L'homme qui aimait les femmes

1977 [FRENCH]

Action / Comedy / Drama / Romance

12
Rotten Tomatoes Critics - Certified Fresh 82% · 11 reviews
Rotten Tomatoes Audience - Upright 84% · 2.5K ratings
IMDb Rating 7.3/10 10 8238 8.2K

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Plot summary

At Bertrand Morane's burial there are many of the women that the 40-year-old engineer loved. In flashback Bertrand's life and love affairs are told by himself while writing an autobiographical novel.

Top cast

Thi-Loan Nguyen as Chinese woman
Charles Denner as Bertrand Morane
Leslie Caron as Véra
Brigitte Fossey as Geneviève Bigey
720p.BLU 1080p.BLU
1.02 GB
1204*720
French 2.0
Not Rated
Subtitles us  
25 fps
1 hr 54 min
Seeds 3
1.9 GB
1792*1072
French 2.0
Not Rated
Subtitles us  
25 fps
1 hr 54 min
Seeds 8

Movie Reviews

Reviewed by Dawn O 3 / 10

Unwatchable film. At some point in history this

Unwatchable film. At some point in history this may have appeared amusing and clever, if one had the mindset of a tRUMP but spoke French or had the patience to read subtitles.
Reviewed by Brent A 1 / 10

10% rating ... Weird concept with poor characters

10% rating ... Weird concept with poor characters. Did not like this charmless film.
Reviewed by R T 10 / 10

Finally, Truffaut's third masterpiece is here, and this

Finally, Truffaut's third masterpiece is here, and this one seems to be carrying his unique voice, almost devoid of all influences, like he did with his debut. The opening segment presents an utopian setting, maybe an imagined funeral of the protagonist. It is obvious who died, as a parade of women arrive in their cars, some amused, some surprised, a couple of them mournful, throwing roses and dirt to the tomb of this... ummm... Womanizer? Don Juan? Addict? Let's find out in the following 118 minutes. What follows is a marvelous comedy full of romance, which is certainly not the same as a romantic comedy. A man seeks women, often resorting to shocking means just to make a female acquaintance. How is he? How does he think? Well, he is an admirer of the female aesthetics, their figure, their varied personalities, their high or low heels, of big breasts during the winter and small breasts during summer, and most importantly, skirts. Every time he scores, or every time he fails (less probable), he decides to put the anecdotes together in a way that resembles a diary since the beginning, which progresses to an autobiography later, which then becomes a finished novel that is seeking to be published. If you're reading this plot description and feel indignant or perceive it overused, don't give up! That's barely the surface. Morally, of course, the plot sounds repulsive, but under Truffaut's lens and his mastery at narrative, the film becomes, as said, a masterpiece. To begin with, it is not necessary that the film spells out that the protagonist is walking towards his own destruction. Somehow, the film takes the hardest route and transforms Bertrand into a likeable character, even funny. He is not necessarily the handsome type, but he is an expert at what he does. Also, no matter how eloquently he can put his experiences and admiration for women into words, it is clearly an obsession. He's addicted to women. This moral flank, however, is not the main purpose of the story to cover. Truffaut's followers should know he makes comedies, and this was no exception. Not even his Antoine Doinel series was finished. But it doesn't stop there. L' Homme qui Aimait les Femmes also reveals its true faces halfway through. Whereas the first half was a classy introduction to the character and an effectively funny representation of his adventures, the second half becomes a fully layered psychological and emotional analysis of the character, transforming his in-progress novel into an exercise of self-consciousness and self-judgment intertwined with philosophical resonances. In some segments, he seems to explicitly state his awareness of his obsession. "I want them all, even if I can't." From a comedy, we have then an engaging analytical drama with interesting sequences mirroring the process of literary criticism in a meta-art form, which adds brilliant layers of depth to the film. There's a true dissonance from the extreme character of Delphine in the first half, to the dialogue with Véra on the second half, the latter remaining as my favorite scene. Subject to a hideous U.S. remake by Blake Edwards (famous for the cinema adaptations of The Pink Panther series) starring Blake Reynolds, L' Homme qui Aimait les Femmes is a story that explores the obsessive compulsions of a calculating man suffering in the areas of his life because of his decisions, while the screenplay discusses several angles and definitions of big terms such as "love", "sex" and "romance", without necessarily putting all the blame to men! There are also a couple of crazy women out there! 97/100
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