La grande illusion

1937 [FRENCH]

Action / Drama / War

22
Rotten Tomatoes Critics - Certified Fresh 97% · 74 reviews
Rotten Tomatoes Audience - Upright 92% · 10K ratings
IMDb Rating 8.0/10 10 41336 41.3K

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Plot summary

A group of French soldiers, including the patrician Captain de Boeldieu and the working-class Lieutenant Maréchal, grapple with their own class differences after being captured and held in a World War I German prison camp. When the men are transferred to a high-security fortress, they must concoct a plan to escape beneath the watchful eye of aristocratic German officer von Rauffenstein, who has formed an unexpected bond with de Boeldieu.

Director

Top cast

Carl Koch as L'ordonnance de von Rauffenstein
Erich von Stroheim as Le captaine von Rauffenstein
Marcel Dalio as Le lieutenant Rosenthal
Jean Gabin as Le lieutenant Maréchal
720p.BLU 1080p.BLU
1.02 GB
988*720
French 2.0
Not Rated
Subtitles us  
24 fps
1 hr 53 min
Seeds 6
1.89 GB
1472*1072
French 2.0
Not Rated
Subtitles us  
24 fps
1 hr 53 min
Seeds 52

Movie Reviews

Reviewed by CinemaSerf 7 / 10

Very much more of a character-driven look at

Very much more of a character-driven look at the experiences of French prisoners during the first world war. The inmates represent - much as did their army - soldiers from all aspects of life. The aristocratic Pierre Fresnay as "Boeldieu", Jean Gabin "Maréchal" and Marcel Dalio "Rosenthal" as the more down to earth captives - but all proud Frenchmen with their own determination to escape their imprisonment. The film features many of their valiant escape attempts; along with providing us with quite an interesting illustration of the toughness of their existence and the diversions they sought from the terminal ennui. "Boeldieu" forms an unlikely, respectful relationship with the Commandant - Erich von Stroheim; a fellow aristocrat who feels himself a failure for ending up as a glorified jailor rather than fighting gallantly on the battlefield. On a basic level, it is really quite routine; and the ending almost incidental: what makes this distinctive is the way the story interweaves the decline of a centuries old class system; the chivalric honour between opponents being a thing of the past. This is very much about "Egalité" and "Fraternité" in order to secure "Liberté" and is told in as sympathetic a fashion as it is possible given the gritty peril of their circumstances. Gabin and von Stroheim are particularly effective as is Joseph Kosma's score and the tightly focussed direction on just a few central characters really does give this a sense of purpose.
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Reviewed by clanciai 10 / 10

The first great and unsurpassed film of prisoners of war, focussing on gentlemanly soldiery

For me, this is Jean Renoir's ultimate masterpiece, although he made many. Critics generally prefer "La règle du jeu" a few years later, which maybe reveals even greater virtuoso direction, but "La grande illusion" is deeper and more human and made with considerable compassion. What is the great illusion really? It's difficult to pinpoint this, but it has to do with the silent gentlemen's agreement between officers in war. The drama lies in the relationship between Erich von Stroheim, in the finest acting performance of his life, and Pierre Fresnay, today almost only remembered for this film, as the French officer, He and Jean Gabin with many others end up in a German prison camp during the first year of the first world war and spends the following years trying indefatigably to escape. This is the first great film of prisoners of war and perhaps the greatest. The first half of the film just shows off their ways of making their life in a prison camp as endurable as possible, there is a hilarious scene when they provide some entertainment dressed up as women, but the second half becomes more serious, as the most incorrigible prisoners, like Jean Gabin and Pierre Fresnay, are transferred to a prison fortress in the mountains. They have met Erich von Stroheim before, but here he is now two years later a handicapped disillusioned commandant, who grieves for his loss of capacity to fight in the war. He and Fresnay find each other, they have had the same mistress in Paris, and there is a deep a mutual respect between them for each other, which makes Fresnay reluctant to follow his fellows on a daring escape, since he knows Stroheim is relying on his word as a gentleman.

But the greatest golden character of the film lies in its extreme realism of almost a documentary character. The prisoners and officers speak French, German, English and Russian, and the life inside the prison camp is caught with an authenticity which is baffling in its natural spontaneity, which is all due to Renoir's wonderful direction. The film with its great story couldn't have been made more convincing.

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