★ 6 / 10
It's quite interesting to consider that even in
CinemaSerf
It's quite interesting to consider that even in the mother of western democracies, as recently as two hundred years ago most men did not have the vote in the…
It's quite interesting to consider that even in the mother of western democracies, as recently as two hundred years ago most men did not have the vote in the UK, and great swathes of urban Britain had no representation at all. Mike Leigh is perhaps a little heavy handed here, but he does offer us an at times poignant glimpse into the poverty in which the working class lived in England's north west whilst the governing class lived a life of opulence and privilege under the Prince Regent. Rory Kinnear is the renowned orator "Hunt" who travels the length and breadth of the land advocating a peaceful, positive, realignment of power. A trip to Manchester proves to be the ultimate catalyst for the increasingly panic-stricken authorities who - with events in Paris forty years early still prescient - have decided that these increasingly popular gatherings must be stamped out. Leigh has assembled a workmanlike cast here - there isn't really a star, as such - and that helps better illustrate that this is a story about the ordinary man. I say man, because we are a long way from female emancipation being on the back burner, even - indeed the stronger characters here - "Mary" (Rachel Finnegan) and "Nellie" (Maxine Peake) are entirely focussed on empowering their "men folk". What this film does not present though, is any sort of balance to the historical aspects of this conflict. It exaggerates the indifference and excesses of the landed gentry whilst offering a rather naive portrayal of some those advocating revolution. Like many films that present a political assessment of an hugely complex set of scenarios, it ends up reflecting the views of the auteur and that's a shame. This is a story of profound societal evolution that could have been more effective had the establishment been given slightly more airtime and been treated slightly less one-dimensionally and judgmentally. The dialogue is at times, though, really quite powerfully potent and this is a very authentic-looking story that history ought not to readily forge and that is well worth a watch.
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★ 8 / 10
Fine historical film, though it has less emotional
Peter McGinn
Fine historical film, though it has less emotional depth than other Mike Leigh movies. That makes sense, for his movies have never been described as an epic…
Fine historical film, though it has less emotional depth than other Mike Leigh movies. That makes sense, for his movies have never been described as an epic before.
I often state when I write reviews that I am patient than many viewers when it comes to slower paced movies. Also, since I write novels in my spare time and feature plenty of dialogue, I don't mind a lot of talking in movies either. I think this movie lacked some of the emotional impact of other Mike Leigh films, perhaps due its scope. You know how it is; people can shrug off a disaster elsewhere in the world when it kills 500 people, but if they hear a personal story well told about a single victim, the tears may fall.
There are a lot of people in this movie. There were so many extras that I half expected to see myself in one of the crowd scenes. With so many different main characters and perspectives, I didn't find myself forming a connection with any of them. But I liked the film just fine, and I never would have sat through a documentary on the subject.
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★ 7 / 10
Relevant up to this day
eelen-seth
Mike Leigh's historical epic Peterloo, details the events that led to Manchester's devastating 1819 Peterloo Massacre, which saw the British Tory government…
Mike Leigh's historical epic Peterloo, details the events that led to Manchester's devastating 1819 Peterloo Massacre, which saw the British Tory government ordering a brutal military charge into a working-class crowd of peaceful pro-democracy protestors. It's a well directed historical film that talks about the events which happened 200 years ago - yet at the same time lashes out at present-day politics.This film is the result of hard work. Running for 154 minutes, dozens of characters and lots of conversations that all build up to its titular origin. Peterloo is an "experience". Let me clarify: the slow-march toward the awful event is so exciting, that by the way the battle is staged, it all feels so real and even more aggressive. These victims didn't see any of it coming and actions like this still happen up to this day. It's interesting to see a seemingly more arthouse film with a serious subject, get promoted as if it was a commercial blockbuster. That makes me ask the question, if they couldn't have turned it up a notch and make this into a blockbuster with more of a budget and still hold on to its script, to make everything even more epic and reach a wider audience.The opening sequence puts Joseph (David Moorst), a soldier son of a mill-workers family who's suffering from PTSD, in the spotlight. He's covered in dirt and blood in the middle of Waterloo, where Britain just victoriously won the battle. We follow him on his way home, wearing his military redcoat that's looking rougher by the minute. There's not really a protagonist in this story, we get to see different point of views throughout the film, though most screen time is reserved for Joseph's family. They basically stand for a community in the middle of revolution - infuriated by post-war poverty, Parliament's refusal to extend the vote to the working class and import restrictions. Joseph's father (Pearce Quigley) attends meetings with radicals, his mother Nellie (a magnificent Maxine Peake) remains her smug self, skeptical of change that will never happen anyway.We soon see another point of view, with spies delivering reports from these radical-meetings to the powerful rich, angry, white men in black robes who love to sanction everyone and everything that doesn't comply to their point of view on society. These magistrates appoint Sir John Byng (Alastair Mackenzie) as the Northern District commander because of his lack of political interest. These "gentlemen" conclude that upper-class orator Henry Hunt (Rory Kinnear) is their best chance to get some attention from higher-ups, but he is the one that plans a non-violent demonstration on St. Peter's Field in Manchester, for his democratic followers.Dick Pope channels 19th century paintings with his cinematography. Which is wonderful for some shots, but gets tiring when everything gets the same half-lit look. Performances by Peake and Kinnear are extraordinary and especially the latter stands out with multiple layers to his character, not afraid to take it to a next level of acting. Jon Gregory's exquisite editing skills, give us a clear look at the massacre, focusing on each victim and the violence that everybody had to endure.Peterloo's finale will outrage you and delivers on its buildup. This is still an arthouse film and the battle at St. Peter's Field misses the grandeur of other historic epos, but it concentrates on the characters we met and respects these storylines like only writer and director Mike Leigh could've done. Peterloo isn't perfect, but it is unexpected in every way and one stirring piece of filmmaking that you don't want to miss.
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the trailer doesn't look like a low budget crap even without a good cast, may give a try.