★ 8 / 10
Wonderful town gets a wonderful movie. As would
John Chard
Wonderful town gets a wonderful movie. As would be tradition, the story at the core of On the Town isn't anything to sing from the roof tops, but it plays out…
Wonderful town gets a wonderful movie.
As would be tradition, the story at the core of On the Town isn't anything to sing from the roof tops, but it plays out as one of MGM's most memorable slices of froth. Propelled by talented stars and singers, it's a musical of comedic delights.
Adapted from the successful stage production, charges of being dated and that not all the songs are great, is correct. The dated thing is not always a viable debating tool, but certain stereotype and sexist elements here will ring a little hollow with some folk.
Yet if you can just run with it and accept the era of film making it comes from, then this is mostly a joyous and uplifting picture. So roll with the boys and girls, with the wonderful dances and the wonderful singing, for New York New York, A Wonderful Town. 8/10
★ 7 / 10
That old expression about things not being broken
CinemaSerf
That old expression about things not being broken not needing fixing springs to mind with this. Messrs. Sinatra, Kelly (who co-directed) and Munshin don their…
That old expression about things not being broken not needing fixing springs to mind with this. Messrs. Sinatra, Kelly (who co-directed) and Munshin don their naval uniforms for a 24 hour pass in the Big Apple. Once there, they fall for a pretty diverse trio of dames - Betty Garrett, Ann Miller and Vera-Allen and with the fabulous musical talents of Green/Comden and Bernstein at the helm, we have the perfect ingredients for a day no-one will ever forget. The plot is pretty straightforward, but the musical numbers notably "New York, New York", "On the Town" and "I Can Cook Too" alongside some perfectly choreographed dance sequences give this adaptation of the 1944 Broadway musical more than a splash of style and class. The whole thing is well paced, the characters (though hardly what you might call "developed") are fun and engaging - especially the really almost "cute" Frank Sinatra - as they (and we) enjoy their whirlwind romantic tour. On the downside, the story could do with being just a smidge more substantial and there are maybe just a little too many sound stage performances that do sterilise the charm just a little, but I'm splitting hairs - it's well worth a watch if you like the broadway musical at it's best.
★ 7 / 10
Enjoyable Enough for Anyone in the Mood for Soft-centred Escapist Entertainment
JamesHitchcock
This film has a very simple plot. Three sailors have 24 hours shore leave in New York. They met three attractive girls, and three romances blossom. And that's…
This film has a very simple plot. Three sailors have 24 hours shore leave in New York. They met three attractive girls, and three romances blossom. And that's about it. The characterisation is really no more advanced than the plot development. The sailors and their sweethearts are each given their own idiosyncrasies, but none of them really emerges as a rounded individual. Fortunately, however, a complex plot and well-developed characters are not always essential to the musical genre, and "On the Town" manages to succeed reasonably well without these elements.
The film's most important quality is the energy and vivacity of its song-and-dance numbers. It was shot on location in New York itself, and the city is portrayed as a vibrant, exciting place, a new world as far as the sailors, who are all country boys, are concerned. There is also plenty of humour, such as the scene where Frank Sinatra wants to go sight-seeing, unlike his new-found girlfriend, a man-hungry female cab driver, who would rather take him back to "my place", Gene Kelly's search for "Miss Turnstiles", whom he imagines to be a glamorous and famous beauty queen, and the scene where the three men manage to demolish a dinosaur skeleton in the city's Museum of Anthropology. (Jules Munshin's girlfriend is described as a lady anthropologist, although the scriptwriters seem to have blurred the difference between anthropology and palaeontology). The songs are tuneful, although with the possible exception of "New York, New York" none of them are particularly memorable. Some have criticised the more formal balletic sequence near the end, but as far as I was concerned this was one of the best parts of the movie. After all, if you are going to make a film starring a dancer as talented as Gene Kelly, you might as well use his talents to the full.
This is not really my favourite musical. It lacks, for example, the indefinable magic of "Singin' in the Rain", which also starred Kelly, or the depth and social comment of "West Side Story", Leonard Bernstein's other New York musical made twelve years later. (The contrast between these two films shows just how far the genre had progressed in just over a decade). Nevertheless, it is enjoyable enough for anyone in the mood for soft-centred escapist entertainment. 7/10
94%
TOMATOMETER
· 31 reviews
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AUDIENCE
· 10K ratings
7.3/10
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