Poker Run

2009

Action / Horror / Thriller

3
Rotten Tomatoes Audience - Spilled 5% · 50 ratings
IMDb Rating 3.7/10 10 456 456

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Plot summary

Robert (Bertie Higgins) and Allan (J.D. Rudometkin) decide to add some excitement to their lives by taking up Harley riding. But things go south when two psychopathic bikers (Robert Thorne and Jay Wisell) kidnap their wives (Debra Hopkins and Jasmine Waltz) and force the men to perform horrific tasks to retrieve their spouses. Now they must enter -- and participate in -- a world of violence they couldn't have imagined in this bloody thriller.

Director

Top cast

Jasmine Waltz as Cheri Shaw
Luis Fernandez-Gil as The Crying Man
D.C. Douglas as Amarillo Slim
Julian Higgins as Kaye's Husband
720p.BLU 1080p.BLU
814.58 MB
1280*720
English 2.0
R
25 fps
1 hr 28 min
Seeds 1
1.63 GB
1918*1078
English 5.1
R
25 fps
1 hr 28 min
Seeds ...

Movie Reviews

Reviewed by R T 6 / 10

Bmovie badness, gory, soso plot, watchable

Bmovie badness, gory, soso plot, watchable
Reviewed by R T 3 / 10

Poker Run (Julian Higgins, 2009) The first thing

Poker Run (Julian Higgins, 2009) The first thing I thought while watching Poker Run, a few shots into the movie, was "holy shit! Is that Bertie Higgins?" And indeed, the crooner of such early-eighties hits as "Key Largo" and "Just Another Day in Paradise" is, in fact, one of the male leads in this otherwise completely forgettable attempt at a thriller. (Writer/director Julian Higgins, it turns out, is Bertie's son.) Unfortunately, none of Bertie Higgins' songs are in the movie, which would have made it... well, okay, not cooler. "Key Largo" hasn't been cool since before Julian was born. But more distinctive, surely. Plot: Robert (Higgins) and Allen (J. D. Rudometkin, recently of Beast Beneath) are a couple of weekend-warrior lawyers who take their wives out to the desert for a poker run (if you're unfamiliar with the term, it's a bike race where each participant is handed a random card at five pre-determined stops along the way-at the end of the race, the person holding the best poker hand wins the money in a side pot to which all the racers contribute). They get involved in an argument with the proprietor of an out-of-the-way bike shop, and while cooling their heels and tempers at a bar next door, they're approached by a couple of locals who offer them an under-the-table deal for a better bike than they were trying to buy-and in the process attempting to convince them that they can provide more fun over the weekend than any silly poker run can. Here's a rule of thumb, if you ever find yourself in a movie-any time a couple of hinky-looking guys who never stop staring at your trophy wives are trying to convince you that you will have more fun with them than you would doing what you were planning on doing, they're lying. I might have been willing to give this a pass had Higgins (either one of 'em, really) attempted to do anything new with the torture-porn-lite subgenre of thrillers, but there is nothing here you haven't seen before. I will give Higgins that at least he's identifiably pulling from the genre's classics (The Hills Have Eyes, Last House on the Left, Saw, Turistas...) rather than simply regurgitating things that have become generic clichés over the past decade, but that'll only get you so far if you're not a really, really good filmmaker with a distinctive style, and Julian Higgins is not that, at least not yet. Still, he's young, and if you consider this an apprentice effort, it's possible to imagine that he's going to learn from the mistakes here, strike out in his own direction rather than continuing to be derivative, and sometime relatively soon he may come up with something much better than this. * 1/2
Reviewed by R T 1 / 10

There is nothing believable in this completely preposterous

There is nothing believable in this completely preposterous premise. The lead male characters (both lawyers whose job and position upholds the law) completely and with almost no consideration toss aside societal mores and become as bad as the bad guys. Bad guy I should say, with one bumbling and untrustworthy sidekick, and yet somehow he manages a conspiracy that, with the exception of the lead couples and a mother/daughter pair, encompasses every other character in the film
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