**Payne Relief** The black and white photography is
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**Payne Relief** The black and white photography is a nice touch. It gives a kind of Karsh look to the weathered faces of the aging, reflective, yet still…
**Payne Relief**
The black and white photography is a nice touch. It gives a kind of Karsh look to the weathered faces of the aging, reflective, yet still yearning cast of characters, and suits the rapidly fading memories of a bygone era in recent American history. The acting was pretty good. Bruce Dern gives an effortless performance as a cranky old coot with one attention-seeking foot in the spotlight and the other half-buried in the shadows of utter dementia. The interpersonal conflicts among family and community, past and present are presented in a simple, linear uncomplicated way. The story seems to want to explore the sad truths of a regressive, bankrupt nation and the ridiculous dreams and delusions people cling to. Life is limited and unfinished. Like the heads carved out of Mount Rushmore. Like the forlorn characters wandering on and off the screen. For even after a lifetime of honest hard work aligned with various fixed Christian principles, a restless, quiet desperation lingers. Lies and illusions are necessary to prevent a lonely, inconsolable reality from setting in. And while Alexander Payne manages to keeps things relatively upbeat to prevent dragging us down into a pit of futile despair, he also fails to fully develop and realize the themes he puts forward. Every time Payne rustles up a movie (Sideways, The Descendants) he gets high praise, and this time he almost deserves it. He's a fairly astute cinematician who wants to make meaningful pictures without getting in too deep. Specifically, road movies on half a tank. Thankfully, he doesn't tread into murky Bergman territory, or puff his stuff up with Goddard-like self-importance, but he doesn't do himself much justice by avoiding or brushing off the potential worth and urgency of the matters he introduces. His concepts are cut short. While I'm watching Nebraska, I can't help but wonder how adept filmmakers like Kieslowski or Cassavettes would have treated and serviced the material. What's almost more disappointing than getting old, losing a presence of mind and attempting to reconcile broken memories, is not being able to fully grasp, much less handle and nurture, your own brainchild.
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★ 10 / 10
"Nebraska" is the reason why I love movies
851222
Greetings from Lithuania. What a terrific and warm movie this is. Shot beautifully in black and white it tells a story as old as the movies itself. Acted…
Greetings from Lithuania.
What a terrific and warm movie this is. Shot beautifully in black and white it tells a story as old as the movies itself. Acted wonderfully by a veteran Bruce Dern with a terrific support by June Squibb and all involved this a great film by a great Alexander Payne. If you have enjoyed his movies in the past, the you will be in nirvana watching "Nebraska". This film also reminded me of "The Straight Story" - another terrific film. "Nebraska" is a forth film from 2014th contenders for best movie Oscar that i saw, and to be honest, i enjoyed it more that "Captain Phillips" or "Dalas Buyers Club" - two very solid film. The forth is "Gravity", but that one is in another level of movie making, hope you know what i mean.
Overall, "Nebraska" i a great, slow, quite road movie that will definitely move you.
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Looks like an old Eraserhead lol