Morrer Como Um Homem

2009 [PORTUGUESE]

Action / Drama / Music

3
Rotten Tomatoes Critics - Certified Fresh 63% · 16 reviews
Rotten Tomatoes Audience - Spilled 49% · 100 ratings
IMDb Rating 6.4/10 10 1314 1.3K

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Plot summary

A transgender woman attempts to rehabilitate her younger, drug-addicted boyfriend while also dealing with her ne’er-do-well son, a soldier who’s gone AWOL.

Director

João Pedro Rodrigues Photo
João Pedro Rodrigues

Top cast

Carloto Cotta Photo
Carloto Cotta as Carlos
Gonçalo Mendes Photo
Gonçalo Mendes as Sergio
Alexander David Photo
Alexander David as Rosário
Jenny Larrue Photo
Jenny Larrue as Jenny
720p.WEB 1080p.WEB
1.19 GB
960*720
Portuguese 2.0
Unrated
Subtitles de  us  es  fr  it  pt  tr  
24 fps
2 hr 13 min
Seeds ...
2.22 GB
1440*1080
Portuguese 2.0
Unrated
Subtitles de  us  es  fr  it  pt  tr  
24 fps
2 hr 13 min
Seeds 2

Movie Reviews

Reviewed by R T 6 / 10

The film has many layers and meanings, sure

The film has many layers and meanings, sure, but I am severely turned off by its indescribably melodramatic sentiments (despite knowing that this is entirely intentional, duh). But, if it is never exactly bothersome, it's because the director takes pain in crafting his ideas, although I have to say that a lot of things still remain unexplored.
Reviewed by R T 6 / 10

The final is really good

The final is really good.
Reviewed by R T 9 / 10

TO DIE LIKE A MAN is a truly

TO DIE LIKE A MAN is a truly stunning and remarkable film. Sad, flamboyant, tortuous, and celebratory. This amazing film directed by Joao Pedro Rodrigues surprises at every turn with its raw capature of humanity. The plight of man and our complexity is in every frame of this film. Stunned is my only reaction. And there is one staggering moment when the characters all sit still in a forest, look up a the sky, the frame turns red, and Baby Dee sings CALVARY for 4 minutes on the soundtrack. One of the greatest uses of a song since Eastwood used the FIRST TIME EVER I SAW HIS FACE in PLAY MISTY FOR ME. But this is even better because the moment is part of a true whole that explores the human condition in all its coplexity while remaining totally cinematic.
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