Miracle on 34th Street

1947

Action / Comedy / Drama / Family / Fantasy

26
Rotten Tomatoes Critics - Certified Fresh 96% · 52 reviews
Rotten Tomatoes Audience - Upright 87% · 25K ratings
IMDb Rating 7.9/10 10 60120 60.1K

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Plot summary

Kris Kringle, seemingly the embodiment of Santa Claus, is asked to portray the jolly old fellow at Macy's following his performance in the Thanksgiving Day parade. His portrayal is so complete that many begin to question if he truly is Santa Claus, while others question his sanity.

Director

Top cast

John Roy as Court Officer Bearing Mail
Robert Gist as Department Store Window Dresser
Curt Furburg as Courtroom Spectator
Thelma Ritter as Peter's Mother
720p.BLU 1080p.BLU
886.78 MB
988*720
English 2.0
Not Rated
Subtitles us  
23.976 fps
1 hr 36 min
Seeds 13
1.71 GB
1472*1072
English 5.1
Not Rated
Subtitles us  
23.976 fps
1 hr 36 min
Seeds 41

Movie Reviews

Reviewed by CinemaSerf 7 / 10

I suppose if anyone was ever to play

I suppose if anyone was ever to play the definitive Santa Claus, then it would have had to be Edmund Gwenn. The glint in his eye, the smile and the avuncular look all lends itself so very well to this tale of the Christmas nay-sayers! Set in the toy department of the legendary Macy's toy store in New York, we meet this character who steps in to help out at the city's famous parade after their existing "Santa" gets a bit too inebriated. An instant success with the crowd, he is hired to run the shop's grotto and soon sales are going through the roof. It turns out that he is none too loyal though, and when news reaches his bosses that he is advising the parents where better deals on their gifts can be obtained, things look a bit precarious - or has he hit on the ultimate PR idea! Success never comes alone and resentful of his success certain people engineer an altercation in which our "Kris Kringle" ends up in court. Insisting before learned judge "Harper" (Gene Lockhart) that he is really from the North Pole, what now ensues is a comical, sprightly-written, court-room drama that requires the prosecutor "Mara" (Jerome Cowan) to prove, conclusively, that - well... It is interesting that the posters gave top billing to Maureen O'Hara and to John Payne as neither character are really necessary as the story builds up into the ultimate test of what we believe - or, what we choose to believe. Gwenn is in his element and this is just one of those films that I think it's impossible not to like - at least once a year.
Reviewed by Peter McGinn 9 / 10

This is one of the classic holiday pics

This is one of the classic holiday pics I will watch every year if it is available to me (Oh no; he said “holiday” instead of Christmas. Blasphemy!) So I will neither pick it apart nor praise it to the heavens. The story writing is strong and the ensemble cast do a good job. The fact that it has been redone so many times speaks for itself. I won’t even try to compare it to the other versions. Instead, as I read in the Pearls Before Swine comic strip, “The floot-floot did a boom-boom on the jim-jam.” (Another way of saying “It is what it is.”)
Reviewed by Pjtaylor-96-138044 7 / 10

The miracle within.

What's wonderful about 'Miracle On 34th Street (1947)' - and this isn't something I realised until after it had finished - is that it never actually provides a definitive answer as to whether Kris Kringle really is the Santa Claus. Personally, I took it as fact from the moment he walked into frame, but I'm pretty sure that was due to my preconceptions surrounding the plot of the picture (Santa goes to court to prove his existence). Thinking back, I had no definitive reason to think that. The absolute ambiguity of the film's central dilemma is brilliant because it forces the viewer to engage with the question that's on almost every characters' lips: is this the real Santa or is it just a kind old man who thinks he's the real Santa? In turn, this allows the movie's theme of belief to transcend its boundaries and truly take root in the audience. Whether you choose to believe in Santa, whether you choose to have faith in him, whether you choose to accept the unacceptable is entirely up to you. As such, it's that much more magical if you do. It's really impressive that the picture can actually use its ambiguity to this effect, especially that it can do so while remaining wholesome and sincere throughout. This charming Christmas tale is enjoyable from beginning to end and it holds up remarkably well seventy-five years after its initial release. It's a delightful experience overall.
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