Ningen no shômei

1977 [JAPANESE]

Crime / Drama

5
Rotten Tomatoes Audience - Upright 80%
IMDb Rating 6.6/10 10 574 574

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Plot summary

When an American is murdered in a Japanese inn, Tokyo police detective Munesue follows the trail of the killer to New York. There he is joined by a New York City detective named Shuftan and together they sort out the crime.

Director

Top cast

Tôru Minegishi as Detective Shimoda
Mineko Nishikawa as Woman at Hachio
Hideji Ôtaki as Customer at a restaurant
E.H. Eric as Design Contest M.C.
720p.BLU 1080p.BLU
1.19 GB
1280*670
Japanese 2.0
Not Rated
23.976 fps
2 hr 12 min
Seeds ...
2.21 GB
1920*1006
Japanese 2.0
Not Rated
23.976 fps
2 hr 12 min
Seeds 2

Movie Reviews

Reviewed by Darren D 7 / 10

Proof of the Man" is a compelling whodunit

"Proof of the Man" is a compelling whodunit crime drama directed by Junya Satō that dives deep into exploring racial identity & the trauma of postwar Japan & the occupation of the country. The story seamlessly expands throughout families & law enforcement in Japan to America which brings together the stars & strong leading performances from George Kennedy & Yūsaku Matsuda.
Reviewed by R T 10 / 10

The most touching movie ever. The life that

The most touching movie ever. The life that a child obtained from a woman that he called mother who also takes it from him. Without angry or sadness, the child still loves his mother as if life has no meaning with a mother's love. The song, The old straw hat, tells everything about a man who is seeking the love of his mother and the meaning of his life.
Reviewed by fatcat-73450 6 / 10

Still Doesn't Make Sense

It's well-known that US film often butchers the cultural milieu of foreign countries that they present. One of the most fascinating aspects of this film is that it does the same from a Japanese perspective. It presents an slightly fantastical version of USA within the framework of apparent realism. In that sense, it's a bit like the Borges.This is a USA that just looks like a post-apocalyptic junkyard. Outside of the big fancy hotels and nightclubs, everything's a giant dung heap full of trash, poverty, and socio-economic malaise. In this USA, cities can't keep proper records of the births and deaths of their residents, Hispanics who want to hide their ancestry stop pronouncing their R's, and the typical US person has a deep-seated hatred for the Japanese even into the late 70s.That part I don't mind, it's even interesting. It's like stepping into a slightly different alternate reality that tickles at the bounds of your consciousness. The main problem with this movie is that it's way too complicated to the extent that it makes no sense at all. It starts out with a double murder and along the way it tackles the issues of trans-Atlantic racism, affairs at the top of Japanese society, war crimes from World War II, a mother's tough decisions, and apparently minor characters that meet by chance are distantly related to each other... WHAT? Also the plot is kind of tied together by some poem which is no less complex and difficult to make sense of it.By the end everything is kind of wrapped up, but I can't say this film behaves decently.Great scenes of 0970s Japan as well as this ugly post-apocalyptic vision of New York.Also, although everyone does a pretty good job, I must especially commend the performance of Yusaku Matsuda, who plays a stone-faced Charles Bronson or Clint Eastwood-esque policeman to perfection. I think a classic of those types of performances if that's your cup of tea.Honourable Mentions: Chinatown (1974). Twas also a film involving a bizarre tectonic sick and twisted coverup, but it was done a lot more deftly than Proof. I think it's because it mostly focuses on the main investigator's struggle to find out the truth of things, wading through his arduous investigation, and only reveals the outlandishly complicated conspiracy behind it all at the very end. Proof, on the other hand, reveals new developments regularly, each of them mostly unpredictable and confusing.
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