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Night Nurse

1931

Comedy / Crime / Drama / Horror / Mystery

Night Nurse

1931

Comedy / Crime / Drama / Horror / Mystery

Available in: 720p.WEB 1080p.WEB
WEB: same quality as BluRay

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83% TOMATOMETER · 12 reviews

73% AUDIENCE · 500 ratings

7.0/10 · 5.2K

720p.WEB 1080p.WEB
WEB: same quality as BluRay

Download Subtitles

bootlegger chauffeur nurse roommate roommates child in peril

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Plot summary

Lora Hart manages to land a job in a hospital as a trainee nurse. Upon completion of her training she goes to work as a night nurse for two small children who seem to be very sick, though something much more sinister is going on.

Director

William A. Wellman

Top cast

Charles Winninger as Dr. Bell

Ben Lyon as Mortie

Clark Gable as Nick

Blanche Friderici as Mrs. Maxwell

Tech specs

720p.WEB 1080p.WEB

659.48 MB

958*720

English 2.0

TV-G

Subtitles

23.976 fps

1 hr 11 min

Seeds ...

1.2 GB

1436*1080

English 2.0

TV-G

Subtitles

23.976 fps

1 hr 11 min

Seeds 8

Comments 2

monaies 1527 days ago

Thank you so much!

Bliggick 1527 days ago

Pre-code Barbara, the way I like her best. Add in Gable and Blondell and this is a must-see.

Showing 2 of 2 threads

IMDb reviews

From IMDb

# Night Nurse (1931) Directed by: William A

THE-LENS

# *Night Nurse* (1931) **Directed by:** William A. Wellman **Screenplay by:** Oliver H. P. Garrett and Charles Kenyon (additional dialogue) **Starring:**…

# *Night Nurse* (1931) **Directed by:** William A. Wellman **Screenplay by:** Oliver H. P. Garrett and Charles Kenyon (additional dialogue) **Starring:** Barbara Stanwyck, Ben Lyon, Joan Blondell, and Clark Gable **Review by Dr Usman Latif Khawaja** A towering pre-Code masterwork: William A. Wellman’s *Night Nurse* (1931) stands as one of the most shocking, fast-paced, and physically uncompromised romantic noirs ever produced by the studio system. The absolute structural bullseye is the film’s relentless dramatic velocity. Long before the corporate mandates of the 1934 Hays Code came into effect to sanitize American cinema, *Night Nurse* dared to depict institutional corruption, child endangerment, and raw underworld violence with a level-headed grit that completely puts standard Hollywood melodrama to shame. ## The Pre-Code Battlefront: Barbara Stanwyck’s Defiance **The Queen of Resilience:** Barbara Stanwyck delivers a breathtaking, powerhouse performance as Lora Hart. She completely rejects the traditional studio trope of the fragile, weeping nurse. When she discovers that the two wealthy, innocent children in her care are being systematically starved and drugged to death by a corrupt doctor to liquidate their trust fund, her moral stance turns into absolute warfare for survival. ## The Sicilian Warlord: Clark Gable Returns Clark Gable’s presence is charismatic as a villain! Fresh off his menacing turn in *A Free Soul* (1931), a young Gable steps into the frame as Nick, the chauffeur-henchman. Dressed in a dark, tight uniform, his imposing physical geometry, cold brow, and animalistic sneer make him look like a total feudal warlord enforcing a death sentence. The scene where he cold-bloodedly knocks Stanwyck unconscious with a single punch to the jaw is a visceral piece of pre-Code realism that modern cinema rarely has the guts to portray. ## The Sovereign Rescue Your focus on the strong boyfriend hits the exact structural anchor. Ben Lyon delivers an exceptional performance as the bootlegger boyfriend, Mortie. He isn’t a safe, law-abiding studio hero; he operates in the shadows, using his own underworld muscle and connections to intercept Gable and ensure the survival of the children, culminating in a brilliant, un-preachy resolution where the street system delivers its own justice. ## The Auteur Precision: William A. Wellman Praise for the direction is beautifully validated by film history. “Wild Bill” Wellman handles the 72-minute runtime with blistering, machine-gun pacing. Backed by Barney McGill’s highly atmospheric, shadow-slicked cinematography, the film behaves like an elite urban noir, using crisp dialogue and claustrophobic spaces to expose how easily the wealthy can be targeted by predatory elements. What a magnificent, high-art addition to my vault!

7 / 10

I love Barbara Stanwyck, but this one shoots

R T

I love Barbara Stanwyck, but this one shoots for the middle and achieves it.

4 / 10

A mixture of melodrama and silly comedy with

Alain E

A mixture of melodrama and silly comedy with a casual murder thrown in at the end. I wonder if the depiction of doctors in the operating theatre wearing masks…

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