Mystery of the Wax Museum

1933

Action / Horror / Mystery / Thriller

13
Rotten Tomatoes Critics - Certified Fresh 93% · 14 reviews
Rotten Tomatoes Audience - Upright 63% · 500 ratings
IMDb Rating 6.8/10 10 7724 7.7K

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Plot summary

A wax sculptor opens a new museum years after he is severely injured during a fire that destroyed his original collection. The disappearance of both people and corpses coincides with this grand reopening and leads a reporter to start investigating.

Director

Top cast

Harry C. Bradley as Reporter
Frank Austin as Winton's Valet
Edwin Maxwell as Joe Worth
William B. Davidson as Detective
720p.BLU 1080p.BLU
719.48 MB
988*720
English 2.0
Passed
Subtitles us  
23.976 fps
1 hr 18 min
Seeds ...
1.3 GB
1472*1072
English 2.0
Passed
Subtitles us  
23.976 fps
1 hr 18 min
Seeds 11

Movie Reviews

Reviewed by John Chard 8 / 10

My dear, why are you so pitifully afraid

My dear, why are you so pitifully afraid? London 1921, and brilliant sculptor Ivan Igor struggles to keep his museum open due to lack of interest in his beautiful historical characters. His partner Joe Worth feels it's time to call it quits, a row over finances ensues and a fire breaks out and burns the museum to the ground, almost killing Igor in the process. On to 1933 and New York, where the wheelchair bound Igor has a new museum open, the figures sculpted by others under his guidance due to his horribly disfigured hands preventing him from crafting himself. When a female socialite dies and her body is stolen from the morgue, ballsy reporter Florence Dempsey starts to investigate. Could it be that the stealing of the body is linked to the opening of Igor's new museum? Mystery of the Wax Museum was long thought to have had it's elements lost in a (ironically) fire, so with no Technicolor negative or prints available, it was a cinematic godsend that a used print was discovered in Jack Warner's private vault. The UCLA Film and Television Archive restored the film, and now the film can be seen in all its former glory. Riding in on a high reputation, the restored film was met with less than favourable results by the critics, possibly due in some part to the rightful regard that the remake, House Of Wax 1953, was held. What it is safe to say is that the film is more of a mystery (the clue is in the title!) than an outright horror. Something I don't think many were prepared for. The critics derision back then is now on reflection, stupid. For it's a truly fine film from an interesting era in film making. The sets from Anton Grot are brilliant, Gothic pieces of work. While the performance of Lionel Atwill as Igor is superb, and arguably his best work. The actress' do well enough, Fay Wray (reuniting with Atwill again after their work in Dr X in 1932) as Charlotte Duncan hones her scream queen method, and Glenda Farrell is ebullient and sharp tongued as Dempsey. There's also daring themes involved in the story, necrophilia, drug addiction, insanity and bootlegging. With the horror elements of the piece born out by the grizzly secrets of Igor's museum. It's also not just an important film in the pantheon of colour pictures, but also in that it has a modern city setting. Helping to bring horror to the streets instead of some ye olde village or faraway castle. It's a smashing mystery/horror film that is now thankfully widely available on various DVDs, so see it if you can. 8/10
Reviewed by 7 / 10

Origins of Wax

Michael Curtiz has over 170 directing credits, including "The Jazz Singer." Of the films on that list which I have seen, this is my favourite. It's filled with some quite amazing dolly and camera work, the story is fun and the acting is solid.This story has had a long life. This film, was based on a play. In 1953, it was re-made as a Vincent Price vehicle, "House of Wax" in 3-D. And in 2005, it was re-made again as a teen slasher. The premise is solidly creepy.Glenda Farrell is hilarious as the young journalist. Her energy leaps off the screen. I guess audiences of 1933 needed quite a bit of comic relief to make it through the rest of this. Lionel Atwill's make-up is fantastic. It's no surprise that it was designed by a Westmore: Hollywood's premiere make-up family.This was shot in a two-colour Technicolor process which makes the entire film rather distinctive and moody. The fantastic film noir lighting adds to it as well.If you can find this, it's a definite must-see! There are so many images and ideas borrowed from it in later horror films it's interesting to see their origins.
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