★ 6 / 10
Merle Oberon is on quite good form here
CinemaSerf
Merle Oberon is on quite good form here as the married "Jill" who has trouble with her hiccoughs. It is suggested that she goes to see a psychoanalyst to try…
Merle Oberon is on quite good form here as the married "Jill" who has trouble with her hiccoughs. It is suggested that she goes to see a psychoanalyst to try and cure this rather embarrassing problem. Before she knows it, she is becoming disillusioned with her husband "Larry" (Melvyn Douglas) and after a chance meeting with equally flaky pianist "Alexander" (Burgess Meredith) nobody quite knows which way is up. I have to say that "Jill" rather wound me up, she's frankly a bit of a pain in the neck who is spoiled and short sighted. Meredith is almost as unlikeable - indeed they probably deserve each other - and I wondered if poor old "Larry" might just be better off out of it. The story flows quite well, though, and there is some humour to be had as their behaviour gradually descends in something farcical. It's an hard film to like, the characters are all pretty odious and self-serving, but the production and the dialogue contribute well to a film where the acting is actually pretty effective.
★ 8 / 10
"That Uncertain Feeling" is unfleeting
bicoastalrollercoaster
Loved "That Uncertain Feeling" (1941)! Here, a superb, substantive, yet oft-times simultaneously silly, screenplay (adapted from the stage) meets first-rate…
Loved "That Uncertain Feeling" (1941)! Here, a superb, substantive, yet oft-times simultaneously silly, screenplay (adapted from the stage) meets first-rate actors. (The beautiful Merle Oberon is at her comedic best.) What makes this a must-see film is the palpable pathos swirling just beneath it all. In lesser hands (actors and writers all) this might've fallen into the snidely melodramatic or the mildly comedic.
By the by, who says the feeling man is dead? The reviews give credence to the fact that-- whether in their teens, twenties, or, like me, in their fifties-- men enjoy romantic comedies as much as women. I suspect that any polls showing otherwise are eschew for the very reason that too many films today use a "straw man," where the male lead isn't much more than duplicitous, a nitwit, a heel (or all three). In "That Uncertain Feeling," a certain maturity and balance rules the writers. Sure, men AND women's flaws come to the fore, but as (or more)importantly, both sexes' attributes are on show, too, to boot. If the writer creates, equally, humorously offensive male and female characters, then it actually mirrors the real world while not playing partisan sexual politics. Do that and movie theatres will be swarming with women AND men, maybe like in days of old...like those when I, too, was young.