Naked Alibi

1954

Action / Crime / Drama / Film-Noir / Thriller

2
Rotten Tomatoes Audience - Spilled 53%
IMDb Rating 6.6/10 10 2034 2K

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Plot summary

Questioned as a murder suspect, solid (but drunk) citizen Al Willis attacks his police questioners, is beaten, and swears vengeance against them. Next night, Lieut. Parks is murdered; Willis is the only suspect in the eyes of tough Chief Conroy, who pursues him doggedly despite lack of evidence. The obsessed Conroy is dismissed from the force, but continues to harass Willis, who flees to a sleazy town on the Mexican border. Of course, Conroy follows. But which is crazy, Conroy or Willis?

Director

Top cast

Gloria Grahame as Marianna
Brett Halsey as Employee
Paul Newlan as Charlie
John Alvin as Stu
720p.BLU 1080p.BLU
788.12 MB
1280*690
English 2.0
Approved
Subtitles us  
23.976 fps
1 hr 25 min
Seeds ...
1.43 GB
1920*1036
English 2.0
Approved
Subtitles us  
23.976 fps
1 hr 25 min
Seeds 1

Movie Reviews

Reviewed by John Chard 5 / 10

Killer of Family Man. Naked Alibi is directed

Killer of Family Man. Naked Alibi is directed by Jerry Hopper and adapted to screenplay by Lawrence Roman from the story “Cry Copper” by Gladys Atwater and J. Robert Bren. It stars Sterling Hayden, Gloria Grahame, Gene Barry and Marcia Henderson. Music is by Joseph Gershenson and cinematography by Russell Metty. Urgh! It’s one of those lesser grade film noir movies from the classic cycle that should have been super, but isn’t. It’s also a Sterling Hayden film that gives his knockers ammunition to call him wooden, yet the tedious direction of Hooper and all round over staging of the production is what’s at fault here. Plot has Barry (over acting) as a suspected cop killer who walks free to apparently wreak more misery on the police force. Hayden’s stoic and robust detective is not having a bit of it and becomes obsessed with bringing Barry’s edgy character to justice. Grahame slinks into view in shapely fashion after half hour of film, to naturally stir the hornet’s nest still further. The potential is there for a hot-to-trot noir of psychological substance, a peek under the skin of men teetering on the thin line separating good and bad. Sadly it’s all so laborious and fake, the male actors indulging in what I call auto-cue acting as they act out badly staged scenes. Grahame comes out of it relatively unscathed, while Metty gives the production an atmosphere it doesn’t deserve with some slats and shads dalliances. But really it’s average at best and the cast are wasted. 5/10
Reviewed by CinemaSerf 6 / 10

This is a pretty mediocre film noir that

This is a pretty mediocre film noir that is really only notable for a superior level of pouting from Gloria Grahame. Gene Barry ("Willis") is the victim of a false arrest and some police brutality so when he is eventually released from custody he declares his intention on having his revenge. When, next evening, a police officer is murdered Detective Chief Sterling Hayden ("Conway") becomes obsessed with bringing Barry to justice - an obsession that costs him his job and leads him to a confrontation with his foe in a rundown village on the Mexican border. The plot is all pretty much ABC, Hayden is pretty dry and and, to be honest, Graham isn't so hot either as "Marianna" but she does have something about her that holds the attention (certainly not her rather curious dance/shimmy routine which is pretty silly). The dialogue is a bit weedy, and maybe if it had lost 20 minutes or so it might have tightened up the rather rambling story a bit but as it is, it's really nothing special.
Reviewed by MartinTeller 7 / 10

Naked Alibi (1954)

A grimly determined homicide detective tries to nab a suspected cop-killer, even after getting kicked off the force. Although there are some implausible plot elements, this is a pretty good noir. It's anchored by stellar performances from Sterling Hayden (in a part quite similar to his role in CRIME WAVE, from the same year) and the great Gloria Grahame (whose character is rather suspiciously close to her part in THE BIG HEAT, from the previous year). Gene Barry is very good too, although I can't say much about him without spoiling things. The film takes an unpredictable second act twist, at least it was far different from what I was expecting, which was more of a LOOPHOLE scenario. Grahame's entrance is strange -- she looks a bit awkward doing the nightclub singer shtick, but perhaps it suits her character to be uncomfortable in that position. The story is paced very well and has some brutal scenes, fine cinematography and generally good dialogue. Maybe not one of the greats, but definitely worth checking out, especially for Grahame fans.
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