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Nostalgia

2018

Action / Drama

Nostalgia

2018

Action / Drama

Available in: 720p.BluRay 1080p.BluRay

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38% TOMATOMETER · 55 reviews

45% AUDIENCE · 100 ratings

5.6/10 · 1.6K

720p.BluRay 1080p.BluRay

Download Subtitles

memory relationship

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Plot summary

A mosaic of stories about love and loss, exploring our relationship to the objects, artifacts, and memories that shape our lives.

Director

Mark Pellington

Top cast

Jon Hamm as Will

Catherine Keener as Donna

Ellen Burstyn as Helen

Mikey Madison as Kathleen

Tech specs

720p.BLU 1080p.BLU

962.24 MB

1280*534

English 2.0

Subtitles

23.976 fps

1 hr 54 min

Seeds 1

1.82 GB

1920*800

English 2.0

Subtitles

23.976 fps

1 hr 54 min

Seeds 3

Comments 2

kbr61 3098 days ago

These wannabe 'critics', aren't human enough nor experienced enough to know what its like to be attached to another human or a 'thing' which evokes sacred memories. Wet-behind-the-ears, children they are!

swallowthesun1 3103 days ago

I heard this was actually pretty good. Let's find out.

Showing 2 of 2 threads

IMDb reviews

From IMDb

8 / 10

Nostalgia (2018), directed by Mark Pellington and written

R T

Nostalgia (2018), directed by Mark Pellington and written by Pellington and Alex Ross Perry is a dramatic film of lives lived, attachment, memories and loss.…

Nostalgia (2018), directed by Mark Pellington and written by Pellington and Alex Ross Perry is a dramatic film of lives lived, attachment, memories and loss. And it's a film on the meaning of objects, possessions, and the memories they evoke in the eyes of the beholder. Pellington weaves together many visual elements to create an intriguing film. I liked the way the film opens. The film fades from black with voice over to a close up of the upper body of a woman (Shinelle Azoroh) lovingly touching a necklace, a family heirloom, and her ring, another heirloom, to a close up of her smiling face talking to her customer, cutting to a close up of an outstretched arm of a man reaching over the counter to pay his bill, to a medium angle shot of the waitress and restaurant patron Daniel (John Ortiz) facing each other and talking, and then cutting to a wide angle shot of Daniel turning around and facing the camera while the camera zooms in on him. The film is beautifully shot in colour. Pellington juxtaposes the narrative of the objects against the backstory of the characters. Close ups and medium angle shots are interspersed with wide angle shots, low and high angle shots, and aerial shots creating depth and complexity. The film is comprised of a series of vignettes that beautifully transition into each other that focus your attention on the character and/or the characters interactions. And the film includes a marvelous cast of actors which makes the film and are allowed to shine. Some of the most powerful scenes in the film include Helen (Ellen Burstyn) shifting through her burnt out house which has been reduced to ashes; Daniel (John Ortiz) revisiting Helen's burnt out house alone and miming the actions of opening the front door where nothing remains of the structure, gently handling the burnt out objects, caressing the fireplace, and miming the actions of closing the front door when leaving; and the scenes involving Donna (Catherine Keener) grieving the loss of her daughter, and her character's interaction with her brother, Will (Jon Hamm), her spouse Patrick (James Le Gros), and her close friends. These scenes are emotionally overwhelming and a tribute to Catherine Keener's acting ability. You feel the character's anguish, agony and the pain of her loss. Some of the most poignant scenes involve Will, a middle-aged man, sitting on his bed in his childhood home, and reading his father's letters written to his mother, and meeting Tallie Beam, Donna and Patrick's daughter, (Annalise Basso) while Will and Donna reminisce and go through their family's belongings in the attic of their family home. After catching a glimpse of Tallie, the apple of her mother's eye, and much loved by others, and watching the scenes that follow, you feel the impact of her loss, and are swept up too in the grieving process. It's a fascinating glimpse into the meaning of objects which encapsulate memories, a longing, a desire and a way the characters see themselves, and the importance of lives lived. It is a well-crafted film that artistically explores the theme of loss and memory and letting go, and the title of the film is very apropos. I highly recommend it and a word of warning; bring some tissues with you because you are going to need them.

1 / 10

10 minutes in and I was bored to

R T

10 minutes in and I was bored to tears.

4 / 10

The quality is all over the place

Steve D

The quality is all over the place.

More reviews on IMDb

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