★ 9 / 10
This film includes some graphic scenes that in
MoHA
This film includes some graphic scenes that in any other picture would likely feel extremely gratuitous. And yet, Rendez-vous is so well executed that that…
This film includes some graphic scenes that in any other picture would likely feel extremely gratuitous. And yet, Rendez-vous is so well executed that that isn't the case here. Mind you, the scenes are still very graphic, but they don't feel gratuitous; rather, they feel like a natural and necessary element of the story.
Focusing on a young woman who has moved to Paris to become an actor, the story follows her as she suffers through a range of extremely trying and tumultuous experiences. She is young and vibrant, and sexually free, and yet - perhaps as a direct result of this unguarded personality - she is exploited, taken advantage of, and preyed upon at every moment by the various men who move in and out of her life. The emotional toll this takes on her is plainly evident, and the way that her care-free spirit is slowly stripped away is tragic to witness as the story progresses.
The emotional transformation of Nina is brought to life by Juliette Binoche, in a truly fearless and superb performance. She deserves much credit for this film; she is physically and emotionally exposed throughout, and the authenticity of her performance is never in question. The supporting roles in this film are stellar as well, but not one performance can match that of Binoche. This is her film, through and through.
I found this movie to be quite unique. Paris has never looked more foreboding and working-class as it does here (perhaps save for 400 Blows), the graphic depictions of sex never come across as unnecessary or gratuitous, and the story at the heart of the film feels genuine and tragic. Though I don't know that I would recommend it to anyone but unapologetic cinemaphiles, that in no way diminishes its quality.
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★ 6 / 10
Binoche is great, but very offensive toward women
zetes
Lousy, stereotypical and misogynistic, but, hey, if you ever wanted a glimpse of Binoche's binush, this is the film for you! Binoche plays a slutty, fairly…
Lousy, stereotypical and misogynistic, but, hey, if you ever wanted a glimpse of Binoche's binush, this is the film for you! Binoche plays a slutty, fairly talentless actress who meets up with Wadeck Stanczak and invites him to her play, even though she's sleeping and living with one of the ushers. His presence breaks up that convenient relationship and she accompanies Stanczak home. He assumes he's getting laid, but he's too goody-goody for her. Instead, she ends up falling for his complete bastard of a roommate, played by Lambert Wilson. The guy, after seeing her once, attempts to rape her and threatens to kill her. On their next meeting, he threatens to slit his throat in front of her (with the razor he brought with him). This is known in France to be normal behavior, as we all know from their movies. Of course, she'd fall for him, leaving poor sap Stanczak with a rosy palm. The film is unbelievably insulting towards women. Fortunately, Binoche is such a fantastic actress that she almost makes the film worth watching. The character is stereotypical in a lot of ways, but she gives it her all. This was basically her first starring role in what would be (and continues to be) one of the best acting careers in the movies.
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6.4/10
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