★ 8 / 10
It's uncomfortable to watch, because it slowly makes
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It's uncomfortable to watch, because it slowly makes us self aware of the respective bodies we live in. Not as effectively as, say, Synechdoche New York, but…
It's uncomfortable to watch, because it slowly makes us self aware of the respective bodies we live in. Not as effectively as, say, Synechdoche New York, but still with a considerable amount of passion.
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★ 9 / 10
Alain Leroy (Maurice Ronet), a well-respected writer, suffers
dave s
Alain Leroy (Maurice Ronet), a well-respected writer, suffers from alcoholism and lengthy bouts of depression. Unable to attach meaning to his life, he decides…
Alain Leroy (Maurice Ronet), a well-respected writer, suffers from alcoholism and lengthy bouts of depression. Unable to attach meaning to his life, he decides to commit suicide and spends the last day of his life wandering the streets of Paris seeking out old friends. Louis Malle's The Fire Within is a somber film, to say the least, as it follows Leroy over the course of the day, slowly uncovering the layers of his suffering as he prepares to ‘leave'. Ronet is excellent in the lead role, but what makes the movie so good is Malle's screenplay – intelligent, insightful, and thought-provoking. More importantly, considering the subject matter, it never becomes sentimental or overly maudlin. The Fire Within would seem to be one of Malle's lesser-known works, but it is also might be one of his best.
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★ 8 / 10
This a brilliant film, one of real substance
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This a brilliant film, one of real substance, but be forewarned - the subject matter is a bit dark, and an air of melancholy pervades it. Maurice Ronet plays a…
This a brilliant film, one of real substance, but be forewarned - the subject matter is a bit dark, and an air of melancholy pervades it. Maurice Ronet plays a man who we first meet in bed with a lover (Léna Skerla), who knows his wife and works in New York. She drops him back off at a rehab clinic, and we gradually come to understand that he's an alcoholic and his wife has left him. There are some nice moments in the clinic, including a conversation with his doctor (Jean-Paul Moulinot) who believes he is cured and should be released, which Ronet's character actually doesn't want.
The film picks up when he makes an excursion to Paris to meet his old friends. Aside from the beautiful street scenes which director Louis Malle captures of Paris, we find out further what this guy was like before his marriage, and why he ended up in a clinic. His friends and acquaintances recount legendary feats of drinking and funny moments such as him once sleeping on the Tomb of the Unknown Soldier thinking he was in his own bed. They also comment on his haggard appearance. The former reveler meets one friend who has settled down and finds meaning in researching ancient Egypt, others who paint and take recreational drugs (including Jeanne Moreau), a pair who are planning their next crime, and his old lover who is now involved with an opinionated bore. It's incredibly poignant to see him no longer connected to those he was so close with earlier in his life, and that's a feeling we can identify with without being suicidal.
Ronet delivers a strong performance, playing his part with authenticity. I think in this kind of role it's tough to avoid overacting, either in a melodramatic or cloying way, but he pulls it off. The supporting cast is also outstanding. The most touching moment for me came when Ronet asks his friend to simply accept him as he is.
Suicide is presented here in part as an outcome of feeling hopeless, but also as a choice - in this case one made against the alternative, transitioning into the phase of settling down into adulthood and middle age, "growing up" if you will. Ronet's character sees no interest in that, and meeting his old friends doesn't change his outlook. He also knows he can't go backwards, and understands that he will inevitably drink again and cause the same sort of destruction in his life. While morose, there is an intellectual aspect to his perspective and the film in general, and because of that, it doesn't end up wallowing in despair, which is a good thing. With that said, I knocked it down slightly simply because of its darkness.
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