Le deuxième acte

2024 [FRENCH]

Comedy

7
Rotten Tomatoes Critics - Certified Fresh 74% · 38 reviews
Rotten Tomatoes Audience - Upright 74%
IMDb Rating 6.4/10 10 5040 5K

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Plot summary

Florence wants to introduce David, the man she’s madly in love with, to her father Guillaume. But David isn’t attracted to Florence and wants to throw her into the arms of his friend Willy. The four characters meet in a restaurant in the middle of nowhere.

Top cast

Louis Garrel as David
Léa Seydoux as Florence Drucker
Laurent Nicolas as Avatar I.A.
Raphaël Quenard as Christian, dit Willy
720p.BLU 1080p.BLU
733.31 MB
1280*656
French 2.0
13
Subtitles fr  
24 fps
1 hr 19 min
Seeds 3
1.48 GB
1920*984
French 5.1
13
Subtitles fr  
24 fps
1 hr 19 min
Seeds 16

Movie Reviews

Reviewed by CinemaSerf 7 / 10

Louis Garrel can’t really do wrong in my

Louis Garrel can’t really do wrong in my book, but in this rather daft comedy I thought his thunder rather effectively stolen by Raphaël Quenard and by Manuel Guillot. “David” (Garrel) and his best pal “Willy” (Quenard) are walking to a restaurant rendezvous with a girl whom the former man is trying to palm off on the latter. “Willy” is somewhat sceptical of this largesse and assumes that she has two heads, or perhaps a few additionally unwelcome appendages, but “David” insists she’s the real deal. Walking to the restaurant from the other direction is said girl and her father. “Florence” (Léa Seydoux) and “Guillaume” (Vincent Lindon) are having as equally an animated conversation and so we are set for a lively lunch. It turns out that she has no idea that “Willy” is coming and pretty swiftly he and her dad are at loggerheads. An incident between the two men causes a break in the proceedings that allows the hyper-nervous waiter “Stéphane” (Guillot) to appear at their table with a bottle of wine, four glasses and a great deal of spillage. It is at this point that we discover that just about nothing we have seen so far is the truth - but what really is going on in the "Café deuxième acte”? The dialogue is quick-fire, ripe and enjoyably unpolitically correct to the point that it clearly illustrates through parody the ridiculousness of over-proscribing what we say and how we say it. It also takes a poke at those who think you must “be” the character you are playing rather than actually engaging in some acting to become something that perhaps you’re not. Finally, there’s a lovely dig at AI and the horrendous concept of automated film-making that ensures creativity, spontaneity and craft are subsumed efficiently by coding and more coding. It’s a fun eighty minute watch that packs quite a lot in, and I enjoyed it.
Reviewed by JonyVeana 5 / 10

Interesting experience

This was an experiment by the director like a lot of his movies like rubber, a movie where there is two kinds of people, people who take the movie seriously or a a joke and depending of what you choose, your personality traits can be defineThis ls the same, i care about when i was thinking that the situation in the movie was real but when i find out that its fake and its all acting i didn't care anymore.I was the side that didn't care, that's the experiment, we are suspects for investigation to this director, we don't matter.This is not a real movie, it just an experiment but the experiment are supposed to have people who agree to take part, so 5/10.
Reviewed by sinscopefilms 6 / 10

Okay

The cinematography is stunning - sharp, colorful, and detailed, with a minimal editing style that emphasizes its visual clarity. The one-shot scene between the two male characters, father and daughter scene is witty and thought-provoking, showcasing the expressiveness of the actors and sharp, suspenseful dialogue.The writing is a highlight, packed with clever jokes and punchlines that feel refreshingly honest. The characters speak their minds in a way that's both funny and relatable. However, the film's pacing feels uneven. While the minimal cuts enhance immersion in some scenes, the lack of variety in perspectives made it feel a bit static.The film's brevity also works against it, leaving some parts underdeveloped. Worst of all is the ending, which felt pointless and left me wondering why. In short, The Second Act is a "hahaha, meh, bored" type of film. Not bad overall, but a stronger, more meaningful ending would have changed it.
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