Single White Female

1992

Action / Drama / Mystery / Thriller

44
Rotten Tomatoes Critics - Rotten 53% · 49 reviews
Rotten Tomatoes Audience - Spilled 44% · 25K ratings
IMDb Rating 6.4/10 10 47254 47.3K

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Plot summary

Having recently split from her fiancé, Allison Jones welcomes new roommate Hedra Carlson. The young women quickly form a bond, but soon Allison begins to notice not all’s well with her new tenant.

Top cast

Tara Karsian as Mannish Applicant
Jennifer Jason Leigh as Hedra Carlson
Steven Weber as Sam Rawson
Bridget Fonda as Allison Jones
720p.BLU 1080p.BLU
936.45 MB
1280*682
English 2.0
TV-14
23.976 fps
1 hr 47 min
Seeds 1
1.74 GB
1920*1024
English 2.0
TV-14
23.976 fps
1 hr 47 min
Seeds 41

Movie Reviews

Reviewed by Wuchak 6 / 10

**_Roommate from Hell_** An engaged designer (Bridget Fonda)

**_Roommate from Hell_** An engaged designer (Bridget Fonda) living in an aging Gothic apartment in Manhattan dumps her boyfriend (Steven Weber) and advertises for a roommate. She ends up with a friendly identical twin that lost her sister when she was a girl (Jennifer Jason Leigh). A quality friendship develops until dubious things start happening. "Single White Female" (1992) mixes elements of “Fatal Attraction” (1987) with the setting of “Rosemary’s Baby” (1968). It’s not great like the former, but it’s on par with the latter and arguably superior. The film possesses a haunting ambiance, which is assisted by the venue, but this same attribute eventually hinders the movie by making it one-dimensional. “Rosemary’s Baby” had the same problem. The fact that the two stars regularly appear in various stages of undress is titillating, yet it can’t make up for the one-note tone and locale. Still, the movie’s entertaining enough and I would’ve given it a better grade, but the third act is overlong and curiously tedious despite the slasher thrills. The film runs 1 hour, 47 minutes and was shot at Ansonia Hotel, Manhattan, and Raleigh Studios, Hollywood. GRADE: B-
Reviewed by lost-in-limbo 6 / 10

Close. Real Close.

Formulaic, formulaic… yeah it's routine Hollywood psycho-thriller territory, but too visually well made by director Barbet Schroeder and comfortably performed in the shape of Bridget Fonda and Jennifer Jason Leigh to not get something out of it. The story (adapted off John Lutz's novel "SWF Seeks Same") plays its cards quite early, and goes about the subject in a too convenient manner to make it entirely effective. Quite a slow build-up and many sub-plots stem off the central plot, as we watch Leigh's character's twitchy transformation suddenly grow and form the basis of the early groundwork that would eventually unsettle Fonda's fragile character. A resourceful Schroeder sure does a brilliant job with many artistic flourishes, and inspired gimmick set-pieces where you just can't help but admire Luciano Tovoli's lyrically smooth cinematography. However trying to register the suspense, became hard due to leading us down the same old path of cheap clichéd jolts and shinny techniques. Although the potent climax goes over-board, it's particularly heart-pounding and downright exciting. There's nothing overtly tame about it, with its seamless nudity and tantalizing sex, and a wicked death here and there. But it's all tastefully done. Howard Shore's sumptuously airy musical score feeds off the well used location and compact sets (especially that of the stark Victorian apartment building) that are very ideal to the film's progression. In the two leads, a gorgeous Fonda is terrific and Leigh's needly attachable turn is one of confidence. The chemistry works, and when it comes to it they sure do look like each other. Talk about eerie. There's also solid support by Steven Weber, Peter Friedman and Stephen Tobolowsky.
Reviewed by Angeneer 7 / 10

Definitely beyond average thrillers, but cliche ending

Another movie with great potential. The film unfolds almost perfectly and you find yourself in a tense and deep psychological thriller (no spoilers to the plot). But then, the director chooses the easy way and we have a usual ending with mostly unrealistic situations and splatter sequences (ouch this dragging scene with the head bump at the elevator step must have hurt!).

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