★ 7 / 10
Hydrophobic Induced Phallic Destroyer. Rabid is written and
John Chard
Hydrophobic Induced Phallic Destroyer. Rabid is written and directed by David Cronenberg and it stars Marilyn Chambers, Frank Moore and Joe Silver.…
Hydrophobic Induced Phallic Destroyer.
Rabid is written and directed by David Cronenberg and it stars Marilyn Chambers, Frank Moore and Joe Silver. Cinematography is by Rene Verzier and music by Ivan Reitman.
When Rose (Chambers) is involved in a horror motorcycle accident, she undertakes experimental surgery in order to save her life. However, she develops a taste for blood and has grown a deadly orifice under her armpit. As the victims stack up and Rose grows ever more insane, the city is put on red alert.
David Cronenberg’s second full-length film continues the themes found in his smart debut Shivers from the previous year. Body horror and disease come to the fore but Cronenberg expands it out from the confines of one building, into a whole city! Once again operating with a small budget with great results, the director fills out the narrative with sweaty virus panic, intelligent barbs, addiction concerns and visceral nastiness, with the phallic destroyer under Rose’s arm a frighteningly bonkers creation. True to the director’s career peccadilloes, sex and violence also come under the microscope, while his camera work shows an inventiveness that off-sets the poor effects work. The city is suitably painted as dowdy so as to run concurrent with the diseased narrative, and porn star Chambers gives a very effective performance while others are merely adequate.
A simple story and periods of sag and drag stop it being top of the line Cronenberg, but there’s a raw energy to Rabid that is most striking. Watching it now as it heads towards being four decades old, it signals with intent a career being born of a most skilled auteur. 7/10
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★ 6 / 10
Attack of the bloodsucking armpit.
BA_Harrison
After a nasty motorcycle accident, a young couple, Hart (Frank Moore) and Rose (porn star Marilyn Chambers), are taken to a nearby plastic surgery clinic…
After a nasty motorcycle accident, a young couple, Hart (Frank Moore) and Rose (porn star Marilyn Chambers), are taken to a nearby plastic surgery clinic, where Rose undergoes a revolutionary skin grafting technique that results in the growth of a bloodsucking tumour. Driven by the lust for plasma, Rose flees the clinic and embarks on a series of attacks which leave her victims alive, but infected with a strain of rabies that causes them to react in a violent manner. As the disease rapidly turns into a city-wide epidemic and martial law is imposed, Hart attempts to locate his missing girlfriend, unaware that she is the carrier of the disease.
With crisper cinematography and more confident direction from David Cronenberg, Rabid is a technically superior effort to his 1975 film Shivers, but doesn't manage to be as satisfying an experience thanks to a script that becomes a tad too repetitive at times, strays a little to close to George Romero's The Crazies (1973) for comfort, and perhaps most importantly, fails to answer burning questions about the nature of Rose's condition: the needle tipped, phallic mutation, which emerges from a sphincter-like orifice from under Rose's arm, is as grotesque and unsettling as anything Cronenberg has conjured up since, but it's existence is never adequately explained, most likely because no amount of in-depth exposition could ever be convincing enough.
On a more positive note, Chambers does reasonably well in her first non-porn lead role, there are some genuinely nasty moments for which makeup guy Joe Blasco provides some pretty decent effects work (I particularly enjoyed the 'finger snipping' moment, and the impressive use of a pneumatic drill by one of the infected), and Cronenberg occasionally ditches his sober approach for the odd spot of delightfully twisted humour, such as the scene in which a mall Santa Claus gets accidentally machine-gunned by a trigger happy cop (well, I found it funny!).
Whilst Rabid certainly doesn't qualify as essential Cronenberg, it is still worth a look if you're a fan of the man's work and merits a reasonable 6.5 out of 10 from this viewer (generously rounded up to 7 for IMDb).
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@ Lefky Marilyn Chambers is the reason I went to the theater in Port Credit when it came out.