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2025

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Manji

1964 [JAPANESE]

Action / Drama / Romance

Manji

1964 [JAPANESE]

Action / Drama / Romance

Available in: 720p.BluRay 1080p.BluRay

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61% AUDIENCE · 250 ratings

6.8/10 · 1.4K

720p.BluRay 1080p.BluRay

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sexual obsession love triangle poison obsession writing artist

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Plot summary

The four principals in a love affair collide when jealousy, blackmail and suicide enter the picture.

Director

Yasuzô Masumura

Top cast

Eiji Funakoshi as Kôtarô Kakiuchi

Yûzô Hayakawa as

Ken Mitsuda as Novelist

Kyû Sazanka as Principal

Tech specs

720p.BLU 1080p.BLU

828.41 MB

1280*544

Japanese 2.0

Tous publi

Subtitles

23.976 fps

1 hr 30 min

Seeds 3

1.5 GB

1920*816

Japanese 2.0

Tous publi

Subtitles

23.976 fps

1 hr 30 min

Seeds 7

Comments 0

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IMDb reviews

From IMDb

6 / 10

Another strange film from YasuzÃ´ Masumura. The film

R T

Another strange film from YasuzÃ´ Masumura. The film opens with Sonoko (KyÃ´ko Kishida) tells us (and presumably her psychiatrist) the story of her infatuation…

Another strange film from YasuzÃ´ Masumura. The film opens with Sonoko (KyÃ´ko Kishida) tells us (and presumably her psychiatrist) the story of her infatuation and love affair with Mitsuko (Ayako Wakao), a younger model who she met at an art class. The remainder of the film is one long flashback to the events that transpired, with only occasional cut-ins to remind us that this is a narrative from Sonoko. Although married, Sonoko throws herself passionately into her secret trysts with Mitsuko and soon she is brazenly and openly telling her husband Kotaro (Eiji Funakoshi) about the affair. He demands her to stop. She resists but when Mitsuko reveals that she has a fiancÃ (C) Watanuki (YÃ»suke Kawazu) and that she may be pregnant by him, Sonoko decides to cut things off. Until Mitsuko and Watanuki begin to play games, luring Sonoko back into the relationship and encouraging Kotaro as well. The characters here are all unabashedly driven by intense passions, sexual perhaps, but there is something even more inexplicable about Mitsuko that drives them all toward her. Indeed, they are so wrapped up in her mind games and their silly blood oaths (and eventually ritualistic sleeping-draught taking) that they seem immature, like children or teenagers playing in a fantasy world of their own making. Almost from the start of the film, the characters speak of their love as something they would die for and Mitsuko repeatedly asks Sonoko to kill her because her love is too strong. It is strange â" and perhaps it is linked to Japanese culture? At any rate, Masumuraâ(TM)s widescreen compositions are often beautiful with the characters sometimes constrained to just part of the screen with the remainder filled with a richly textured space (either a wall, latticed stairs, some textile, or some other rectangular shape); no doubt this adds psychological tension to the presentation (as does the occasional nudity, potentially shocking for the time). Yet, despite all this, I found myself impatient at the silliness of it all.

9 / 10

Like it says on the back of the

R T

Like it says on the back of the cover. This is a very Hitchcockian/Lynch film with twist and turns and shocking revelations. It is not on the par as Mulholland…

6 / 10

Perhaps a tad over dramatic yet maybe that

R T

Perhaps a tad over dramatic yet maybe that was deliberate to be noticed, to shock the viewers as much the male part of society. Made in mid 60's so I can…

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