★ 7 / 10
_**Moody horror that influenced many films to come**_
Wuchak
_**Moody horror that influenced many films to come**_ A mysterious man from California (James Patterson) inherits a manor in a Northeast town at Christmastime…
_**Moody horror that influenced many films to come**_
A mysterious man from California (James Patterson) inherits a manor in a Northeast town at Christmastime, but someone has escaped the local asylum and key citizens feel increasingly threatened, especially after some creepy phone calls. Patrick O'Neal, Astrid Heeren, John Carradine and Walter Abel are on hand.
"Silent Night, Bloody Night" was made in December-March, 1970-71, on a modest budget ($295,000), but not released until 1972. This is an atmospheric horror flick that originated tropes that became staples of the oncoming slasher craze, such as the (possible) killer escaping from an asylum, sexual immorality results in death, disturbing phone calls and naming horror films after a holiday or significant date, à la “Black Christmas” (1974) “Halloween” (1978), “Friday the 13th” (1980), “April Fool's Day” (1986/2008), “Valentine” (2001) and “My Bloody Valentine” (1981/2009).
Unlike the later “Silent Night, Deadly Night” (1984), this is less of a one-dimensional slasher flick and more artistic horror. Don’t expect Santa Claus stalking victims with an ax. It shares an effective plot element introduced in “Psycho” and “The City of the Dead” (both from 1960).
Interestingly, several of the cast members were iconic of Warhol's arty retinue in the 60s, including star Mary Woronov, who married director Theodore Gershuny the same year this movie was made (a marriage that lasted till 1973). Others play either asylum inmates or “guests”: Ondine, Kristen Steen, Tally Brown, Lewis Love, filmmaker Jack Smith, artist Susan Rothenberg and Candy Darling.
Speaking of Candy, this was her last movie as she died of lymphoma in 1974 at the too-young age of 29. She expressed before her passing, “I am just so bored by everything. You might say bored to death.” Julie Newmar read her eulogy. It was also the last film of costar James Patterson (who was dubbed); he would be dead of cancer three months before the film’s debut.
While some critics call bits of the story a “mess,” practically everything is explained if you put the pieces of the puzzle together (although how someone can walk around for very long with hands literally cut off is a great mystery).
The movie is succinct at 1 hour, 21 minutes, and was shot at Mill Neck & nearby Oyster Bay in northwestern Long Island, NY, straight across the sound from the Connecticut panhandle.
GRADE: B-/B
★ 4 / 10
A convoluted mess.
bobquack
A casual viewing of this old cult favorite will not explain what's going on. The characters are frequently called by other names, and the unseen (until the…
A casual viewing of this old cult favorite will not explain what's going on. The characters are frequently called by other names, and the unseen (until the last scene) insane killer calls himself Marianne. There are so many characters related to each other and so many people involved in the tragedy that it's hard to keep up with who-did-what and why. Jeffrey is a red herring, and we never know for sure if he is who he says he is, even though Diane checks his ID (which is a California drivers license). John Carradine is wasted as a mute who only rings a bell, grunts and writes on a pad to communicate. Mary Woronov is very likable, as is Astrid Heeren, but one I would have liked to see more of was a reluctant telephone operator played by Lisa Richards. In fact, in order to vaguely understand what I had seen, I had to reread all the information here. I am still not impressed with the result, which could have been so much better.
31%
AUDIENCE
· 1K ratings
5.2/10
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