Joker: Folie à Deux

2024

Crime / Drama / Musical / Thriller

147
Rotten Tomatoes Critics - Rotten 31% · 373 reviews
Rotten Tomatoes Audience - Spilled 31% · 5K ratings
IMDb Rating 5.2/10 10 188309 188.3K

based on comic asylum sequel villain musical madness

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Plot summary

While struggling with his dual identity, Arthur Fleck not only stumbles upon true love, but also finds the music that's always been inside him.

Director

Todd Phillips Photo
Todd Phillips

Top cast

Hudson Oz Photo
Hudson Oz as Joker Doppelganger
Joaquin Phoenix Photo
Joaquin Phoenix as Arthur Fleck
Brendan Gleeson Photo
Brendan Gleeson as Jackie Sullivan
Zazie Beetz Photo
Zazie Beetz as Sophie Dumond
720p.BLU 1080p.BLU 720p.WEB 1080p.WEB 1080p.WEB.x265 2160p.WEB.x265
1.24 GB
1280*674
English 2.0
R
Subtitles us  fr  hu  
23.976 fps
2 hr 18 min
Seeds 21
2.54 GB
1920*1012
English 5.1
R
Subtitles us  fr  hu  
23.976 fps
2 hr 18 min
Seeds 39
1.24 GB
1280*694
English 2.0
R
Subtitles us  fr  hu  
23.976 fps
2 hr 17 min
Seeds 26
2.54 GB
1920*1040
English 5.1
R
Subtitles us  fr  hu  
23.976 fps
2 hr 17 min
Seeds 14
2.3 GB
1920*1040
English 5.1
R
Subtitles us  fr  hu  
23.976 fps
2 hr 17 min
Seeds 100+
6.16 GB
3840*2080
English 5.1
R
Subtitles us  fr  hu  
23.976 fps
2 hr 17 min
Seeds 58

Movie Reviews

Reviewed by YearOneFun 1 / 10

Both **JOKER** movies were clickbait. he is not

both **JOKER** movies were clickbait. he is not the joker & she is not Harley. (they are Arthur & Lee) ?**that's what you get for overhyping first movie!** ??
Reviewed by Manuel São Bento 4 / 10

FULL SPOILER-FREE REVIEW @ https://talkingfilms.net/joker-folie-a-d...

FULL SPOILER-FREE REVIEW @ https://talkingfilms.net/joker-folie-a-deux-review-an-ambitious-musical-failure/ "Joker: Folie à Deux holds immense technical and artistic merit, but it fails to replicate the success and impact of the original. Todd Phillips’ boldness in turning the film into a musical is admirable, but the execution ends up being incoherent, with abrupt transitions between the dark drama and the musical numbers, resulting in a jarring experience, made even more frustrating by the studio’s embarrassing secrecy about the movie’s format. While visually impressive and with standout performances from Joaquin Phoenix and Lady Gaga, the lack of thematic and character development makes this sequel an ambitious yet ultimately disappointing attempt that adds little to the thought-provoking study presented in 2019." Rating: C-
Reviewed by CinemaSerf 6 / 10

I was going to go and see the

I was going to go and see the first Joaquin Phoenix outing as the "Joker" (2019) to remind my self of who did what to whom, but I didn't have time. I think I am glad because I recall that being so very much better than this. Here, we pick up after "Fleck" (Phoenix) has been on his clown-faced slaughtering spree and is in prison supervised by prison officer "Jackie" (Brendan Gleeson). His lawyer "Maryanne" (Catherine Keener) is trying to have him declared competent to stand trial for his crimes so she can plead some sort of personality disorder defence - he's not "Fleck" when he's the "Joker" sort of thing. Thing is, he encounters "Lee" (Lady Gaga) at a prison sing-a-long and she manages to ingratiate herself with him and then to derail that plan ensuring the plot twists it's way into the courtroom where his conviction for multiple homicides quickly appears as inevitable as there being a song in the film. Now I did like the soundtrack, but by the way Todd Phillips has presented this, it might as well have been either Tony Bennett or Newley who took on the leading role as her part is largely a series of entertainingly photographed music videos with the thinnest slices of meat constituting a weak story in between. It's a love story, I suppose, but that wasn't really what I turned up to see. There's loads of excess, but no menace or jeopardy and the character's previous adeptness at treading the thin line between sanity and madness isn't really developed at all here. He comes across more as a pathetic, emaciated, prisoner whose flame has well and truly gone out. His legal antagonist (Harry Lawtey) looks about eleven years old but that doesn't really matter either as the judicial proceedings themselves offer us little by way of sustaining drama, even as we build to a denouement that offers the tiniest bit of hope then... It's a stunning piece of cinema, money has been spent and there's imagination a-plenty from the production's designers. It's just too much of a jigsaw of a film with too little plot serving as a vehicle for an album boxed-set that's doubtless ready to hit the shops.
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