Les filles d'Olfa

2023 [FRENCH]

Action / Documentary

17
Rotten Tomatoes Critics - Certified Fresh 96% · 85 reviews
Rotten Tomatoes Audience - Upright 87% · 50 ratings
IMDb Rating 7.4/10 10 4577 4.6K

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Plot summary

Between light and darkness stands Olfa, a Tunisian woman and the mother of four daughters. One day, her two older daughters disappear. To fill in their absence, the filmmaker Kaouther Ben Hania invites professional actresses and invents a unique cinema experience that will lift the veil on Olfa and her daughters' life stories. An intimate journey of hope, rebellion, violence, transmission and sisterhood that will question the very foundations of our societies.

Top cast

Majd Mastoura as The men
Ichrak Matar as Ghofrane Chikaoui
Hind Sabri as Olfa
720p.BLU 1080p.BLU 720p.WEB 1080p.WEB 1080p.WEB.x265
990.31 MB
1280*720
Arabic 2.0
Not Rated
Subtitles us  fr  nl  pt  
23.976 fps
1 hr 47 min
Seeds ...
1.98 GB
1920*1080
Arabic 5.1
Not Rated
Subtitles us  fr  nl  pt  
23.976 fps
1 hr 47 min
Seeds 5
989.13 MB
1280*720
Arabic 2.0
Not Rated
Subtitles us  fr  nl  pt  
24 fps
1 hr 47 min
Seeds 1
1.98 GB
1920*1080
Arabic 5.1
Not Rated
Subtitles us  fr  nl  pt  
24 fps
1 hr 47 min
Seeds 6
1.8 GB
1920*1080
Arabic 5.1
Not Rated
Subtitles us  fr  nl  pt  
24 fps
1 hr 47 min
Seeds 8

Movie Reviews

Reviewed by Brent Marchant 4 / 10

Fusing fact and fiction is a precarious undertaking

Fusing fact and fiction is a precarious undertaking for a filmmaker, especially when it comes to matters of clarity and credibility. And that’s where this latest offering from writer-director Kaouther Bin Hania misses the mark. This fact-based story about Olfa Hamrouni, a Tunisian single mother who loses her two eldest daughters, Ghofrane and Rahma, to the radical recruitment efforts of ISIL while trying to protect her two youngest daughters, Eya and Tayssir, from befalling a comparable fate struggles mightily to tell a coherent tale. The film clumsily mixes interviews with family members and dramatic reenactments of significant events featuring actors portraying the principals (some inexplicably playing several roles). To complicate matters, this release features an inordinate amount of superfluous material as well as seemingly important gaps in the story, often leaving viewers scratching their heads about how the narrative gets from one unrelated (and sometimes seemingly contradictory) development to the next. Add to that a relevant revelation that doesn’t appear until late in the film (with virtually no prior back story to support it), and you’ve got a patchwork accounting of what otherwise appears to be a moving and heartfelt tale that deserves greater intelligibility and a better overall delivery. What’s more, this offering includes a considerable amount of material about how this production is being put together, a modestly interesting sidebar that might make for an informative bonus feature, but the inclusion of these largely incidental segments within the primary narrative adds little and serves more to needlessly bog down the flow of the film. Given the foregoing, I’m at a loss to understand why this “documentary” (a term I use loosely) has received the amount of attention and adulation that it has garnered, especially in film festival and awards season competitions. Bin Hania has indeed established herself as a talented filmmaker in other releases (especially those of a purely fictional nature), such as the outstanding Oscar-nominated offering, “The Man Who Sold His Skin” (2020), but she seems out of her league here. That’s unfortunate since Olfa’s saga is one that appears to be well worth telling and doesn’t receive the treatment it truly deserves.
Reviewed by iriskoopman-83948 8 / 10

This film made me question my views on trauma, loss, abuse and how people deal with it.

Four daughters is a film like no other. Mixing documentary with reenactment of the past with actors is as interesting as it is confusing to watch.

I found the untreated trauma, lack of emotional development and self reflection of Olfa painful to watch, eventhough the film gave a good glance on what life can look like as a victim of generational trauma. I wouldn't say I completely understand her actions but it's clear how her experiences broke her judgement on what's good and bad.

And for the youngest daughters, I very much hope they get the treatment and rest they deserve. Some say the making of the film might have been therapeutic for them, but I highly question that. The point where the male actor stopped the scene on the bed was heartbreaking and made me question whether the makers understood what they were dealing with.

I feel like both Olfa and her daughters - who are adults (looking at their behavior I thought they were younger), are not aware enough of their own trauma to judge whether partaking in such a film is a good thing for them. Same goes for the makers. But then again, the fact that I think that might say more about me and how i view trauma, therapy and personal choice than about them.

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