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Payback

1999

Action / Crime / Drama / Thriller

Payback (1999) download

Payback

1999

Action / Crime / Drama / Thriller

Available in: 720p.BluRay 1080p.BluRay

Download Subtitles

118

54% TOMATOMETER · 74 reviews

69% AUDIENCE · 50K ratings

7.0/10 · 155.4K

720p.BluRay 1080p.BluRay

Download Subtitles

hotel new york city prostitute robbery based on novel or book heroin

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Payback (1999) download

Payback (1999) download

Payback (1999) download

Plot summary

With friends like these, who needs enemies? That's the question bad guy Porter is left asking after his wife and partner steal his heist money and leave him for dead -- or so they think. Five months and an endless reservoir of bitterness later, Porter's partners and the crooked cops on his tail learn how bad payback can be.

Director

Brian Helgeland

Top cast

Mel Gibson as Porter

James Coburn as Justin Fairfax

Lucy Liu as Pearl

Alex Henteloff as Varrick's Manager

Tech specs

720p.BLU 1080p.BLU

750.24 MB

1280*720

English 2.0

R

Subtitles

23.976 fps

1 hr 40 min

Seeds 6

1.40 GB

1920*1080

English 2.0

R

Subtitles

23.976 fps

1 hr 40 min

Seeds 64

Comments 12

Log in to join the discussion

KyletheMan 267 days ago

Great movie! Thank you!

BKTwist 745 days ago

Thank you OTTO...

saokid4463 940 days ago

upload the Director's Cut. Thanks

hugogreen 1576 days ago

Great movie

Alexs1994 2123 days ago

Go for it ????????

sihabex952 2145 days ago

theatrical cut is unironically superior, Gibson took the project away from the director because he didn't know what he was doing and made it a better movie. Gibson is a better director and understands story structure better than brian hegland could ever dream of. People have been brainwashed to think "directors cut" automatically means better film and while that's true in some cases (like batman v superman) its not true in every case. Payback theatrical cut is the better movie. Fact.

mohamed_sedik 2224 days ago

great

Barkov 2557 days ago

Great movie! Thanks guys. o7

mac9911 3608 days ago

Is This a Director's Cut or not?

sone 3653 days ago

Is This a Director's Cut or not?

abhiawle 3703 days ago

Thanks OTTO !!

cajun_504 3734 days ago

good movie thanks

Showing 12 of 12 threads

IMDb reviews

From IMDb

6 / 10

_**Amusing neo-noir in Chicago with Mel Gibson, Gregg

Wuchak

_**Amusing neo-noir in Chicago with Mel Gibson, Gregg Henry and Maria Bello**_ After a heist with an Asian gang, a no-nonsense man (Mel Gibson) is left for…

8 / 10

An underrated crime noir that somehow snuck it's

tmdb15435519

An underrated crime noir that somehow snuck it's way into the overcrowded 90s. With phrases like, "expected horizontal refreshment", you know this is going to…

Indestructible Gibson in grim and gritty telling of

John Chard

Indestructible Gibson in grim and gritty telling of The Hunter. This is not an out and out remake of John Boorman's 1967 offering Point Blank, the structure is…

Indestructible Gibson in grim and gritty telling of The Hunter. This is not an out and out remake of John Boorman's 1967 offering Point Blank, the structure is different from the 67 film, and where Point Blank is a dark psychological thriller that is rightly regarded as being towards the top of the neo-noir tree, this Brian Helgeland directed film really should be seen as a different interpretation of Donald E. Westlake's novel The Hunter. Mel Gibson plays tough as nails thief Porter, who is double crossed, shot, and then left for dead by his wife Lynn (Deborah Kara Unger) and his partner in crime Val Resnick (Gregg Henry). We are then taken on a dark journey as Porter sets out to reclaim the $70.000 that he was shot and almost killed for. He wants no more, no less than what he is owed, and he literally will stop at nothing to achieve his goal. Including taking on the Chicago mob organisation known as The Outfit. Payback is a mean and violent movie, it is unrelenting in its willingness to keep nastiness at the top of the story. The film is full of flawed and vile people, even Porter himself, the closest we have to a (anti) hero has badness coursing through his veins, he is a dislikable killer, the film is about exactly what the tag-line suggests, Get Ready To Root For The Bad Guy! As Porter trawls through this part of Chicago, he will come across bent coppers, drug pushers/addicts/runners, Asian gangsters, prostitutes, violence fetishists and the slimy chain of command of the Chicago mob. Nobody here is about to cheer you up. The style of the film owes its being to classic film noir and the 1970s hard crime movies led by Dirty Harry and Death Wish. The makers had originally wanted to film it in black and white, but instead went for a de-saturation technique, a bleach by-pass process that really puts a grim grey and blue sheen on the visuals. The thumping score is tonally correct, while a good sound track also helps (always nice to see hear Voodoo Chile), and the use of voice over narration by Porter evokes the classic noir period and works a treat because it's not over done. The film strongly relies on Mel Gibson to bring menace and a measure of sympathy to the vengeful Porter, and it is with much credit that he manages to achieve both these things skilfully. He is backed by a strong support cast, Maria Bello admirable in her big shift from TV to film - Lucy Liu hilarious and stunningly sexy as a dominatrix and Gregg Henry is just wild. The Outfit chain of command features William Devane, James Coburn and Kris Kristofferson, all slick and welcome additions, even if they are all under used; though this is more by narrative necessity than film making decisions. Bill Duke, David Paymer and Jack Conley fill out the impressive roll call of scum-bags. Violent, laconic and darkly comic as well, Payback is one of the best remakes around, a neo-noir essential in fact. 8.5/10 Footnote: Director Helgeland released his own Directors Cut in 2006. Unhappy with the original version, he changed some of the structure and visual style and made it shorter by ten minutes. It's inferior to the 100 minute original cut in my opinion, losing much of the noir stylisations, but the last quarter is different and will (does) certainly appeal to others.

More reviews on IMDb

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