★ 6 / 10
**_Heston and Zimbalist head this intelligent and subdued
Wuchak
**_Heston and Zimbalist head this intelligent and subdued supernatural horror_** Shot in the summer of 1979, this was loosely based on Bram Stoker's 1903 novel…
**_Heston and Zimbalist head this intelligent and subdued supernatural horror_**
Shot in the summer of 1979, this was loosely based on Bram Stoker's 1903 novel “The Jewel of Seven Stars.” Hammer’s "Blood from the Mummy's Tomb" nine years prior was also loosely based on the book, and two others would come in the future: “Legend of the Mummy” (or “Bram Stoker’s Legend of the Mummy”) from 1998 and the indie “House of Ka” from 2023, the latter merely inspired by the book.
It’s major studio supernatural horror in the tradition of “The Exorcist,” “The Omen” and “The Amityville Horror.” The future “The Calling” from 2000 is a good comparison, as is Pierce Brosnan’s “Nomads” (1986). These movies tend to eschew the simplistic or sensationalistic staples of ‘B’ horror to focus on artistry, psychology and, in general, more respectable complexities, all with a much bigger budget compared to the typical horror flick.
Regrettably, it ranks with the least of these movies because the gobbledygook taken from (or inspired by) the source material is difficult to convey in cinema. The film could've done it more effectively and less ambiguously, not to mention more compelling. The biggest head-scratcher is the closing ritual which involves Kara's trickery. However, if you reflect on it, you can put the pieces of the puzzle together and everything makes sense, if indeed supernatural things can make sense.
I liked the figurative depiction of the universal struggle between spirit and flesh, that is, one’s positive side and destructive side. Plus, you can’t beat the authentic Egyptian locations; and the cast is good with Charlton Heston, Susannah York and Stephanie Zimbalist, amongst others.
It runs 1 hour, 40 minutes, and was shot in Egypt and England (Cambridge University and the London area, which is a couple hours’ drive to the south).
GRADE: B-
★ 6 / 10
Despite it's bad reputation & slow pace I actually quite liked it.
poolandrews
The Awakening starts in Egypt 'Eighteen Years Ago' where an archaeologist named Matthew Corbeck (Charlton Heston) & his assistant Jane Turner (Susannah York)…
The Awakening starts in Egypt 'Eighteen Years Ago' where an archaeologist named Matthew Corbeck (Charlton Heston) & his assistant Jane Turner (Susannah York) are on the verge of making the biggest archaeological find since the discovery of Tutankhamen. Corbeck is obsessed with locating the ancient 3,800 year old tomb of the evil Egyptian Queen Kara. Corbeck is so obsessed that he neglects his heavily pregnant wife Anne (Jill Townsend) who is in Egypt with him. Corbeck eventually locates Queen Kara's tomb & ventures inside, as he is about to open Kara's sarcophagus Anne gives birth to a stillborn baby girl. As Corbeck opens the lid to reveal the mummified Queen Kara his daughter starts to breathe almost magically coming back to life. It's now 'The Present' & Queen Kara's sarcophagus is housed in a museum in Cairo, Corbeck is now married to Jane & teaches in England while his ex wife Anne & his daughter Margaret (Stephanie Zimbalist) both live in New York. News reaches Corbeck that Queen Kara's remains may be deteriorating due to a fungus & that it needs to to treated. Margaret, who is just one week away from her eighteenth birthday, suddenly decides she has to see her Father & flies to England at the same time the mummified remains of Queen Kara arrive from Cairo. However death seems to follow Kara around, almost as if a supernatural force is guiding her to a predetermined destiny & anyone who stands in the way can expect to experience a fatal accident. Margaret starts to change, she appears to become possessed by the evil Queen Kara who wants to live again...
Directed by Mike Newell I actually quite liked The Awakening despite the stick it seems to get. The script by Chris Bryant, Clive Exton & Allan Scott based on the Bram Stoker novel 'The Jewel of Seven Stars' is intricate & you need to have patience to get the most out of it. If you want CGI mummy's & explosions every couple of minutes then The Awakening is definitely not the film for you, stick with Stephen Sommers The Mummy (1999) & it's sequel The Mummy Returns (2001) both of which I throughly like by the way. This is basically the same film as Hammer's Blood from the Mummy's Tomb (1971) which I thought was crap & I much prefer this take on Stoker's novel. The biggest problem I had with The Awakening, & the one most of it's detractor's seem to have, is that when the film returns to 'The Present' it is just too slow, it desperately either needed a couple more killings to liven things up a bit or to be edited down by five or ten minutes to quicken the pace. There is no mummy walking around in bandages so don't expect any of that sort of thing, the core storyline of The Awakening relies on a supernatural angle & possession rather than a guy in bandages. I think The Awakening is a very handsome film with real Egyptian location filming, in fact it's probably the only mummy film ever to be actually shot in Egypt! The cinematography by Oscar winner Jack Cardiff is as accomplished as you would expect. The sets especially Queen Kara's tomb, the Egyptian artifacts & general production design credited to Micheal Stringer are excellent throughout. I thought director Newell managed to create some good scenes & have an overall foreboding atmosphere for most of the film. There isn't much in the way of blood or gore but there is a really cool scene when a slither of glass falls from a broken window & impales someones throat, ouch! The acting is pretty good, well I thought so anyway. I liked The Awakening despite the fact everyone else seem to hate it, sure it's slow but I found it quite involving as well & was a nice change of pace without ever threatening to put me to sleep. I'm not sure I can recommend The Awakening as it would probably put most people into a coma but what the hell, I liked it & that's all that really matters to me.
23%
AUDIENCE
· 250 ratings
4.9/10
3.4K
