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Night Has a Thousand Eyes

1948

Action / Crime / Drama / Fantasy / Film-Noir / Horror / Thriller

Night Has a Thousand Eyes

1948

Action / Crime / Drama / Fantasy / Film-Noir / Horror / Thriller

Available in: 720p.BluRay 1080p.BluRay

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83% TOMATOMETER · 6 reviews

69% AUDIENCE · 100 ratings

7.1/10 · 2.3K

720p.BluRay 1080p.BluRay

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Plot summary

When heiress Jean Courtland attempts suicide, her fiancée Elliott Carson probes her relationship with John Triton. In flashback, we see how stage mentalist Triton starts having terrifying flashes of true precognition. Now years later, he desperately tries to prevent tragedies in the Courtland family.

Director

John Farrow

Top cast

Stuart Holmes as Scientist

Edward Earle as Accident Witness

Lester Dorr as Mr. Byers

Gail Russell as Jean Courtland

Tech specs

720p.BLU 1080p.BLU

738.01 MB

1280*932

English 2.0

Approved

Subtitles

23.976 fps

1 hr 20 min

Seeds 3

1.34 GB

1472*1072

English 2.0

Approved

Subtitles

23.976 fps

1 hr 20 min

Seeds 2

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IMDb reviews

From IMDb

8 / 10

The Mental Wizard Curse. Night Has a Thousand

John Chard

The Mental Wizard Curse. Night Has a Thousand Eyes is directed by John Farrow and adapted to screenplay by Barre Lyndon and Jonathan Latimer from the novel of…

The Mental Wizard Curse. Night Has a Thousand Eyes is directed by John Farrow and adapted to screenplay by Barre Lyndon and Jonathan Latimer from the novel of the same name written by Cornell Woolrich. It stars Edward G. Robinson, Gail Russell, John Lund, Virginia Bruce, William Demarest, Richard Webb and Jerome Cowan. Music is scored by Victor Young and cinematography by John F. Seitz. John Triton (Robinson) is a nightclub fortune teller who suddenly finds he really does posses psychic ability. As his predictions become more bleaker, Triton struggles with what was once a gift but now is very much a curse. During a visually sumptuous beginning to the film, a girl is saved from suicide, it's an attention grabbing start and sets the tone for what will follow. Mood and strangulated atmosphere born out by photographic styles, craft of acting and Young's spine tingling score are the keys to the film's success, with the pervading sense of doom ensuring the narrative never falls into mawkish hell. It's a film that shares thematic similarities with a 1934 Claude Rains picture titled The Clairvoyant, only here we enter noir territory for Triton's cursed journey, where as the Rains movie was ultimately leading us to the savage idiocy of mob justice. Farrow's (The Big Clock/Where Danger Lives) film falls into a small quasi supernatural group of black and whites that are formed around a carnival/psychic act. It's a situation for film that film noir makers sadly didn't explore more often, making the likes of Night Has a Thousand Eyes, Nightmare Alley and The Spiritualist little treasures to be cherished. Farrow gets as much suspense out of the story as he can, of which he is helped enormously by the great work of Robinson. At a time when the HUAC was breathing down his neck, Robinson turns in a definitive portrayal of a man caught in a trap, his fate sealed. His face haunted and haggard, his spoken words sorrowful and hushed, Robinson is simply terrific. The world of prognostication gets a film noir make-over, death under the stars indeed. 8/10

8 / 10

The Mental Wizard Curse.

hitchcockthelegend

Night Has a Thousand Eyes is directed by John Farrow and adapted to screenplay by Barre Lyndon and Jonathan Latimer from the novel of the same name written by…

Night Has a Thousand Eyes is directed by John Farrow and adapted to screenplay by Barre Lyndon and Jonathan Latimer from the novel of the same name written by Cornell Woolrich. It stars Edward G. Robinson, Gail Russell, John Lund, Virginia Bruce, William Demarest, Richard Webb and Jerome Cowan. Music is scored by Victor Young and cinematography by John F. Seitz. John Triton (Robinson) is a nightclub fortune teller who suddenly finds he really does posses psychic ability. As his predictions become more bleaker, Triton struggles with what was once a gift but now is very much a curse. During a visually sumptuous beginning to the film, a girl is saved from suicide, it's an attention grabbing start and sets the tone for what will follow. Mood and strangulated atmosphere born out by photographic styles, craft of acting and Young's spine tingling score are the keys to the film's success, with the pervading sense of doom ensuring the narrative never falls into mawkish hell. It's a film that shares thematic similarities with a 1934 Claude Rains picture titled The Clairvoyant, only here we enter noir territory for Triton's cursed journey, where as the Rains movie was ultimately leading us to the savage idiocy of mob justice. Farrow's (The Big Clock/Where Danger Lives) film falls into a small quasi supernatural group of black and whites that are formed around a carnival/psychic act. It's a situation for film that film noir makers sadly didn't explore more often, making the likes of Night Has a Thousand Eyes, Nightmare Alley and The Spiritualist little treasures to be cherished. Farrow gets as much suspense out of the story as he can, of which he is helped enormously by the great work of Robinson. At a time when the HUAC was breathing down his neck, Robinson turns in a definitive portrayal of a man caught in a trap, his fate sealed. His face haunted and haggard, his spoken words sorrowful and hushed, Robinson is simply terrific. The world of prognostication gets a film noir make-over, death under the stars indeed. 8/10

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