No Way Out

1950

Action / Crime / Drama / Film-Noir / Thriller

17
Rotten Tomatoes Critics - Certified Fresh 85% · 13 reviews
Rotten Tomatoes Audience - Upright 82% · 500 ratings
IMDb Rating 7.4/10 10 7038 7K

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Plot summary

Two hoodlum brothers are brought into hospital for gunshot wounds, and when one dies, the other accuses their Black doctor of murder.

Top cast

Ray Teal as Day Deputy in Hospital Prison Ward
Robert Adler as Louie - Assistant Deputy in Hospital Prison Ward
Barbara Pepper as Woman
Mack Williams as Husband
720p.BLU 1080p.BLU
881.98 MB
968*720
English 2.0
Passed
23.976 fps
1 hr 46 min
Seeds 4
1.68 GB
1440*1072
English 2.0
Passed
23.976 fps
1 hr 46 min
Seeds 12

Movie Reviews

Reviewed by CinemaSerf 7 / 10

Talk about biting the hand that would feed

Talk about biting the hand that would feed you! Two petty thieves end up in hospital after a robbery went wrong. “Ray” (Richard Widmark) is an angry and odious character who refuses to let the duty doctor “Brooks” (Sydney Poitier) anywhere near his injured brother. His protestations are ignored, but when the patient dies his brother begins to make all sorts of vile racist assertions against the doctor. These noises are soon being heard on the streets, and with racial tensions already running high the situation becomes dangerous for the doctor, his family, his hospital and amidst a community at large just itching for a brawl. Central to this toxicity is “Edie” (Linda Darnell). She was formerly married to the deceased man and although she’s not quite a card-carrying member of the KKK, she is still fairly bigoted and is inclined to support the allegations of “Ray”. However, as she sees the brutality unfold might she realise that she is wrong, that “Ray” is wrong and that she might be the only one who can help - especially when “Ray” escapes and sets off on his own path of vengeance. Widmark wasn’t always the most engaging of actors, indeed he could be downright wooden at times, but here there is something viscerally unpleasant about his characterisation and he commits himself completely to depicting an ignorant man convincingly. Darnell is also on great form as a troubled soul for whom it is quite difficult to have sympathy at the start, but whose performance rather effectively epitomises struggles across America with matters of racism, mental illness and to an extent, sexism too. Poitier’s character isn’t so very well developed, but he still manages to bring a professional dignity to his role, especially towards the conclusion, and all in all this is a thought-provoking film that even manages to evoke a little pity, too.
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Reviewed by AlsExGal 9 / 10

A great film about racism with a ponderous title

I can't find any big studio films that concern themselves with racism prior to 1949, and this film takes up the subject in a very raw way just the year after that.

Dr. Luther Brooks (Sidney Poitier) is a resident in a hospital. He is assigned to the prison ward when the Biddle brothers are brought in, both shot in the leg trying to get away from the police after the hold-up of a gas station. But one of the brothers, Johnny Biddle, is incoherent and feels nothing when a cigarette he is smoking falls and smoulders in his hand. Brooks suspects a brain tumor and performs a spinal tap, but Johnny dies during he procedure. His racist brother Ray Biddle (Richard Widmark) declares that the doctor killed him. The state this happens in does not force an autopsy under such circumstances unless allowed by the next of kin. But that would be Ray Biddle and he really enjoys accusing Dr. Brooks of murder without any pesky truth or confirmation.

The supervising physician assures Brooks that he may or may not have been correct in his assessment, but that he most certainly did not kill Johnny Biddle. Meanwhile this situation has the potential of blowing up into a full fledged race riot with Biddle fanning the flames from inside of his prison hospital room. Complications ensue.

Today, a film like this could not be made primarily because of the language used, which is the language used by racists then and now. And that's too bad, because Widmark's no holds barred portrayal of Ray Biddle paints a very ugly and stupid face on racism, one that rings true even today. Biddle holds fast to his racism because he needs to feel superior to somebody else, and the Brooks family climbing into the middle class while he is left behind in the slums completely upsets his world view.

Without getting into details, this film has a high level of suspense and tension that carries it through to the end. I'd highly recommend it, just realize it is not an easy thing to watch.

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