★ 7 / 10
How far would you go to protect the
Brent Marchant
How far would you go to protect the welfare and well-being of a loved one? Are there any bounds in this, or is it something driven by the care and concern we…
How far would you go to protect the welfare and well-being of a loved one? Are there any bounds in this, or is it something driven by the care and concern we hold for the individual we’re looking to support, something that knows no limitation, even if it involves violating legal, social and ethical standards? On top of all that, when circumstances reach a critical level, can we bring ourselves to follow through on our intentions? Those are among the hard questions raised in this fact-based drama about a terminally ill single mother, Irene (Lucy Liu), struggling to attend to the needs of her 17-year-old schizophrenic son, Joe (Lawrence Shou), a kind-hearted young man whose condition, unfortunately, is steadily worsening, causing him to become increasingly unpredictable and a genuine danger to himself (and possibly others). The situation is compounded by Irene’s own deteriorating health, an aggressive form of cancer that has spread and is not responding to treatment. What’s more, in addition to Irene’s rapidly dwindling life expectancy, she faces another impending deadline – the approach of Joe’s 18th birthday, a time when her ability to have much of a say over his care and treatment will largely lapse, essentially leaving him without a safety net. And, as the only child of Taiwanese immigrant parents – one of whom is already deceased and another who doesn’t have long to live – Joe faces an uncertain future, particularly since he’s largely unaware of what he’s up against and fundamentally incapable of effectively caring for himself. Faced with circumstances like this, what are mother and son to do? Writer-director Eric Lin has chosen an exceedingly heady subject to address in his debut feature, one that often makes for a difficult, heart-wrenching watch, one made all the more gripping by the superb performances of Liu (who delivers some of her best on-screen work here) and newcomer Shou in his debut feature performance. While the film has a slight tendency to drag in the closing act, it nevertheless manages to sustain the tense, stressful conditions with which the protagonists are struggling. Because of that, some viewers might find this release somewhat overpoweringly intense at times, especially once Irene’s “solution” to her dilemma becomes clear. But it’s important to remember that she’s contemplating actions sincerely borne out of love, no matter how unconventional they might seem to many of us. “Rosemead: might not always come across as a perfect offering, but it does represent a fine first effort, one that certainly bodes well for the filmmaker’s future.
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★ 6 / 10
A tough and important watch
filmephile
It should be noted that this film isn't the first to document the real-life tragedy of Lai Hang and her son George Hang; the film Paper Tiger (2020) also is…
It should be noted that this film isn't the first to document the real-life tragedy of Lai Hang and her son George Hang; the film Paper Tiger (2020) also is based on the same event.The film is carried by the two strong central performances from Liu and Shou, as well as the subject matter covered here. It can be a tough watch, seeing characters grieving and navigating through mental health crises and deteriorating. The display of the taboo of mental health in the Asian community in this film was refreshing to see and felt verisimilar. It was also nice to see the skittishness and gossipiness of suburbia. It rang true. While the son did have mental illness and did have a fixation on school shootings, ultimately we don't know that he ever would have done anything violent.That being said, while the film is pretty touching, it feels a tad superficial at points. The writing could have been fleshed out more to improve the film overall. A little more interiority for the characters would have made this better. Outside of the two leads, the rest of the characters feel one-dimensional and like plot devices. And adding some more detail to the father character would have made this better as well.There is a shocking scene involving the mother and son. I won't spoil it, but when you see the film you'll know what scene I'm referring to. And while it was unpredictable, it sort of came out of nowhere with no real buildup to it. Yes, this scene transpired in real life, and yes, this scene was necessary to include in the film because it's important to the real-life events; but in the film it feels tacked on because it comes out of the blue. This circles back to the writing, which can feel lacking.Nevertheless, I recommend this film. It's not anything amazing, and some viewers may find it dull to sit through. But this is a pretty good film that deftly covers the topic of mental health and how dire it can be in the US; and the performances are great.
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