★ 8 / 10
Freeeeeeeeeeeeeeeeeeeeeeeee me! Can't you hear that's what I
John Chard
Freeeeeeeeeeeeeeeeeeeeeeeee me! Can't you hear that's what I say. John McVicar is a tough uncompromising armed robber, after being sent to a maximum security…
Freeeeeeeeeeeeeeeeeeeeeeeee me!
Can't you hear that's what I say.
John McVicar is a tough uncompromising armed robber, after being sent to a maximum security prison for 23 years he dreams of escaping every day. As his reputation grows and friendships are formed, it would appear that his friend Wally Probyn may have figured a way out of this tough rigid prison.
In 1979 America had The Warriors and The Wanderers, at pretty much the same time us British had Quadrophenia and McVicar to hold dear to our hearts, both films produced out of The Who Films Ltd, both films eminently quotable to a certain age group that were of the teenage persuasion. I love McVicar, I really do, based on the true life story of McVicar, well from his own accounts written in his book, "McVicar by Himself", the film boasts a Who soundtrack and a script that positively sparkles with wit and anger speak. Yes the charges of the film making hardened criminals seem likable characters is a fair one, but not only does the film show the disgust (and rightly outright hatred) for sex offenders, it also showcases just what a hard job the prison officers have, this is something that many of the user comment writers on line have failed to acknowledge.
Roger Daltrey takes on the role of McVicar and dons a career best, gruff, perfectly in shape and a wide boy arrogance that comes off as gold dust in this particular piece. Backing him up is wonderful turns from Brian Hall (comic gold), Steven Berkoff (clearly enjoying himself), Matthew Scurfield (frighteningly unnerving) and Peter Jonfield. Once the escape happens the film switches in tone as McVicar tries to make some sense of his life, it's an emotional switch that tones the film down but never the less takes us successfully to the highly accomplished finale. We are then left with a wonderful quote from John McVicar himself and we are told just what this tough as nails armed robber actually did with himself from that point on.
Perhaps it's because I was a teenager when the film came out, that I love it so much? Or maybe the script just appeals to me on a very primal level? Either way I'm always going to be a fan of it, and McVicar remains to me, along with Quadrophenia and Scum, British standards to revisit every single year.
I don't care how late it is I'm not going home 8/10
Read full review
★ 7 / 10
A lot to like
JohnSeal
Roger Daltrey is remarkable as arch-criminal John McVicar in this completely satisfying and riveting crime drama from TV director Tom Clegg (The Sweeney).…
Roger Daltrey is remarkable as arch-criminal John McVicar in this completely satisfying and riveting crime drama from TV director Tom Clegg (The Sweeney). Perhaps the most remarkable aspect of his performance is his ability from the get go to make you completely forget that you're watching a bonafide rock star in the lead role. Daltrey portrays the character as a cross between a London wide boy and a sharp dressed mod--check out the hounds-tooth check jacket he wears after his escape--and though I don't know much about the real life McVicar, Roger's portrayal is thoroughly convincing. Even the presence of a handful of lung-shredding Who-style numbers layered somewhat awkwardly atop the action can't distract from Daltrey's remarkable on screen presence. The film also benefits from an utterly charming performance by Adam Faith, and though the story is fairly predictable, it's never less than interesting and enjoyable. One of the best British crime films--ever.
Read full review
85%
AUDIENCE
· 2.5K ratings
6.7/10
2.6K
•••
This is not the movie, it's a documentary "Doing Time with McVicar"