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One too many nights.
dbdumonteil
A first version was filmed in 1927,but it seems forever lost.Now only Chenal's version is relatively easy to see.Made just before "le dernier tournant" (the…
A first version was filmed in 1927,but it seems forever lost.Now only Chenal's version is relatively easy to see.Made just before "le dernier tournant" (the first version of "the postman always rings twice"),"la maison du Maltais has got a pretty good reputation.Does it deserve it?Much more than "l'alibi' (1937)...but much less than "la foire aux chimères" (1946).In a chocolate box Arabian country -which recalls Duvivier's "pepe le moko" which also features chanteuse Frehel- a poetic young dreamer falls in love with a whore,Safia, with whom he dreams of a home and a family,in his father's house ,the magic "maison du Maltais".He gets Safia pregnant but ,as he does not come back from a dubious voyage (smuggling),she leaves the country for France where she marries a chic wealthy man.This is pure melodrama and John Stahl would not disown it;everything's here:the prostitutes in their brothel,trying to make ends meet;the unfortunate girl,dying in her hospital bed;the gentleman who believes the little girl is his daughter;a blackmailer.Matteo lives in another world,the world of the tales from the Arabian nights;when he awakes ,it's too late.Safia is told that the only way to get by is not to tell the truth to men.As always in a Chenal's movie,the cast is first-class:Dalio,Renoir's favorite actor as Matteo;Vivianne Romance,who often gets parts of a bitch displays a lot of humanity here:she almost plays two parts,the hooker and the socialite;Louis Jouvet in a short part of a private eye(and blackmailer).Some scenes are close to fantastic and predates Chenal's towering achievement "la foire aux chimères" :Safia,leaving her hard-won bourgeois manners home ,and playing the hooker again to fool Matteo;the "maison du Maltais" which seems to come from the Arabian tales;the strange dummy which Matteo's pals use to ridicule him.
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★ 7 / 10
Love Is Not Enough
boblipton
Marcel Dalio in the son of a sponge diver in Sfax. He is a dreamy fellow who tells tales in the market, fed by the merchants, dreaming of a beautiful princess.…
Marcel Dalio in the son of a sponge diver in Sfax. He is a dreamy fellow who tells tales in the market, fed by the merchants, dreaming of a beautiful princess. He finds her in Viviane Romance, a prostitute, who is charmed by his mystic manner. For eight days they are happy, while he toils in unaccustomed labor in the harbor. Then she tells him she has fallen pregnant. To raise money, he goes on a gun smuggling run, but he is gone too long. Convinced he is dead, she goes off to Paris with wealthy archeologist Pierre Renoir, first as his mistress, then his wife and mother of what he thinks is his daughter. But after three years, Dalio follows her to Paris.
Pierre Chenal's movie is yet another variation on the Erde, the beautiful woman who destroys the foolish men who love her, but it's certainly evolved from earlier versions like Dietrich in THE BLUE ANGEL and Louise Brooks in PANDORA'S BOOK. Although Mlle Romance is a prostitute at the beginning, she does care about her fellow sex worker, Jany Holt, and she is transformed by Dalio's love. But when he disappears, gloomy thoughts about the child's future sear away the transformation. Her changes are not noble, but they are understandable, and Louis Jouvert as a blackmailing private detective she hires when she catches wind of Dalio's presence in Paris reminds us that no matter how we may wish to change, the world will not let us.
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★ 7 / 10
A Fine Cast In A Tale About Love Being Insufficient
boblipton
Marcel Dalio in the son of a sponge diver in Sfax. He is a dreamy fellow who tells tales in the market, fed by the merchants, dreaming of a beautiful princess.…
Marcel Dalio in the son of a sponge diver in Sfax. He is a dreamy fellow who tells tales in the market, fed by the merchants, dreaming of a beautiful princess. He finds her in Viviane Romance, a prostitute, who is charmed by his mystic manner. For eight days they are happy, while he toils in unaccustomed labor in the harbor. Then she tells him she has fallen pregnant. To raise money, he goes on a gun smuggling run, but he is gone too long. Convinced he is dead, she goes off to Paris with wealthy archeologist Pierre Renoir, first as his mistress, then his wife and mother of what he thinks is his daughter. But after three years, Dalio follows her to Paris.
Pierre Chenal's movie is yet another variation on the Erde, the beautiful woman who destroys the foolish men who love her, but it's certainly evolved from earlier versions like Dietrich in THE BLUE ANGEL and Louise Brooks in PANDORA'S BOOK. Although Mlle Romance is a prostitute at the beginning, she does care about her fellow sex worker, Jany Holt, and she is transformed by Dalio's love. But when he disappears, gloomy thoughts about the child's future sear away the transformation. Her changes are not noble, but they are understandable, and Louis Jouvert as a blackmailing private detective she hires when she catches wind of Dalio's presence in Paris reminds us that no matter how we may wish to change, the world will not let us.
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