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Ragbar

1972 [PERSIAN]

Action / Comedy / Drama / Romance

Ragbar

1972 [PERSIAN]

Action / Comedy / Drama / Romance

Available in: 720p.BluRay 1080p.BluRay

80% AUDIENCE

7.2/10 · 1.3K

720p.BluRay 1080p.BluRay

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Plot summary

Well-educated and humble teacher Mr Hekmati arrives in a new city and at a new job in the pre-revolutionary Iran. He falls in love with a hardworking underprivileged young woman who nurses her elderly mother and raises her young brother.

Director

Bahram Beizai

Top cast

Sirrus Hassanpur as

Hassan Zandi as

Reza Bani Ahmad as

Abbas Dastranj as Mosayeb

Tech specs

720p.BLU 1080p.BLU

1.16 GB

988*720

Persian 2.0

23.976 fps

2 hr 10 min

Seeds ...

2.16 GB

1472*1072

Persian 2.0

23.976 fps

2 hr 10 min

Seeds 2

Comments 4

indiahr975 395 days ago

please seed the 720p

Travis_Bickle1976 1016 days ago

please seed

adibparsa 1768 days ago

NO SEED

Mr1930s 1811 days ago

seed please :(

Showing 4 of 4 threads

IMDb reviews

From IMDb

8 / 10

This one surprised me. A beautiful and forgotten

S R

This one surprised me. A beautiful and forgotten film, restored by Scorsese. This film also was on the IMDb 250 list and I am glad it was. One of the final…

8 / 10

Downpour, though conventionally enjoyable, is not to be

R T

Downpour, though conventionally enjoyable, is not to be dismissed as frivolous. Beyzaie tells the story not as a romance but as a socially conscious melancholy…

8 / 10

Good Iranian picture from the pre Islamic period

frankde-jong

One of the films that started my love for cinema at the end of the eighties was "Bashu, the little stranger" (1989, Bahram Beyzaie). It felt a sort of…

One of the films that started my love for cinema at the end of the eighties was "Bashu, the little stranger" (1989, Bahram Beyzaie). It felt a sort of homecoming when I recently watched "Downpour" (1972) from the same (little known) Iranian director.At the beginning of Downpour a teacher arrives in a (poor) neighborhood of Tehran, at the end he leaves. In between we see the interaction with especially a young woman but also with his pupils, his colleagues and the rest of the neighborhood.In this respect the film has a flavour of "Teorema" (1968, Pier Paolo Pasolini), but this flavour comes with a lot of differences.In "Teorema" the outsider is a rather mysterious person. In "Downpour" main character Hekmati (Parviz Fanizadeh) is very likable.In "Teorema" the outsider interacts with only the members of one family and all his interactions have an erotic connotation. In "Downpour" the interactions are with a whole neighborhoodand and have different connotations.The Iranian new wave began with directors such as Abbas Kiarostami and Moshsen Makhmalbaf. Most of their films I have seen are from after the Islamic revolution. Up till "Downpour" I had only seen one Iranian film from before the revolution ("The cow" (1969, Dariush Mehrjui)). The most obvious difference is of course the women's dresses, but in "Downpour" there is more. During the scene of the school musical there is a mysterious man in the audience wearing sunglasses. According to some reviewers this is an implicit reference to the SAVAK, the secret police of the Shah. I am convinced I missed many other references to Iranian politics in these days. What for instance do the street musicians stand for that we see regularly walking through the city, without an obvious relationship with the rest of the plot?With respect to Atefeh (Parvaneh Massoumi), the love interest of Hekmati, not only her clothes are remarkable (according to Islamic standards) but also the fact that she is an (economically) independent woman. In this respect there are similarities to "Bashu", which was made in the Islamic period. In "Bashu" Bashu is the stranger and Naii (Susan Taslimi) is the strong woman.

More reviews on IMDb

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