Obchod na korze

1965 [SLOVAK]

Drama / War

10
Rotten Tomatoes Critics - Certified Fresh 100% · 14 reviews
Rotten Tomatoes Audience - Upright 94% · 1K ratings
IMDb Rating 8.2/10 10 10566 10.6K

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Plot summary

In a small town in Nazi-occupied Slovakia during World War II, decent but timid carpenter Tono is named "Aryan comptroller" of a button store owned by an old Jewish widow, Rozalie. Since the post comes with a salary and standing in the town's corrupt hierarchy, Tono wrestles with greed and guilt as he and Rozalie gradually befriend each other. When the authorities order all Jews in town to be rounded up, Tono faces a moral dilemma unlike any he's known before.

Director

Top cast

Martin Hollý as Imro Kuchar
Hana Slivková as Evelyna Brtková
Mikulás Ladizinský as Marian Peter
Frantisek Zvarík as Markus Kolkocký
720p.BLU 1080p.BLU
1.13 GB
988*720
Czech 2.0
Not Rated
24 fps
2 hr 5 min
Seeds 1
2.09 GB
1482*1080
Czech 2.0
Not Rated
24 fps
2 hr 5 min
Seeds 8

Movie Reviews

Reviewed by griggs79 9 / 10

Catastrophe sprouts from tiny choices in Slovak New

Catastrophe sprouts from tiny choices in Slovak New Wave gem _The Shop on Main Street_. In 1942 a mild carpenter becomes “Aryan controller” of a Jewish widow’s button shop. He tries to stay decent; the regime leans harder. Ida Kaminska lends the widow wary warmth, every twitch caught by the lens. Directors Kadár and Klos favour steady shots, dry wit and the odd dream flicker. No gore, only rising moral torque, ending with a thud that keeps echoing.
Reviewed by

Reviewed by erostratus-amazon 9 / 10

admire the camera shots...and the editing

I'll skip over the story and the themes. Other commenters have said wonderful things about that.

Let's talk visuals.

I just have to say I was blown away by almost every single shot of the movie. The black and white color looks gorgeous, and the indoor shots have lots of shadows and texture. The outdoor shots seem overexposed, brilliant, artificial and almost unbearable. The criterion version just looks superlative.

Watch the dinner scene at the start where the man's brother in law is getting drunk with Tony. They are yelling, and having a time, and the camera dives/sweeps/rapidly turns around and falls. It conveys the dizzying nature of the conversation. The outdoor scenes in the first half of the movie have lots of bustle and activity, with lots of turns and shifts of perspective. People will remember the historical themes, but please don't overlook the amazing cinematography (which rightfully doesn't call attention to itself but enhances the emotional impact of every scene). In one scene (where Person X hits Person Y), camera conveys the claustrophobic, almost paranoiac perspective of Person X and sets the rest of the action up. We just knew what was going to happen next here.

The dream sequences/surreal effects were modest and didn't seem too fantastic; they were small enough for a small man overtaken with fear.

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