Tabu: A Story of the South Seas

1931

Action / Adventure / Drama / Romance

31
Rotten Tomatoes Critics - Certified Fresh 92% · 13 reviews
Rotten Tomatoes Audience - Upright 77% · 1K ratings
IMDb Rating 7.3/10 10 6996 7K

exotic island love of one's life escape sacrifice south seas civilization

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Plot summary

On the South Pacific island of Bora Bora, a young couple's love is threatened when the tribal chief declares the girl a sacred virgin.

Director

F.W. Murnau Photo
F.W. Murnau

Top cast

Matahi Photo
Matahi as The Boy
Anne Chevalier Photo
Anne Chevalier as The Girl
Bill Bambridge Photo
Bill Bambridge as The Policeman
Hitu Photo
Hitu as The Old Warrior
720p.BLU 1080p.BLU
785.85 MB
812*720
English 2.0
Approved
Subtitles
23.976 fps
1 hr 25 min
Seeds ...
1.43 GB
1218*1080
English 2.0
Approved
Subtitles
23.976 fps
1 hr 25 min
Seeds 5

Movie Reviews

Reviewed by CinemaSerf 7 / 10

Though beautifully shot, this is - in fact

Though beautifully shot, this is - in fact - rather a horrible film! Set on the peaceful and beautiful island of Bora Bora, we meet a young girl "Reri" (Anne Chavalier) who is selected by the chief to be the next sacred virgin. This is an honour, a position that will earn her respect and comfort but it will deny her that which she craves the most - her true love (Matahi). Desperate, the two decide to abscond and he finds himself eking a living in a more venal, European, community where his angry Gods lack any power but where his lack of familiarity with the very concept of money soon sees him, quite literally, swimming in a sea of debt. Meantime, the chief back home (Hitu) has declared that there needs to be a search for them that involves the police (Bill Bambridge). When the officer tracks them down and they face arrest, the young man resorts to even more dangerous diving - amidst sharks - to obtain the pearls he needs to pay off his creditors so they can skedaddle again. Of course, the best laid plans and all that, and when he returns to their shack, he finds that she has decided to sacrifice her happiness and return to their home... Can they reunite? This film cleverly marries a mixture of ritualism and emotion, and illustrates really quite clearly just how incompatible they can be. A young couple doing no harm to anyone, in a nation that would ordinarily embrace their affection, find themselves forced by superstition to flee, to compromise and to live in fear. The whole film has a futility to it that's writ large and is actually quite exasperating to watch. Leave them be, for heaven's sake! Find another virgin? I'm not sure if F.W. Murnau is having a go at religiosity, or at the fallibility of love itself - and that ambiguity makes this all the more interesting to watch. The fact that even they knew their relationship was likely to end in disappointing failure still didn't deter them from earning the enmity of their leaders and the authorities - yet instinct and their visceral need for each other overrode those palpably presented dangers. That the setting is so idealistic and benign seems to rub salt into their wounds and as love stories go, this is probably the one that most tugged on my heart-strings. It does look super on a big screen if you can, and the subject does give a rich bed for the accompanist to play both rousingly and tenderly.
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Reviewed by tomgillespie2002 8 / 10

A cinematic poem

The brainchild of German genius F.W. Murnau and documentary innovator Robert J. Flaherty (of Nanook of the North (1922) fame), Tabu uses the beautiful, untouched landscape of the South Pacific and employs non- professional natives to tell the beautiful story of love found and lost, and ultimately the death of paradise. Murnau died in an automobile accident shortly before the film's premiere and, thus, was his last gift to the movie-going world. Though it doesn't come close to the iconic expressionist horror of Nosferatu (1922) or the dark, satirical humour of The Last Laugh (1924), Murnau's epitaph is a simple, yet heart- wrenching cinematic poem.

The best spear-fisherman on Bora Bora is a handsome young man billed simply as The Boy (Matahi). His legendary status and unparalleled skill makes him popular amongst the islanders, and soon he has caught the eye of The Girl (Reri - who went on to star on Broadway as Anne Chevalier). They romance each other, but their affair is soon halted by the arrival of emissary The Old Warrior (Hitu), who proclaims Reri as the sacred maiden. She is 'tabu', and cannot be looked upon by any man unless he wishes the punishment of death. The couple brave storm and sea to escape, an arrive in a French-colonised island, where Matahi start work as a pearl diver. But their happiness is fleeting, and Reri is soon haunted by the image of Hitu, terrified she may have angered the gods.

The plot is hardly anything new, but Floyd Crosby's Oscar-winning cinematography makes Tabu more socially aware that the film may have you believe. The subtle yet crucial involvement of the French colonists, finding amusement at Matahi's lack of understanding regarding money and material wealth, is a clear swipe at the creeping of Western civilisation. Bora Bora won't stay pure for much longer. And that adds a gravitas to Matahi and Reri's plight - not only is their romance doomed, but so are their traditions and society. It is one of the last great silent films, a reminder that sound can be an unnecessary distraction, and that picture's can sometimes genuinely speak louder than words.

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