful dramatisation that is a masterclass in true life crime filmmaking, a hidden gem.
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80%
AUDIENCE
6.7/10
988
•••
Really good. I'd been wanting to see it for years, but as it was all but banned here in the UK since it's release it was a hard one to find. Treats the the true story fairly and doesn't feel like it created anything just for dramatic purposes or exploitative reasons. A really tense thriller that deserves more attention.