★ 10 / 10
**The power and importance of cultural roots.** This
Filipe Manuel Neto
**The power and importance of cultural roots.** This was the first New Zealand film I saw, at least as far as I remember and am aware of that. It's a violent…
**The power and importance of cultural roots.**
This was the first New Zealand film I saw, at least as far as I remember and am aware of that. It's a violent film, with a raw brutality that shocks us by how authentic it sounds. Domestic violence? Child rape? It's not something you only see in the movies. It's something you see in a newspaper. That's what shocks us the most: knowing it's something real. And I warn you now: there are violent films, but this one is really intense and shocking... a lot.
The film takes place in Auckland, in a poor suburb built by the State for people with very low incomes. There lives an overwhelmingly Maori population, apparently on the margins of Anglo-Saxon, white and elegant society. This country ceased to be a colony a long time ago but, as happens in many places in the world, the dominant ethnic group is still that of European descendants and there is a certain dominant racism. In the midst of this, this Maori population seems lost, aimless in the midst of vices and crime. Will that be reality? I don't know, but a quick search of some New Zealand newspapers indicates that the problem is real.
Lee Tamahori did a good job of preventing this film from becoming something it shouldn't be, that is, a tearful drama or an anti-racist manifesto that is no longer given the attention it deserves. Instead, the director starts from this base and makes a blunt and sincere affirmation of the importance of searching for cultural roots and the way in which this changes our way of being and our attitude in life. Why does Jake Heke do what he does? Because he cut all ties with his culture and roots after he ran away with his wife in order to get married. In doing so, he took refuge in violence. The children would also suffer from this, and only a reencounter with their roots can give them the guidance in life that they so badly need, and that they instinctively seek.
The film has excellent cinematography and visuals. Personally, I don't really like the graphics that were used for the opening and ending credits, I think they are out of character for the movie, but that's just my opinion. Discreet in the effects, soundtrack and sounds, it is a film that seeks to be effective but discreet, in order to give the story and the actors all the space to have our full attention. Even so, the settings are worth seeing, particularly the Heke house and the wrecked car where Toot, a homeless young man, lives.
The film has an excellent direction, screenplay and sets, but none of it would work well without competent actors. Rena Owen largely fulfills this requirement with a work worthy of being studied by aspiring actors. The actress is extraordinary, she does such a good job that it's hard to understand why the film wasn't considered, at least, for the Oscar for Best Actress (is it because she didn't have that week in Los Angeles that the Academy demands?) . The work of Temuera Morrison and Mamaengaroa Kerr-Bell also deserves a note of praise.
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★ 9 / 10
The review I did in English
mickstachef
For a movie watched in Year Twelve English, Once Were Warriors, directed by Lee Tamahori, was surprisingly moving. With a top notch cast including Temuera…
For a movie watched in Year Twelve English, Once Were Warriors, directed by Lee Tamahori, was surprisingly moving. With a top notch cast including Temuera Morrison and Cliff Curtis, the acting is fantastic and goes hand in hand with the tightly scripted pace, which led to an thought-provoking one hundred and two minutes of film.
Once Were Warriors tells a story familiar to many New Zealand families. Set in 1994, against the backdrop of Otara, Auckland, it tells the story of Beth and Jake Heke. Jake is an all round under achiever with a nasty temper and a fondness of beer. He likes to be the king of his state-house castle and his local pub, The Royal. Beth is the strong willed runaway who married Jake against her tribe's wishes. She loves Jake enough to forget the price he is having on her family - Nig, Boogie, Grace, Polly and Huata. Nig is the oldest boy, and hates his father for abusing Beth; his hate leads him to join the TOA gang. Boogie is also getting into trouble and Grace has turned to writing as an escape from her lout of a father. This story forces Beth to confront her husband's violence, and decide which is more important; his "needs" or her family.
The performances in this movie were superb. Temuera Morrison is excellent as Jake Heke. He is convincing as both the "lovable chap", when he and Beth sing 'The Nature of Love', and a frightening monster, when he beats Beth. In the final scene, he is incredible! Despite his violent words (he uses one expletive 17 times in less than 30 seconds), Morrison manages to display a kind of brokenness, that made me feel pity for him despite his previous actions, which most viewers would agree were appalling. Rena Owens was also extraordinary as the vibrant and resilient Beth Heke. She is totally believable. She is Beth. Her acting is incredibly varied. Owens shows Beth's vulnerability. After Jake's beating, she is weak and injured which is a total contrast to the last scene where she is strong even the face of Jake's fury, coming back with "Our people once were warriors. But unlike you, Jake, they were people with mana, pride; people with spirit. If my spirit can survive living with you for eighteen years, then I can survive anything". The performances of Mamaengaroa Kerr-Bell (Grace), Shannon Williams (Toot) and Sonny Arahanga (Nig) were also exceptionally moving. Basically, there were very few performances in this movie unworthy of a standing ovation.
Another really positive aspect of Once Were Warriors was the setting. Tamahori's aim was to produce a tough, gritty, urban-based drama, which showed the destructiveness of urban life-style. You don't get much more urban in New Zealand than Otara. The film has amazing contrasts in it with setting. As a New Zealand movie, you expect beautiful mountains, hills, lakes, the clean and the green, and the beautiful first shot sets the scene for such things. When you see it's just a billboard and that the closest the Hekes have to that ideal is the dead-looking tree in their backyard, it reinforces that idea of the country as a nurturing place. Even the lighting and colors of the places help with this. Otara is dark, shabby, and gray. There's no color in their home or in their lives. The Marae, set in the country, by a beautiful lake, is bathed in golden light, symbolic of the joy and color within them at this time.
There was a lot of good stuff about this movie but it also had its down points. There was a lot of violence which is important to the story, but was a little too graphic and hard to watch for some of the people in my class. It also tends to present the view that all Maori people are constantly drunk and swearing; that none have jobs or cars; and that all they do is drink, have parties and beat and rape people. The only ones that don't live on Maraes. This movie deals with the huge international issue of domestic violence, and although the Heke family is Maori, these are issues which affect all races and societies. It also shows the power and beauty of the Maori culture, and makes you understand that Jake is not the ideal role- model for any society.
This movie IS good, but don't be under the impression it's a "feel good" favorite that you'd like to gather your family around for a light evening of entertainment. This movie is basically a tell-all on domestic violence. It shows violence as the ugly thing it is. Once Were Warriors is not for fun, this is a drama that really makes you think, discuss, confront and actually do something about problems in your society. It is a worthwhile watch, if you can approach the film with an open mind.
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Rest in Peace Lee Tamahori