Sho o sute yo machi e deyô

1971 [JAPANESE]

Action / Drama / Music

11
IMDb Rating 7.5/10 10 2624 2.6K

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Plot summary

An experimental, psychedelic odyssey through Japanese subculture experienced via the eyes of a disillusioned young man, who must contend with intense familial dysfunction, psychosexual alienation, and existentialist malaise.

Top cast

Sei Hiraizumi as Soccer Team Captain
Akihiro Miwa as Maya at the Hell
Kazuaki Shimada as Raging bull
Chito Kawachi as Brother
720p.BLU 1080p.BLU
1.23 GB
956*720
Japanese 2.0
III
Subtitles us  
23.976 fps
2 hr 17 min
Seeds 2
2.29 GB
1424*1072
Japanese 2.0
III
Subtitles us  
23.976 fps
2 hr 17 min
Seeds 20

Movie Reviews

Reviewed by 9 / 10

The Loss of Innocence of Japan

This is a film that redefines cinematic narrative and the invisible boundaries between cinema and theater (after all, it came from a play). Shuji Terayama is a poet, first and foremost. After the cathartic and subversive romp of "Emperor Tomato Ketchup", he decided to delve deeper into the idea of the loss of innocence in Japan, especially in the adolescence of a boy living in a family of characters both priceless (the thieving father) and tragic (the sister who wanders around with a teddy bear... I won't mention her misfortune). This story of loss of innocence is put into dialogue with a series of sketches that are unified by music and the countercultural panorama that only those times at the beginning of the 1970s could offer in post-war Japan, increasingly influenced by North-American culture... Not without waving the North-American flag in protest. Ultimately, the narrative surrealism of "Throw Away Your Books and Take to the Streets" is undeniably unique and fascinating. I'm struck by the fact that it's a relatively inexpensive film, yet boasts incredible inventive art direction and performances that could only be distinguished by the presence of two theater groups: Tenjo Sajiki (founded by Shuji Terayama) and Tokyo Kid Brothers (founded by Itsuro Shimoda). The soundtrack was written by four composers, among them the incredibles Kuni Kawachi and J. A. Seazer, with lyrics by Terayama and Shimoda and performed by members of the band The Happenings Four, and it is an anthological record of Japanese psychedelia and garage rock that deserves special mention. Even though this is a film written by Terayama, he beautifully highlights the collective nature of its creation, with a poignant metalanguage.
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Reviewed by Detri_Mantela 8 / 10

Art-house done right

I am not very familiar with Japanese cinematography. I think the number of Japanese films I've ever watched can be counted on one hand, and I don't remember being particulary excited for any of them. However, this one is an exception. From the first seconds, you realise that the movie isn't your ordinary movie that you're used watching on a week-to-week basis (it was actually hard to believe that such a level of meta could already be present in the 1970s, but hey, it's Japan we're dealing with here - there's nothing strange about them being 30 years ahead of all of us). After the intriguing opening scene, "Throw Away Your Books, Rally in the Streets" continues to pleasently surprise its viewer until the closing scene, which is nicely bookmarks the entire story... no, not the story - the performance.

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