Stars and Stripes Forever

1952

Action / Biography / Comedy / Music

4
Rotten Tomatoes Audience - Upright 79% · 250 ratings
IMDb Rating 7.1/10 10 1078 1.1K

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Plot summary

A film biography of the composer John Philip Sousa, from his early days in the Marine Corps Band through the Spanish-American War in 1898.

Director

Top cast

Norman Leavitt as John Purvis
Tito Vuolo as Tony Rector
Robert Foulk as Joe - Plainclothesman
Ruth Hussey as Jennie Sousa
720p.BLU 1080p.BLU
821.73 MB
988*720
English 2.0
Approved
Subtitles us  
23.976 fps
1 hr 29 min
Seeds ...
1.49 GB
1472*1072
English 2.0
Approved
Subtitles us  
23.976 fps
1 hr 29 min
Seeds 1

Movie Reviews

Reviewed by CinemaSerf 6 / 10

Luckily, John Philip Sousa left us a legacy

Luckily, John Philip Sousa left us a legacy that anyone who ever drilled in the Boy's Brigade, or the Scouts, or any of the more grown up military will recognise instantly. An huge portfolio of marching music that earned him acclaim throughout the world. Luckily? Well that's because this is not really much of a fitting tribute. Though Clifton Webb goes at the role with gusto, and a doey-eyed Robert Wagner brings a cheeky light-heartedness as his enthusiastic sousaphone (a sort of tuba) protege, the rest of this is really quite weak. Webb spends a great deal of his time parading around like a toy soldier from a Brothers' Grimm fairy tale delivering the somewhat clipped dialogue in the most methodical of manners. The sight of Finlay Currie doing his best Colonel Sanders routine does raise a smile, but for this most part Henry Koster has just created a colourful, but all too processional march through the works of this able musician, without really giving us much to get our teeth into. There are wars to be fought, and no doubt his tunes offered inspiration to those facing combat; and the effects of conflict are felt close to his heart, but again little effort has been put into developing the supporting characters and so it all just feels a bit superficial - fluffy, even. Still, you ought to enjoy this if you like a bit of flamboyance and some good band sound.
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Reviewed by MartinHafer 5 / 10

ccthemovieman-1 pegged the main problem with this film...

According to the prolific ccthemovieman-1, the main problem with this film is that there isn't enough of John Philip Sousa and his music. Instead, too much time and emphasis is placed on a completely irrelevant plot with Robert Wagner and Debra Paget. It was as if the studio thought that the life of Sousa wasn't interesting enough so they had to spice it up with this romantic subplot. Well, I thoroughly agree with cc--this is a major problem with the film.

In fact, if you are looking for a biography of Sousa, this film is NOT what you are looking for. None of his early life is shown in the film and only the tiniest portion of his career as a band leader in the US Marine Corpsis even shown--something for which he is most famous! I am NOT an expert on Sousa and perhaps he was a dull guy, though I strongly doubt it because of the many places he went, innovations he made and success he achieved. Why not just let the film tell the truth without all the silly falderal that you see in this film? By the way, I used the word 'falderal' as it was a popular word from the era of Sousa and it means "foolish nonsense"--an apt description of the unnecessary elements of this film.

As for the acting in the film, much of it was pretty good. Clifton Webb was always a terrific actor and I'd watch him in anything--even this silly film. Also of note is character actor Finlay Currie, as he really stretched his range in STARS AND STRIPES--playing a Southern gentleman--despite his Irish/English heritage. He was surprisingly good here and not much like roles he played in films like IVANHOE.

Another thing I liked about the film is a small scene featuring a Black singing group. They sounded great, though it also got me thinking that it was sad that Blacks in Hollywood films were generally absent during this era. It was nice to see this positive image.

So despite the obvious flaws in the film is it worth seeing? As I said above, there were some big pluses for the film, so it is worth a look. But, it's also pretty easy to skip as it's a rather colorful but empty biopic. Not bad, mind you, but also not particularly good--especially as too much emphasis was placed on the stage dancing of Miss Paget and not enough on the real Sousa.

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