Stella Maris

1918

Drama

2
Rotten Tomatoes Critics - Certified Fresh 90% · 10 reviews
Rotten Tomatoes Audience - Upright 72% · 50 ratings
IMDb Rating 6.9/10 10 1751 1.8K

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Plot summary

Stella Maris is a beautiful, crippled girl, who is cared for by a rich family. They shield her from the harsh realities of the world, so that she has no idea of the cruel things that some people do. Unity Blake is a poor orphan all too familiar with the harsh realities of the real world. These two young women both fall in love with John, love which is complicated by the fact that he is still married to (though separated from) a bad wife.

Top cast

Mary Pickford as Miss Stella Maris / Unity Blake
Conway Tearle as John Risca - also Spelled Riska
Georgia French as Child at Easter Party
Lou Conley as The Nurse
720p.BLU 1080p.BLU
763.06 MB
1280*950
English 2.0
Unrated
23.976 fps
1 hr 23 min
Seeds ...
1.38 GB
1456*1080
English 2.0
Unrated
23.976 fps
1 hr 23 min
Seeds ...

Movie Reviews

Reviewed by CinemaSerf 7 / 10

We get two quite contrasting doses of Mary

We get two quite contrasting doses of Mary Pickford in this touching drama about two girls. One is a cosseted lass, who cannot walk and is shielded by her wealthy, well meaning, family. The other a bit of an urchin - able bodied but living the harshest of lives in an orphanage. When the latter is adopted, she is optimistic - but that soon fades as her new "mother" turns out to be a wrong un' (and is imprisoned after violently beating her). The rather weak-willed, prosperous, husband "Risca" (Conway Tearle) is not quite so objectionable, though, and he is soon as drawn to "Unity" as he has been for quite a while to the invalid "Stella". When a surgeon manages to get "Stella" walking, she sets about entering a world full of war, pain, anguish - and love - and the story takes off with Pickford in her element. She plays both characters with aplomb and distinction. In "Stella" we have a more typically beautiful, breezy performance; in "Unity" a much grittier, earthier, frankly uglier, one - and she pulls them both off superbly. Though both roles target our sympathy glands, neither drag us into the cheesy world of sentiment nor of too much melodrama. Tearle is strong in his role as the would-be suitor, as is Marcia Manon as the truly odious "Louisa". I wasn't hugely impressed by the ending - but I'm equally unsure how I would have liked it to conclude. The photography borders on the insightful - the use of close ups almost seems to let us see into their minds, to tell us what they are thinking. Certainly one of Pickford’s best.
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Reviewed by Spondonman 8 / 10

"Happiness is within ourselves" - although films like this help!

This is a lovely little film, another Mary Pickford film that has been long available to cherish as an artifact from a long forgotten era beautifully preserved by the Mary Pickford Institute. Most silent fans would perhaps think of Pollyanna, Rebecca or Sparrows as being her best work but I would put this one in there too, not only for her acting but also the production.

She plays Stella Maris - a cripple who has been completely and tenderly shielded from The World by her Uncle and Aunt, so has a few shocks when she's finally able to walk and process information for herself. She convincingly plays Stella Maris complete with pretty curls glistening in soft focus and dripping elegance. She also convincingly plays orphan girl Unity Blake adopted by the man she loves, the more elderly looking and well-chiselled John Risco (Conway Tearle). The problem was of course that rich Risco had previously married a "commoner" with a drink problem – like many in the original cinema audiences perhaps – one of the peripheral familiar messages here being that when the working class is teetotal they're likely to be as faithful as dogs to their masters and mistresses. Even to the death. For the plain girl Unity she plastered her hair with Vaseline and walked lopsided as though she had had to carry children for years – so well that her mother visiting the film set was worried that she was turning into Unity, and also had to tell a worried Adolph Zukor that the character died early in the picture. In fact, these are 2 of Mary's finest performances ever, and in the one film. There's some nice languid photography, sometimes pretty inventive with great tinting throughout, overall engrossing stuff for 1917, and augmented in the Milestone Films release with a fantastic orchestral music score by Phillip Carli.

The 84 minutes are well plotted (even with a couple of large implausibilities, the largest being just how fast and hard the Law dealt with Mrs Risco for her violence) never drag and are additionally clean and decent – would that it could still be the same for these speedier earthier techno times! If you really like silent melodrama you must see this fine romance.

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