★ 8 / 10
We're doing everything in our power to make
John Chard
We're doing everything in our power to make you well again. My Name Is Julia Ross is directed by Joseph H. Lewis and adapted to screenplay by Muriel Roy Bolton…
We're doing everything in our power to make you well again.
My Name Is Julia Ross is directed by Joseph H. Lewis and adapted to screenplay by Muriel Roy Bolton from The Woman in Red written by Anthony Gilbert. It stars Nina Foch, Dame Mary Witty, George Macready, Roland Varno, Anita Sharp-Bolster and Doris Lloyd. Music is by Mischa Bakaleinikoff and cinematography by Burnett Guffey.
Julia Ross (Foch) out of work and in debt arrears to her landlady, hastily accepts a in-house secretarial position to Mrs. Hughes (Whitty). Starting work in the Hughes house in London the first night, she wakes up two days later in a cliff-top mansion in Cornwall. She is told she has been away with mental health problems, her name is Marion Hughes and she is married to Ralph Hughes (Macready)...
A very important film in the career of the great Joseph H. Lewis, My Name is Julia Ross would effectively put the director on the map, with noir fans subsequently rewarded with the likes of Gun Crazy and The Big Combo. Compact in running time (65 minutes) and budget, it's a film that showcases just what real good work could be achieved by a director and photographer noir team working under tight restrictions; classical noir production if you like.
Story as it is is pretty straightforward and familiar, but atmosphere and visual smartness ensure this is no walk down retread lane. It falls into the Gothic noir spectrum of films, following in the traditions of Rebecca, Gaslight and Suspicion. In fact, it's also very much "old dark house" on staple terms, with eerie staircase, wood panelled rooms, secret passageways and even a black cat. While the setting, house on a seaside cliff where the mist rolls in at night, is splendidly moody.
The characterisations (very well performed by the cast) are vivid and odd, with us clearly meant to note that Julia Ross is clearly the only normal being in the Hughes household! Best of the bunch is Macready's Ralph Hughes, the catalyst for all the things that are happening, he fondles his knives like a fetishist, a truly memorable noir antagonist.
Ultimately it's what Lewis and Guffey bring to the fore that makes the film better than it is on the page. Expressionistic touches are here of course, but it's the skew-whiff camera placements and up close POV shots that bring the viewer into Julia's confused new world. Memorable scenes are frequent, be it a rain sodden street or Julia peering through the bars of her bedroom, there's visual treats aplenty here.
The ending is all to quick and as is often the case in this type of narrative, implausibilities need to be ignored. But that is easy to do, because with atmosphere unbound and not a shot wasted, this is a safe recommendation to the Gothic noir faithful. 8/10
Read full review
★ 7 / 10
Entertaining Film-Noir
claudio_carvalho
In London, Julia Ross (Nina Foch) is totally broken and unsuccessfully seeking a job. Her previous love affair with the lawyer Dennis Bruce (Roland Varno) has…
In London, Julia Ross (Nina Foch) is totally broken and unsuccessfully seeking a job. Her previous love affair with the lawyer Dennis Bruce (Roland Varno) has ended and he has just married with another woman on the previous night. When she sees an advertisement in a newspaper in the boarding house where she lives, she goes to the employment agency and she is interviewed by Ms. Sparkes (Anita Sharp-Bolster). When she learns that Julia is alone in London with neither relatives nor boyfriend, she offers a job position of private secretary with the wealthy Mrs. Hughes (Dame May Witty) and her son Ralph Hughes (George Macready). Julia is immediately hired and Mrs. Hughes tells that she must move to her house that night. Julia goes to the boarding house of Mrs. Mackie (Doris Lloyd) to pack her things and she meets Dennis that called off his wedding. They schedule a date for the next Friday and she goes to the house. Julia wakes up two days later at a seaside manor in Cornwall. Further, the employees believe that she is Marion Hughes, the wife of Ralph, who is unstable due to a nervous breakdown and delusional. Soon she learns that Ralph has killed Marion and now she is his alibi. Further he is plotting a scheme to kill her as if she had committed suicide. What can Julia do to save her life?
"My Name is Julia Ross" is an entertaining film with an original story unlikely to happen. Julia Ross trapped in the mansion usually does not take the correct attitudes. Arthur Penn's "Dead Winter" uses a different storyline that slightly recalls the general idea of "My Name is Julia Ross". My vote is seven.
Title (Brazil): "Trágico Álibi" ("Tragic Alibi")
Read full review
93%
TOMATOMETER
· 27 reviews
67%
AUDIENCE
· 100 ratings
7.0/10
4.3K
•••
No seeds