Monsieur Vincent

1947 [FRENCH]

Biography / Drama / History

4
Rotten Tomatoes Audience - Upright 79% · 250 ratings
IMDb Rating 7.0/10 10 1221 1.2K

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Plot summary

The life of Vincent de Paul, the 17th-century author and priest who founded two religious orders.

Director

Top cast

Alice Reichen as La logeuse
Paul Faivre as Joseph - un sacristain
Michel Bouquet as Le tuberculeux
Jean Carmet as L'abbé Pontail
720p.BLU 1080p.BLU
1.02 GB
954*720
French 2.0
Not Rated
Subtitles us  cn  
24 fps
1 hr 53 min
Seeds 3
1.9 GB
1430*1080
French 2.0
Not Rated
Subtitles us  cn  
24 fps
1 hr 53 min
Seeds 3

Movie Reviews

Reviewed by S R 7 / 10

A humanitarian film about Mr Vincent who was

A humanitarian film about Mr Vincent who was an inspirational Frenchman in the work that he did for the poor. It was good to learn about him and his teachings, but the plot did not always jive, but left me often wondering what was going on. Regardless, the messaging was strong and I was left inspired. I saw it because it was on the Vatican's 100 list in the Religion category. It was tough to find this pro-Catholic film. RUS.
Reviewed by R T 8 / 10

I was really surprised by the heart in

I was really surprised by the heart in this movie. This made me want to go out and feed the hungry, really! Any church or charitable group could do worse than watch this to find out how devoted one must be to truly carry out a mission.
Reviewed by R T 5 / 10

Released in France (1947) and the recipient of

Released in France (1947) and the recipient of an honorary Academy Award in 1949 (Foreign Language Film), this picture, widely considered Maurice Cloche's best, has been praised for over a half-century -- it's included on the Vatican Best Films List -- but perhaps too highly. A well-acted film, and an occasionally gorgeous one, "Monsieur Vincent" would, I'm sure, greatly benefit from the technical and conceptual advancements that followed its debut. Where it's compelling, and even slightly inspirational, it broadens its scope to encompass too many places in too many instances whilst executing at a brisk 114-min. pace. This leaves all but the title character misplaced in memory and significance by the moment of the movie's quiet, almost redeeming final frame. Pierre Fresnay portrays real-life seventeenth century figure Saint Vincent de Paul, who, in 1617 (according to the title card shown on screen), travels to the tiny French village of Châtillon, where the townspeople have boarded up the house of a sick woman they believe to have the Black Death. Appointed the town's new priest, Monsieur Vincent visits the woman to the disgust of others, discovering that she was not sick with the Plague but had rather died of starvation, locked in her home. Furious with the insolence of the townsfolk, he gives the woman a proper burial and delivers her young daughter, whom he found hiding and near-death, to a family willing to care for her. This act of graciousness sparks interest in the citizens of Châtillon, slowly igniting a surge of benevolent and charitable work in the community. And this is where the movie slides away. After setting up a foundation on which to continue a wonderful story of humanitarianism, with small characters we assumed we'd learn more of, de Paul switches locations, to a poor region of Paris, at the recommendation of Queen Anne (whom he had previously advised, then left for Châtillon), who consequently agreed to support his service work financially and, eventually, physically. Considering the vast realm of public service Vincent de Paul provided during is lifetime, it's not hard for me to understand why the film skipped around so much (it also depicted de Paul in 1640, 1645, 1650, 1655, and, lastly, 1660). But the fact that it did took away from its poignancy, which would have struck with greater force had "Vincent" been more explicitly focused. Though, as there were several aspects I wished had been done differently, there were a few unconventional techniques that really caught my attention and fancy. For example, during a scene in which the priest speaks to a rich man of Châtillon while healing the leg wound the man suffered from a fencing match, the camera embraces the point-of-view of the man to whom de Paul is speaking, so that it appears that the audience is being directly spoken to. As the man complains that the village's poor won't pay him their taxes, Monsieur Vincent tells him of the woman who adopted the young girl he saved, and how that woman already had five kids of her own, no husband, and was the poorest member of the community. The sacrifice the woman made is the point of de Paul's monologue, and the filming angle brilliantly allows the moral to be addressed to viewers in a relatively personal way, and without being off-putting. "Monsieur Vincent" is a standout religious tale, made all the more powerful by its truth and incomparable understanding of the poor and, more noticeably, treating and serving them. Written by Jean Anouilh and Jean Bernard-Luc, the film is also very funny -- sometimes intentionally, other times unintentionally (those silly ol' French). It scrutinizes the ever-present attitude of most everyone in regards to missionary work that sets them apart from saints -- humanitarians devote time and wealth to a cause so long as it doesn't threaten their lives too gravely, while saints devote their entire lives to a cause (or more), expecting to have nothing as a result. Yet, as mentioned earlier, no matter the insight or uplift or sincerity or message, Vincent can't overcome its expansiveness to touch greatness. Maybe if it were an hour or two longer it would.
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