Stage Fright

1950

Action / Film-Noir / Mystery / Thriller

20
Rotten Tomatoes Critics - Certified Fresh 92% · 24 reviews
Rotten Tomatoes Audience - Upright 68% · 5K ratings
IMDb Rating 7.0/10 10 17910 17.9K

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Plot summary

A struggling actress tries to help a friend prove his innocence when he's accused of murdering the husband of a high-society entertainer.

Top cast

Lionel Jeffries as Bald RADA Student
Alfred Hitchcock as Man Staring at Eve on Street
Ballard Berkeley as Sergeant Mellish
Robert Cawdron as Policeman
720p.BLU 1080p.BLU 720p.WEB 1080p.WEB
1009.97 MB
1280*932
English 2.0
Approved
Subtitles ru  us  
23.976 fps
1 hr 49 min
Seeds 6
1.83 GB
1472*1072
English 2.0
Approved
Subtitles ru  us  
23.976 fps
1 hr 49 min
Seeds 8
1010.09 MB
956*720
English 2.0
Approved
Subtitles ru  us  
23.976 fps
1 hr 49 min
Seeds ...
1.83 GB
1424*1072
English 2.0
Approved
Subtitles ru  us  
23.976 fps
1 hr 49 min
Seeds 4

Movie Reviews

Reviewed by CinemaSerf 7 / 10

Jane Wyman and Marlene Dietrich head a strong

Jane Wyman and Marlene Dietrich head a strong cast in this tense, enthralling Hitchcock adaptation of Selwyn Jepson's 1948 thriller "Man Running" about an acting student (Wyman) who shelters her fellow student Richard Todd - with whom she is in love - from police investigating the murder of his mistress (Dietrich's) husband. Still with me? Well, add a superb Alastair Sim, Sybil Thorndike, Kay Walsh and Michael Wilding and we are off on quite a complex mystery with plenty of twists and turns - and quite a bit of humour. If a little bit long, it is still well worth watching.
Reviewed by humbert-6 8 / 10

Remember! The Curtain is there for your safety.

What a great flick. At times ill-paced, but the performances more than make up for it. What's not to love? Doe-eyed Jane Wyman shifts effortlessly between the roles of aspiring dramatist to lovestruck protectress of Richard Todd to infiltrating false maid of Marlene Dietrich. Managing also to string along Michael Wilding, as the ubercool Inspector "Ordinary" Smith, she might sound like some cold calculating wench who uses up people like Marlene goes through hats. But that wouldn't be strictly accurate. Her Eve Gill is sweet and naive, but her gentler qualities are tempered with a genuine acting talent that allows her to juggle identities with the slyness of a fox-chameleon hybrid. The scene at the garden party when she switches from Dietrich's cockney maid to Smith's innocent date with every turn is delightful.It is the masterful presence of the great Alastair Sim, however, that makes Stage Fright one of Hitchock's most enjoyable to watch. Few actors have his ability of making the most average of dialouges sound like a powerful oration, and as Eve's doting father, he makes the movie. His Commodore Gill is always at the ready to harbor a fugitive, clip off a snappy witicism, or scrounge blackmail money for his beloved daughter. He is equally at home playing comic relief as he is to serving as the plot glue that makes Eve's capers possible. But live with his wife? Thank you, no! He is content to live on his boat. Whether he is staging an amusing diversion to aid Eve, dispensing sage bits of fatherly advice, or merely strolling out in public, the man bleeds coolness with every move.Some can argue that Stage Fright gives but an average treatment to the usual whodunnit murder-suspense formula that Hitchcock (and countless others) have used. This is perhaps true. But compared to the whole lot of crappy facsimile suspense films made since 1950, Stage Fright is quicker to entertain than most.Be sure to check it out if you want to see Hitch cast his own daughter Patricia in the supporting role of "Chubby Banister." Is that some kind of sick joke or was that name flattering in the fifties?P.S.-- I can't watch Marlene Dietrich anymore and not be reminded of Madeline Kahn's Teutonic Titwillow. Is there some free therapy I can get for this?
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