★ 7 / 10
**By: Louisa Moore / www.ScreenZealots.com** The tenacity of
Louisa Moore - Screen Zealots
**By: Louisa Moore / www.ScreenZealots.com** The tenacity of a mother’s love provides the strong foundation for writer / director Noora Niasari‘s “Shayda,” a…
**By: Louisa Moore / www.ScreenZealots.com**
The tenacity of a mother’s love provides the strong foundation for writer / director Noora Niasari‘s “Shayda,” a harrowing portrait of an Iranian woman who is doing her best to make the most of a terrible situation. This intimate story is one of female empowerment and endurance in a cultural system that often treats females as second class citizens.
Shayda (Zar Amir-Ebrahimi) is a young mother who, with her 6-year-old daughter Mona (Selina Zahednia) has fled her horribly abusive husband Hossein (Osamah Sami) and moved into a women’s shelter in Australia. Shayda has bravely filed for divorce and is now an outcast in her own community. Constantly living in fear yet seeking a fresh start for herself and her daughter, Shayda struggles to provide a safe, calm, and normal home for her child. The two are getting by fairly well and enjoying their newfound freedoms until they get the troubling news that a judge has granted Hossein visitation rights. A dangerous situation is created when he reenters their lives and begins spending more time with his child, which causes Shayda to live in constant fear that Hossein will try to kidnap Mona and take her back to Iran.
Niasari’s story explores the trauma of a sexually, physically, and emotionally abusive relationship and celebrates the sheer perseverance that one woman possesses when it comes to protecting her daughter from harm. This female-focused film addresses the cultural norms of Shayda’s home country of Iran, a place where women live with a lack of legal autonomy and have weak protections from serious things like domestic violence, and when they push back against discriminatory practices and laws, they are often arrested or given death sentences. It’s sad and infuriating how women are treated, especially those who are seeking a divorce. Niasari effectively expresses the agony, horror, and vulnerability that a soon-to-be single mother must deal with in order to liberate herself from a life of maltreatment.
Amir-Ebrahimi gives a strong performance in the lead role, and she expresses a universal empathy and determination that is inspiring. Equally effective are Zahednia as a frightened innocent, and Sami as a charmer of an abuser who swears he’s changed (thankfully, Shayda knows better).
“Shayda” is a solid drama that’s politically-minded, timely, and engaging. It can be tense and difficult to watch at times, but as the titular character begins living life on her own terms, things that once felt menacing now seem liberating.
Read full review
★ 8 / 10
You can change your appearance but not who you really are.
Blue-Grotto
Shayda and her six-year-old daughter, Mona, attempt to find their freedom and footing in the world after fleeing from Iran to Australia to escape Hossein, an…
Shayda and her six-year-old daughter, Mona, attempt to find their freedom and footing in the world after fleeing from Iran to Australia to escape Hossein, an abusive husband and father. Shayda and Mona live in a secret shelter for women as the divorce and visitation rights are worked out. Hossein doesn't give up easily though. He uses all the considerable powers at his disposal to lure the mother and daughter back. Tricks, false promises of change, violence, and threats are all on the table as Hossein journeys from Iran to bring the women back. He will lure Mona alone if needed.
Writer and director Noora Niasari, present at this Canadian premiere screening at the Toronto International Film Festival, draws upon her own childhood experiences to craft this heart-rending and captivating thriller. Zar Amir Ebrahimi (Shayda) won the Best Actress award at Cannes for last year's Holy Spider. As Shayda she plays a similar role as in Holy Spider; a lone woman fighting the might of an authoritarian and male-dominated society (if she tackles Australia, next she can battle Iran, LOL)! Again, Zar Amir Ebrahimi is spectacular.
I wish that Niasari was better able, through imagery and dialogue, to emphasize her themes of rebirth, the Persian new year, and the fires of joy and love that burn away pain, but the results are good enough. May we always recognize such scumbags as Hossein from the beginning so that we can avoid them before they sink their claws into us. The film helps us recognize them with their hollow promises and their disguised yet unempathetic nature.
Read full review
•••
Very predictable and cliched movie plot.