This is a difficult film to rate. Most viewers will find it an annoying bore, but devotees of the bands who appeared over the first year of the British Invasion will be mesmerized. The movie is a series of lip-synched "performances" by the also-rans that flourished in the wake of The Beatles during 1964, including The Honeycombs, The Spencer Davis Group, The Animals, Tommy Quickly, Peter And Gordon, Herman's Hermits, Nashville Teens and several others. The standout is probably The Animals featuring a young and deadly looking Eric Burdon. The film is decorated with tons of 1960's set design and art direction and a team of pretty dancers in gold-lame hip-huggers shaking same in Hullabaloo style choreography.

What a great relief it was to see this rare "rocumentary" again this year....I first saw it on cable TV during the July 4th holiday in the US. Since then, I had been searching the WWW for more information for this rare film, with not much success, except from the exhaustive database by IMDB. (Luckily, it came back onto cable TV on October 14.)

I really like this film because of the music and the fashion during the 1960's. True, the Beatles, the Animals, Peter & Gordon, and Herman's Hermits were very popular during the 1960's here in the US and many of their songs have become a permanent part of our musical memories.

However, it was wonderful to see and hear some of the less popular British bands of the 1960's, such as Sounds Incorporated and the Honeycombs as well as the Rocking Berries and the Four Pennies. Each of them had their own "60's" flavor. (But, not all of those featured were bands as there were a few British solo singers on Pop Gear. They were a treat to listen to also.)

Personally, I liked the female drummer of the Honeycombs, whose name was Honey, as I found out on the WWW. I also liked the first dance routine with the female dancers and their colorful tops and gold hiphuggers. The second dance routine was interesting with the men wearing coats and ties and the women wearing short dresses.

(Today, you can't see many dancers wearing that kind of garb. But, there were a few all male bands on Pop Gear who didn't coats and ties.) The music during those dance routines is very symbolic of how unique the 1960's really was. (I can't find much of that "uniqueness" during the year 2000.)

Overall, I would definitely recommend this film to anyone who is interested in British pop, the 1960's, or is in a band. Kudos to this rare unique "rocumentary" even if the bands were staged, except for the live footage of the Beatles at the beginning and the end of Pop Gear.