Le charme discret de la bourgeoisie

1972 [FRENCH]

Action / Comedy / Drama / Fantasy

27
Rotten Tomatoes Critics - Certified Fresh 98% · 59 reviews
Rotten Tomatoes Audience - Upright 88% · 10K ratings
IMDb Rating 7.7/10 10 51065 51.1K

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Plot summary

In Luis Buñuel’s deliciously satiric masterpiece, an upper-class sextet sits down to dinner but never eats, their attempts continually thwarted by a vaudevillian mixture of events both actual and imagined.

Director

Top cast

Claude Piéplu as Colonel
Bulle Ogier as Florence
Delphine Seyrig as Simone Thévenot
720p.BLU 1080p.BLU
933.52 MB
1204*720
French 2.0
PG
Subtitles us  
24 fps
1 hr 41 min
Seeds 6
1.69 GB
1792*1072
French 2.0
PG
Subtitles us  
24 fps
1 hr 41 min
Seeds 60

Movie Reviews

Reviewed by talisencrw 10 / 10

This came in the outstanding 10-DVD boxed set

This came in the outstanding 10-DVD boxed set 'Rialto Pictures: 10 Years', one of the finest things I've bought from The Criterion Collection (and a great deal too, one I'd heartily endorse). I had to wait an entire day, after watching the dreadful 'Disaster Movie', to get the acrid taste out of my mouth to watch this one, by my fourth favourite director ever ('Viridiana' is still probably my favourite of his, though). Luckily it had three of my favourite French actors from the period, in Bulle Ogier (just check out 'Maitresse' if you don't understand why), Delphine Seyrig and Fernando Rey (for the two 'French Connection' films alone)--even though for a director of Bunuel's strength, any actors could have sufficed. It's the ideas that stand out most triumphantly. It's most known for being Bunuel's Oscar-winner for Best Foreign Language Film, but its OTHER nomination is what's almost neglected when people talk about him. Yes, they talk about Bunuel the director, or (from David Thomson) Bunuel the photographer, but people never realize his two nominations for the Calanda, Spain-native were never for director, but for writing (with another nod for his swan song, 'The Obscure Object of Desire').
Reviewed by CinemaSerf 7 / 10

It's quite a difficult film to review this

It's quite a difficult film to review this, as it essentially has no real plot and very little structure. It is a series of dream sequences following a group of friends - each with some form of skeleton in their closet - as they try to meet for a dinner that repeatedly gets aborted. Fernando Rey is on good form as the Ambassador from the Republic of "Miranda" - a man living in fear for his life from revolutionaries at home, and who is also not averse to adding a little spice to the contents of the diplomatic bag. Jean-Pierre Cassel and Stéphane Audran are the "Sénéchal" couple - they like a bit of al fresco nookie; the "Thévenot" couple (Delphine Seyrig and Paul Frankeur) are ostensibly the most normal of the group, though the latter has a bit going on the side with "Florence" (Bulle Ogier). We are never quite sure why they are friends at all, but none of that really matters. It is the very unstructured nature of this that makes it work. Each of their dreams offers us a different - sometimes amusing, sometimes rather violent - short story as the group try to sit down to eat. Personally, I was rather fond of the gardening Bishop "Dufour" (Julien Bertheau) who seems to flit between his religious and gardening garb as if by magic. The dialogue isn't maybe the best, but the scenarios and a lot of imagination from director Luis Buñuel combine to offer us something that is quirky and entertaining. It doesn't really need a cinema screening - the production and photography are fine but really this is all about some whacky characterisations that don't always make sense, but do engage.
Reviewed by Lejink 8 / 10

Six Characters In Search of A Dinner

I'll be honest, I mostly like my movies to be conventional which simply means to me that they should have a beginning, middle and ending, plus a credible plot and believable characters. I've never cottoned on to the cinema of the surreal or the absurd and have always thought you can keep all that Coen Brothers or Pedro Almodovar stuff away from my door.But, I live in Spain now and I have a learned Spanish neighbour who has encouraged me to watch some Spanish cinema particularly the films of Bunuel and so a few months ago I made a point of watching his earlier work "Viridiana" which I very much enjoyed and deciding to dip into his repertoire again, selected this particular movie, even if it was produced in France, as it seems to be his best known and perhaps most celebrated work. So glad I did.Did I perceive every nuance of the director's intentions? Probably not. Did I understand the bigger arguments he was making, which to be fair is pretty much all there in the title? I think so though I can't be sure. Was I kept watching all the way through down to the delicious combination of intrigue, amusement and curiosity? Absolutely!The narrative is simple. Three male-female couples want to sit down to dinner in modern-day France. The males are all in some way connected to the governance of an imaginary French protectorate in South America called Miranda with the most prominent among them being Fernando Rey as the country's ambassador, but all six are of the distinctly upper class set.But don't be fooled into thinking that these suited and booted individuals are pillars of society. Far from it. As well as apparently having designs on each other's wives we also see that the three men are involved in the illegal trafficking of heroin.It seems that every time they sit down to eat, an ever more bizarre outside intervention takes place before they can put the food to their lips. Much later Bunuel interjects into the narrative the dreams of a young French army officer who just happens along and then the daydreams of the lead characters themselves some of which in fact overlap the dreams of the others. Some of these are eerie, while others are comical.If pushed, yes I can see the film attacking the governing elite, here shown as corrupt and without morals, but it's more the individual scenes that stay in the memory such as the shocking sequence when the local bishop, who joins the group, oddly enough as a gardener, later cold-bloodedly shoots dead an already dying man after he learns that years ago the man was the never-caught killer of his own parents or when the six are slaughtered Romanov-style by presumably Miranda freedom-fighters near the end.But I also love the comic touches like when the group discover themselves playing themselves on stage in front of a baying audience, or when an important telephone conversation is drowned out by the sound of aircraft flying overhead in an almost Woody Allen-type moment. The funniest of many in the film for me was the sight of Ray's character giving himself away to the Miranda assassins by reaching up to the table under which he is concealed for a piece of duck he's waited all movie-long to taste.Listen, don't ask me to write an essay on this film. All I know is that I found it very original, entertaining and funny in equal measure. A moveable feast in fact.
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