★ 8 / 10
**Summary**: 8/10: A potent diagnosis of corruption's corrosive
badelf
**Summary**: 8/10: A potent diagnosis of corruption's corrosive effects anchored by powerful performances from Reza Akhlaghirad and Soudabeh Beizaee; patience…
**Summary**: 8/10: A potent diagnosis of corruption's corrosive effects anchored by powerful performances from Reza Akhlaghirad and Soudabeh Beizaee; patience through the deliberately suffocating first half pays off with a third act that refuses false comfort in favor of hard truths.
Director Mohammad Rasoulof understands the cost of integrity. In 2011, he was sentenced to six years in prison and handed a 20-year ban on filmmaking for alleged anti-regime propaganda. In 2017, Iranian authorities confiscated his passport. In 2024, he was sentenced to flogging and more prison; but he fled Iran for Europe after a dangerous journey. Like Jafar Panahi, Rasoulof continues making films that his government desperately wants silenced. He is now living somewhere in exile, unable to return home.
A Man of Integrity, which won Un Certain Regard at the 2017 Cannes Film Festival, is a clear picture of what life looks like under a fascist, corrupt government when the corruption pervades down to the local level. It takes place in Iran, but it could be Russia, Hungary, parts of the United States, or any of dozens of countries around the world. Governments apparently trend toward this condition over time; once corruption becomes normalized at the top, it metastasizes downward until every transaction, every interaction, every attempt to simply live becomes an encounter with rot.
Reza (Reza Akhlaghirad) runs a fish farm in northern Iran. He's honest, hardworking, trying to provide for his wife Hadis (Soudabeh Beizaee) and young daughter. Then a mysterious company wants his land. When he refuses to sell, the corruption begins: The film depicts Iran as a virtual gangster state in which the impunity that starts at the top pervades the entire establishment of business, religion, and government.
Akhlaghirad and Beizaee are both exceptional here, especially as the pressure mounts and we watch what sustained injustice does to decent people. Akhlaghirad's performance catches Reza's deepening despair as the actor's gaze freezes and his dark eyes seem to sink into their sockets. Beizaee captures a wife watching her husband break under the weight of choosing between integrity and survival, between protecting his family and protecting his soul.
The first half drags somewhat; corruption piles onto Reza like throwing logs on a fire until you wonder how much more one man can endure. But don't lose faith. The third act is absolutely worth the wait, as Rasoulof refuses easy answers or Hollywood redemption. What he offers instead is more honest and more devastating.
This is a brave film made by a brave filmmaker, one who knew that making it would cost him. That Rasoulof, (and Panahi) keeps making films, keeps telling stories his government forbids, keeps exposing truths those in power want buried, is the hero we need today.
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★ 6 / 10
Reza, having distanced himself from the urban quagmire
Darryl M
Reza, having distanced himself from the urban quagmire, leads a simple life along with his wife and young son, somewhere in a remote village in Northern Iran.…
Reza, having distanced himself from the urban quagmire, leads a simple life along with his wife and young son, somewhere in a remote village in Northern Iran. He spends his days working on his goldfish farm. Nearby, a private company with close links to the government and local authorities, has taken control of nearly every aspect of regional life. Its shareholders, accumulating wealth, power and economic influence, have been pushing local farmers and small owners to sell off their belongings, farms and estates, to the benefit of the Company's influential network and its monopoly. It is under their pressure that many villagers have themselves become local links in the larger network of corruption.
Written, directed, and produced by Mohammad Rasoulof, the veteran director has made it his mission to highlight issues within the Iranian regime for over a decade. Here, in A Man of Integrity, the theme is loud and clear: corruption within one of the most influential regimes in the Middle East is rampant. Rasoulof hammers this point home time and again by creating The Company, a shadowy conglomeration of individuals within Reza's local town comprised likely of anyone from the town mayor to the police to everyday citizens. While The Company comes off as a bit of a one note Illuminati style antagonist looming in the background, their reach is evident: they want Reza's land and will stop at nothing to get it. The result is a classic tale of David vs Goliath as Reza struggles to hold onto what's his. A dour story presented straightforwardly with no flair, A Man of Integrity is sure to leave audiences stunned at both the circumstances Reza endures and his final solution to navigating them.
Starring Reza Akhlaghirad as Reza, our titular man of integrity is the film's focal point and audience's entryway into the story. Akhlaghirad is intense as Reza, a man steadfast in not giving into the moral corrosion that transpires around him. It's this unwillingness to bend that both defines and destroys him. While Reza's determination to stick to his tenets are admirable, the ensuing chaos he brings on his family is undeniable. Akhlaghirad plays all of this with a quiet stoicism while also hinting at a current of rage that runs just under the surface. As the film's lead, Akhlaghirad puts the movie squarely on his shoulders and rises to the challenge. Soudabeh Bayzai also stars as Hadis, Reza's wife and the savvier of the two. Hadis has her own journey through the movie as the principal of the local girl's school, dealing with the fallout of expelling a student for denouncing her religion. Hadis learns the hard way that their family isn't built for tackling mass corruption and Bayzai's performance throughout is remarkable. Struggling to keep things together on both the school and family front, Bayzai's portrayal of the beleaguered wife and mother will hopefully prove a star making turn for the sophomore actress.
Directed by no-frills filmmaker Mohammad Rasoulof, A Man of Integrity is a fastball pitch straight down the middle; he eschews any attempts of style or panache and presents life in Iran as realistically as possible. Bold and unforgiving, Rasoulof doesn't shy away from the real life issues affecting his people, choosing instead to spotlight them for the world to see. What little contentment we get for Reza and his family is fairly quickly interrupted by the forces at work against him, sending them into a tailspin of moves and countermoves. Cinematographer Ashkan Ashkani bleeds the film of any bright colors, helping to add to the drabness of the film's tone and the circumstances they find themselves in. Almost somber to the point of oppressive, Rasoulof's story, combined with Ashkani's visuals, hit the audience early and continue to hammer away through the runtime.
Overall, A Man of Integrity is a tough watch. Due partially to the languid pace and partially to the bleakness of the subject matter, the 117 minute meditation on the slow erasure of a man's morals is a chore to sit through. Not to say that the movie isn't good; if you take a step back and examine the obstacles placed in Reza's path to lead him to makes the decisions he does, it's not hard to admit that the story isn't incredibly well crafted. Solid leading performances from Reza Akhlaghirad and Soudabeh Bayzai anchor the film in a way that makes watching the eroding of this couple's well-being sympathetic and aching.
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★ 8 / 10
Director Mohammad Rasoulof is the big winner this
R T
Director Mohammad Rasoulof is the big winner this year of 2020 at the Berlin Festival, this is his previous film. A very competent director, who tries to show…
Director Mohammad Rasoulof is the big winner this year of 2020 at the Berlin Festival, this is his previous film. A very competent director, who tries to show the dirty side of Iran's government system and who is serving time in the country for this. Here we see a little bit of the dirty side that reminds us a lot of the "way" of doing things. The film sins a lot in the performances, mainly of the actress Soudabeh Beizaee, who plays the wife of the main character, but nothing that compromises the film. Lerd, the original title, in Persian is that dirt that sits at the bottom of the bottle of homemade alcoholic beverages (more common in wines), which gives some meaning to the film, since the character is a guy placed aside society in several aspects. Another point is that alcoholic beverages are prohibited in Iran, like many other things that are common to the "way" of doing things. A film that is worth watching.
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